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Hell Train

3.54 of 5 stars 3.54 · rating details · 153 ratings · 41 reviews

Imagine there was a supernatural chiller that Hammer Films never made. A grand epic produced at the studio’s peak, which played like a cross between the Dracula and Frankenstein films and Dr Terror’s House Of Horrors... Four passengers meet on a train journey through Eastern Europe during the First World War, and face a mystery that must be solved if they are to survive. A...more

Paperback, 320 pages

Published December 27th 2011 by Solaris (first published December 23rd 2011)

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Adult Fantasy & Sci-Fi 2012

129th out of 347 books — 597 voters

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May 03, 2012 Colin Leslie rated it 4 of 5 stars

The recent revival of Hammer Films (The Woman In Black, The Resident, Wake Wood) has been very welcome but for most folk it's still the output from its heyday in the 1960's that fascinates. So Christopher Fowler's novel Hell Train, set in that world of swinging sixties Hammer, should be a delight for fans but does it live up to expectations?

Ostensibly a novel about a Hammer film script that was never made, the book is actually made up of two interwoven narratives. The story of the scripts creati...more The recent revival of Hammer Films (The Woman In Black, The Resident, Wake Wood) has been very welcome but for most folk it's still the output from its heyday in the 1960's that fascinates. So Christopher Fowler's novel Hell Train, set in that world of swinging sixties Hammer, should be a delight for fans but does it live up to expectations?

Ostensibly a novel about a Hammer film script that was never made, the book is actually made up of two interwoven narratives. The story of the scripts creation, set in the Hammer studios at Bray, introduces us to many of the key Hammer figures both on-screen and behind the scenes and although clearly fictional there is some lovingly accurate portrayals of the people and places that brought those fantastic films to our screens.

But it's the Hell Train script itself which takes up the bulk of the book. Set in wartime (First World War) eastern Europe the plot introduces a cast of characters thrown together by circumstance to seek refuge on the Arkangel, the last train out of town before the invading forces arrive. Only problem is none of them know the train's final destination although the title may give the reader a clue. It's an action packed trip as the passengers face various trials, often with very unpleasant consequences. The portrayal of the threat of devastating war is nicely balanced against the even greater, supernatural threats faced by the passengers giving the whole book an ominous air.

The main characters are interesting, most with their own flaws which form the basis of the tests as they are pitted against the supernatural forces guiding the train. The Eastern European background is a clever nod to the anonymous villages which crop up in many Hammer films, complete with ageing inn owner, his innocent daughter and a cast of suspicious locals. It's an example of the clever nods to the original films that work very well in the book. It's easy to imagine Michael Ripper as a villager in the opening scenes or one of the many Hammer beauties (mmm....Caroline Munro) as his "innocent" daughter.

A couple of things didn't work so well for me. One, the gore is often turned up to eleven and while Hammer films had a reputation for (Kensington) gore it looks pretty tame these days, the scenes in this book would not be out-of-place in one of the Saw films. That might be explained by the script supposedly being written to give the censors something to cut but for me it slightly contradicts the feeling of authenticity. The second issue is length, not the length of the book but the length of the scenes from the film. Hammer films benefited greatly from brevity but the scenes in this book do feel like they go on too long, again breaking that spell of Hammer authenticity.

Plus points are definitely the clever nods to the workings of Hammer and the resurrection of some of the key figures involved at the time but a couple of minus points for the film script itself which appeared to be written with a modern audience in mind rather than the recreation of the lost Hammer classic it purports to be. Never the less an enjoyable trip back to a classic period for horror and a very enjoyable book in its own right, one that Hammer fans will thoroughly enjoy.

Rating 4 out of 5
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Apr 06, 2012 Tim Pendry rated it 4 of 5 stars

Shelves: british, dark-fantasy, horror, film-television, popular-culture

Christopher Fowler is not always a consistent writer but what he does do very well is gut existential horror, the sort that really suggests the possibility of loss and despair.

This novel spends its first third being a tolerable pastiche of the Hammer genre (deliberately so) but it really takes off around page 100.

What can be said straightaway is that he has made a real effort to understand the Hammer Horror studio, its history, its business and its 'memes'. The picture he draws matches precisel...more

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Feb 22, 2012 Carissa rated it 4 of 5 stars

Shelves: library-fiction-horror

Synopsis:
An American screenwriter is up for a job at Hammer Studio in 1960s England and to prove his talent he must write a new script for the studio. The movie must showcase the studios actors, notably Christopher Lee and Peter Cushing, must have the requisite amount of horror, gore, and tantalizingly revealed young women, and must be finished in a week. What follows is the script, starting with its own prologue of a girl in Chelmsk finding an old board game in the attic called "Hell Train." Th...more Synopsis:
An American screenwriter is up for a job at Hammer Studio in 1960s England and to prove his talent he must write a new script for the studio. The movie must showcase the studios actors, notably Christopher Lee and Peter Cushing, must have the requisite amount of horror, gore, and tantalizingly revealed young women, and must be finished in a week. What follows is the script, starting with its own prologue of a girl in Chelmsk finding an old board game in the attic called "Hell Train." The game depicts a train starting off in her small town which travels from stops with four passengers on a journey through their sins. The story then follows the four passengers and the tests they must face aboard the "Arkangel," a demonic train on a one-way trip to Hell. Each passenger faces mysteries and horrors created to bring out their worst traits. Along the way, the mystery of the train and its unholy passengers is revealed. How can they get off the train and where will it end? But the ultimate question is "Can the train be stopped?"

Review
The Story:
Early on while reading this story, it seemed like there was an awful lot going on in this story that didn't always fit together. First we start with a fascinating look at Hammer Studio in the 60s, just as their decline from the top of the horror film industry is beginning. Then on to this strange interlude with the girl and the board game. Then the game becomes the actual story, set during WWI in Eastern Europe and following an English married couple, a con-artist Londoner, and a peasant girl facing an imminent marriage and the invasion of her town by soldiers. By chance (or is that Fate?) all four end up onboard the "Arkangel," a train that at first seems normal, albeit unlikely, and then slowly reveals itself as demonic. This story is occasionally interrupted by chapters returning to the scriptwriter. The ending, however, begins to tie it all together, where the little girl with the game board is integral to the people on the train and the scriptwriter uncovers his own little mystery.

Once I finished the book and began thinking back to the early chapters, more facets became clear. Such as how instructions given to the scriptwriter show up through the story. Or how faithful to old horror movies the story is. And that I could see the characters Lee and Cushing would relish playing. What at first seemed a strange cobbling of different tales became a collection that tells a deeper story about the golden age of horror films. And I love it when books become better each time I think about them.

The Writing:
I knew the writing would be good, because I'm a fan of Fowler's Bryant and May PCU series and I enjoy his writing a great deal. I was not disappointed. I was drawn into each aspect of the story, even when questioning their relevance, and Fowler does a great job building suspense and then exploding it across the page in a horrific showdown of good and evil.

Recommendation:
I don't typically read horror as a genre, though some books I enjoy cross over into that genre. I picked up "Hell Train" because I've enjoyed Fowler's other books, and because it was set in WWI, which is a period I've studied. What I was happily surprised to find was a book that went beyond horror and WWI and into the business of movie-making in the 1960s. Having a husband and several friends who are connoisseurs of horror movies, I've seen a number of old Hammer films, and it was fun to envision actors from those films in the roles of characters in the book. I loved the homage paid to the old age of horror, which is still one my favorite periods of films. And I love that I continue to see depth in the book when I think about it even a week after having finished reading it.

For horror enthusiasts, especially those who love the old B-movies, I heartily recommend this movie. To anyone with an interest in the film industry of old, this is a fun read. Even WWI enthusiasts will find the setting unique. And if you like trains, well, the train is one of the most fearful characters in this book. Think Maximum Overdrive on rails. Pun intended. (less)

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Mar 06, 2013 Mark rated it 3 of 5 stars

Shelves: horror

“Imagine there was a supernatural chiller that Hammer Films never made…” This takes that enticing prospect and builds on the conceit brilliantly, with Shane Carter - a screenwriter in 1966 who has been working with Roger Corman - taking on the challenge from Hammer to write a screenplay in five days. What he produces - and we read - is a horror tale set during the First World War. Nicholas is an adventurer, an upper class Englishman who encounters Isabella in a small Eastern European town that i...more

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May 01, 2012 Jeannie and Louis Rigod rated it 4 of 5 stars

The year was 1966 and a screenwriter, Shane Carter arrives in Great Britain to attempt to snag a job with the greatest Horror filmmaker of it's day and age, Hammer Films. Shane notices the decay of the studio, but, this is hard times for the industry all over the world.

Almost too easily Shane is hired to write an epic in less than five days. For inspiration, Shane searches the library where he is set up and finds an old game board "The Hell Train."

The story takes off from that stage to one of t...more

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Feb 01, 2012 Canyonxplorer rated it 3 of 5 stars

I really wanted to love Hell Train. The nostalgia of watching horror double-bills on BBC2 on Saturday nights. The romance of travelling by steam train. However, in the end the book was a victim of the success of the author in mirroring the Hammer and Amicus films of the 1960s. It does a great job of replicating both the plot and atmosphere of films of that era especially those where the story uses the portmanteau format. However, therein lies what is in my opinion the book's flaw as many of the...more

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Feb 18, 2012 Paulo Carvalho rated it 3 of 5 stars

Shelves: abaddon-solaris, horror, not-worth-the-money, trying-to-trade

An Hammer production movie script meets Night Train & Strangers on a Train. This is what I say. I always enjoy watching Hammer films so when I read the synopsis of this book I had to read it. The first read of the year 2012. I had never read anything by this author and after reading this book I will try again I guess (If I have the time).

This story is a story within a story. The story is about a writer who has come from America to write a script for Hammer Production but the great chunk of t...more

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Jun 04, 2012 David Keith rated it 5 of 5 stars

I'm a huge fan of Hammer movies, so this books was written just for me! It's a terrific set up and the author executes it quite well. I devoured this book in two short sittings. But I do have a couple of quibbles. I got confused in some of the action bits as they weren't fully detailed, a bit to sketchy for my tastes. But it does read like a first draft of a screen play which is what it's supposed to be, so that's okay. Not that it's written like a screen play; it's in prose, there's no stage di...more

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Feb 25, 2012 Kristin (MyBookishWays Reviews) rated it 4 of 5 stars

Shelves: horror

You may also read my review here: http://www.mybookishways.com/2012/02/...

The year is 1966, and a screenwriter from the states travels to Hammer studios in the UK, where he is given 5 days to come up with a new horror script for consideration. So begins the story of the Arkangel, a big, dark, beast of a train that travels through Eastern Europe during the horrors of WWl, collecting souls for harvest. Four rather unlucky passengers will meet on the Arkangel and will be put to the test; a test tha...more You may also read my review here: http://www.mybookishways.com/2012/02/...

The year is 1966, and a screenwriter from the states travels to Hammer studios in the UK, where he is given 5 days to come up with a new horror script for consideration. So begins the story of the Arkangel, a big, dark, beast of a train that travels through Eastern Europe during the horrors of WWl, collecting souls for harvest. Four rather unlucky passengers will meet on the Arkangel and will be put to the test; a test that will dictate the fate of their lives, and their souls.

Hell Train was a change of pace for me, and I’m so glad I picked it up. The story begins with a young girl finding a game in her family home containing a mechanical train and game pieces representing the passengers. In spite of her trepidation, she places the passengers on the train and winds it up. We then join our four main characters on the Arkangel. There is Isabella, a beautiful girl from Chelmsk, eager to get away from her arranged marriage and the increasing darkness of her village, Nicholas, a handsome rogue with a shadowy past, and a vicar and his scheming wife. They will encounter a number of horrors aboard the Arkangel, including a casket with a very nasty inhabitant, killer beetles, a lady in red who is as dangerous as she is beautiful, zombie soldiers, and much more. They’ll be forced to confront the darkest parts of their hearts and face their deepest fears if they’re to survive the Arkangel’s descent into Hell.

Christopher Fowler is a pro, and it certainly shows in Hell Train. It’s very well plotted, moves along at a breakneck pace (fitting for a book about a Hell Train, yes?), and his references to classic horror and horror greats, such as Peter Cushing and Christopher Lee will make any horror fan smile. Don’t be fooled by the somewhat campy cover (which I love, by the way). Hell Train covers some serious and disturbing territory, but the author manages to do so without sacrificing (sorry about the pun) the fun that was ever present in classic horror. There are some gruesome scenes, as well, but you’ll have fun cringing (and you will cringe), and rooting for the heroes to escape with their souls intact. Hell Train is a helluva fun ride and not to be missed by horror fans. Even if you don’t consider yourself a horror fan, give this one a try. You just may be surprised!(less)

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Feb 18, 2012 Ade Couper rated it 5 of 5 stars

Now , this is lovely!

Christopher Fowler (@peculiar on twitter...!) is a brilliant writer , & , like me , he's obviously got Hammer Horror as 1 of his guilty pleasures...so , welcome to Hell Train!

The main plot is simple - 4 characters (Nicholas , a deserting soldier , Tom & Miranda , a vicar & his wife , & Isabella , a local peasant girl) are trapped at a railway station in Carpathia in WW1 - there's only 1 train out , & guess where it's going.......

There is a veritable gall...more

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Jan 03, 2012 Paul rated it 5 of 5 stars

Imagine there was a supernatural chiller that Hammer Films never made. A grand epic produced at the studio’s peak, which played like a cross between the Dracula and Frankenstein films and Dr Terror’s House of Horrors…

Four passengers meet on a train journey through Eastern Europe during the First World War, and face a mystery that must be solved if they are to survive. As the Arkangel races through war-torn country side, they must find out:

What is in the casket that everyone is so afraid of? What...more Imagine there was a supernatural chiller that Hammer Films never made. A grand epic produced at the studio’s peak, which played like a cross between the Dracula and Frankenstein films and Dr Terror’s House of Horrors…

Four passengers meet on a train journey through Eastern Europe during the First World War, and face a mystery that must be solved if they are to survive. As the Arkangel races through war-torn country side, they must find out:

What is in the casket that everyone is so afraid of? What is the tragic secret of the veiled Red Countess who travels with them? Why is their fellow passenger the army brigadier so feared by his own men? And what exactly is the devilish secret of the Arkangel itself?

Back in 1989 I was an impressionable fifteen year old and I had just started to develop a passion for reading and a never-ending love for cinema. One of the first books I read, through what I thought at the time were adult eyes, was Roofworld by Christopher Fowler.

Meanwhile my introduction to horror cinema, via a wonderful horror obsessed grandmother, was the works of Hammer. Little did I realise some twenty-three years later these two seemingly unconnected events would find their way back into my life.

Hell Train starts with an intriguing premise. American screenwriter Shane Carter has left Hollywood and come to the UK during the ‘swinging sixties’, when Hammer Films are at the zenith of their popularity. He is given the opportunity to write a script for the studio. It is the story of the Hell Train, The Arkangel, he writes and this forms the main body of the novel.

I don’t want to give away too much plot detail but suffice to say that the four main protagonists fall nicely into the well-established stereotypes you would expect to find in many Hammer films. Just remember that Hell Train is meant as a homage and everything will make perfect sense. There is the innocent wide-eyed female villager, the womanising army deserter, a weak willed vicar and his over-bearing wife. Each character has their own secrets and flaws and these are revealed as the story unfolds. This is where a novel gets the opportunity to excel over the visual medium of film. Readers get a deeper glimpse into the motivations of the characters. We get to learn more of their back story and their reasons for boarding the train the first place.

Interspersed throughout the main narrative we get a few occasional jumps back to Shane as he continues to write. I have to admit the first time this happened I was so engrossed in the goings on aboard the Arkangel this caught me completely off guard. Kudos to Christopher Fowler, I had all but forgotten that this was a story taking place within the confines of another story. It was also an unexpected and pleasant surprise to have the likes of Peter Cushing and Christopher Lee appear in cameo. The suggestion of their proposed roles in the Hell Train movie was a particularly nice touch.

Hell Train is a visceral love letter to Hammer Films. If you have ever been entranced by any one of Hammer’s classic movie outings, then you will adore this novel. Personally the thing I remember most about my exposure to Hammer’s films was their constant use of bright vivid colours, especially the bloody reds. There is plenty of that here. It’s rare that you read a book that feels like it has successfully captured that feeling in its imagery. Hell Train feels like it has been written in glorious full screen technicolour.

The storytelling in Hell Train perfectly recreates the atmosphere of sixties horror cinema. With reverential nods not just to Hammer, but also to the portmanteau style film making of Amicus, every page contains horrific delights to discover. Characters are dispatched with the manic glee you would find in any one of the films. I’ll happily admit that within minutes of finishing reading the book I found myself on the Hammer Films website, keen to refresh my memory of their magnificent output and learn more about their contribution to the British film industry.

I’ve been waiting to read Hell Train since I first heard about it at the tail end of 2010. Now I can confirm, what I already suspected, that the wait was well worth it. This was a great novel to kick off 2012 with. Christopher Fowler continues to deliver expertly crafted, gripping work. Now all we need to do is convince someone over at Hammer that the film version of Hell Train really needs to be made. We’ll get Christopher Fowler to write the script and direct. It’ll be great.

Still have book vouchers left over from Christmas? Hell Train is published by Solaris Books and is available from 5th January 2012.(less)

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Mar 30, 2012 Shawn Manning rated it 4 of 5 stars

This was a different kind of horror novel. It's really a great love letter to the old Hammer horror movies, in particular, their anthologies. However, the modern horror fan will also be pleased as the author doesn't stint on the gore. There is also a dash of humor, that I found out of place given the tone of the story, but it made me laugh nonetheless. When I was finished with Hell Train I wanted nothing more than to sit down and re-watch those old Christopher Lee & Peter Cushing films.

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Mar 28, 2012 David J Corwell rated it 4 of 5 stars

Great horror novel, definitely in a similar vein as Hammer's other monster classics. With its motley crew of deadly and monstrous passengers, this is one train you don't want to board. I especially loved the short cameo appearances of Christopher Lee and Peter Cushing, discussing their roles in the proposed "film." The prose is sometimes hard to follow, as are the transitions between the frame story and the main plotline, but overall, a well written, entertaining book.

Shortly after finishing th...more

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Nov 29, 2012 Neil Robarge rated it 3 of 5 stars Recommends it for: Horror Fans

Recommended to Neil by: My mom

Shelves: first-semester-books

I thought the story of the abandoned tale was hard for me to follow. I am only 13 years old and this book is meant for adults, but I still think it should've been easier to follow the story. What I got from this book is that the main story of the book is a horror movie that Hammer Horror Films abandoned because they didn't think that it was worth the money. The only part of this book that I could really follow was the part where Nicholas meets Isabella in a small rotten town, where women are tre...more

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Mar 17, 2012 Mark Waters rated it 4 of 5 stars

Fans of classic Hammer movies will love this evocation of Bray Studios at its height with a dark fable of human frailty woven through the pages in a portmanteau style. Very much a homage to the Hammer and Amicus movies of the 1950s and 1960s this sees the classic stiff upper lipped Brits in peril in a vaguely Romanian Eastern European setting aboard a possessed train hurtling towards damnation.
All will be tested but who will save their soul?

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Nov 21, 2012 MaryAnn rated it 3 of 5 stars

I liked the beginning of this book so much I had really high hopes. Unfortunately it went downhill from there in terms of obvious plot twists, but I did enjoy the framing device(s) used and the kind of meta discussion of the portmanteau film. The idea that the bulk of the story was a film treatment helped ease some of the gore/over the top writing. I look forward to reading some of Fowler's other works.

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May 21, 2012 Jen rated it 3 of 5 stars Recommends it for: classic horror fans

This is a well-written, fast moving horror story that reminded felt like a gorier version of the stuff I watched on Creature Feature as a kid. Fowler's intention (I'm asssuming) was to evoke that sixties horror vibe and he did so very successfully. Sit back, imagine the characters being played by Peter Cushing, Christopher Lee and heck, even some Vincent Price for good measure (look 'em up, kids), and enjoy a gruesome, scary tale.

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Jun 18, 2012 Stephanie rated it 2 of 5 stars

Shelves: 2012, april

I enjoyed the film setting, and the classic, creepy style of horror writing. But Nick and Isabella just didn’t speak to me as characters, particularly in their, as a colleague said, “depth of loyalty,” and the whole plot device seemed so flimsy. Cheesy and creepy and gory like an old B movie? Yes. Superb horror? No.

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Jul 21, 2012 David Jordan rated it 2 of 5 stars

I quit reading this with about 100 pages to go. It's not interesting to me. Not terrible, but I'd rather watch a movie version of it. I was intrigued by the tie-in with Hammer Films, but I wouldn't like to read a novelization of, say, "Taste the Blood of Dracula."

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Jan 20, 2012 Louise rated it 4 of 5 stars

really liked this one, it had a nice dated feel to it, which suited the horror book without too much gag inducing horror... no shock tactics, just good old fashioned story telling.
a train ride to hell is a great idea, well done Fowler, fab book.

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Dec 12, 2012 Brian Williams rated it 2 of 5 stars · review of another edition

This is an offbeat story presented in the story-within-a-story way. The horror story was good -- lots of suspense-- and was way over the top. I cannot figure out the need for the rest of the structure, other than to introduce the main story.

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Jun 24, 2012 Frazer Lee rated it 5 of 5 stars

Fowler's rip-roaring yarn is truly the Hammer film that time (and, sadly, the development executives) forgot, with enough camp to fill Glastonbury Festival, plenty of claret to satisfy the gorehounds, and characters presented in glorious Technicolor. The prose leaps off the page, with rapier-sharp humour (see the description of the Henley housewife's love life) and touching nostalgia (ditto the description of Thorley Walters). Truly a thrill ride!

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Aug 17, 2012 Gary rated it 3 of 5 stars

As insight into the workings of Hammer Studios in the late 60s, this is great. As a horror novel, this borders on OTT. More Hammer, less Horror might have been better.

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Aug 09, 2012 Kay added it

Hugely fun horror novel with driving pace and gripping grisliness.

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Jun 30, 2012 Mark Birchall rated it 4 of 5 stars

great read for anyone who grew up watching the hammer horror films of the sixties and seventies.

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Jun 25, 2012 Lynne - The Book Squirrel rated it 5 of 5 stars

Not read a horror book in ages so this was refreshing.

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Jan 18, 2012 Honorio rated it 4 of 5 stars

A hell of a ride!!!

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Dec 30, 2011 Tamahome marked it as to-read

Cute cover.

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Feb 10, 2012 Mary rated it 4 of 5 stars

Shelves: library

I really liked this horror book, it had a very well thought out build up and a great atmosphere. A great nod to the genre.

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Apr 21, 2012 Chelsea rated it 5 of 5 stars

Shelves: supernatural, horror, adult, historical

I absolutely loved Hell train! It was so creepy! Had everything that I could possibly want out of a horror book!

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About Christopher Fowler

Christopher Fowler is an English novelist living in London, his books contain elements of black comedy, anxiety and social satire. As well as novels, he writes short stories, scripts, press articles and reviews.

He lives in King's Cross, on the Battlebridge Basin, and chooses London as the backdrop of many of his stories because any one of the events in its two thousand year history can provide ins...more

More about Christopher Fowler...

Books by Christopher Fowler

The Victoria Vanishes (Bryant & May, # 6)

Seventy-Seven Clocks (Bryant & May, # 3)

Ten Second Staircase (Bryant & May, # 4)

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