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  <id>106374</id>
  <title><![CDATA[The Tesseract]]></title>
  <isbn><![CDATA[1573227749]]></isbn>
  <isbn13><![CDATA[9781573227742]]></isbn13>
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  <description><![CDATA[One of the most acclaimed thrillers of the year...<br/><br/>The &quot;extraordinary&quot;* national bestseller by the award-winning author of <em>The Beach</em>.<br/><br/>&quot;Riveting...<em>The Tesseract</em> offers myriad secret pleasures beyond its seemingly plot-driven narrative of intrigue in the streets of Manila.&quot;-<em>San Francisco Chronicle Book Review</em><br/><br/>&quot;<em>The Tesseract</em> has the traits of a thriller, but it's also a love story, a character study, a portrait of life among Manila's street kids, even an experiment in narration...a feverish, affecting, altogether captivating story....What really makes <em>The Tesseract</em> so gripping is the author's dazzling performance as a storyteller-not the bloody climaxes per se but the innovative techniques and deft changes of pace with which they are related. This is one of those rare novels that can be read for thrills but also taken apart and examined the way a jeweler does a fine watch. Garland also lavishes his characters with quirks that ring true, outbursts of human oddity that transform a moment that most authors would rush past into something memorable...all but flawless, a tour de force of brilliant narration and psychological acuity.&quot;-i&gt;The Washington Post&lt;/i&gt;<br/><br/> &quot;Virtuosic...cinematic, poetic, terrifyingly precise.&quot;-<em>The New York Times Book Review</em><br/><br/>&quot;Bristles with suspense...mature, intelligent, and rewarding.&quot;-<em>People</em><br/><br/>&quot;[A] swift psychological thriller...beautifully rendered.&quot;-<em>Spin</em><br/><br/>&quot;Powerful, exotic...unfold[s] like a corrupt and mysterious flower.&quot;-J.G. Ballard<br/><br/>&quot;Thoroughly assured...violently entertaining.&quot;-Michiko Kakutani, <em>New York Times</em><br/><br/>&quot;A steam engine of a narrative.&quot;-<em>Newsweek</em><br/><br/>&quot;Reminiscent of Graham Greene.&quot;-<em>The New Yorker</em><br/><br/>&quot;Delivers tremendous speed and style.&quot;-<em>Dallas Morning News</em><br/><br/>&quot;A dangerously hot novel.&quot;-<em>The Christian Science Monitor</em><br/><br/>&quot;Inventive and compelling.&quot;-<em>Los Angeles Times</em><br/><br/>&quot;A dashing tour de force.&quot;-<em>St. Louis Post-Dispatch</em><br/><br/>&quot;Richly emotional.&quot;-<em>Harper's Bazaar</em><br/><br/>&quot;[A] page-turner.&quot;-<em>Time Out New York</em>]]></description>
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  <original_publication_year type="integer">1998</original_publication_year>
  <original_title>The Tesseract</original_title>
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    <id>5684</id>
        <name><![CDATA[Alex Garland]]></name>
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      <review>
  <id>45591872</id>
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    <name><![CDATA[Gregg]]></name>
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  <title>
    <![CDATA[The Tesseract]]>
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  <average_rating>3.25</average_rating>
  <ratings_count>736</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[Matt (maybe)]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
  <date_added>Fri Feb 06 15:21:46 -0800 2009</date_added>
  <date_updated>Fri Feb 06 15:24:26 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A novel whose reach perhaps exceeds its grasp, but delivers nonetheless. Alex Garland writes of three divergent stories in Manila: a couple of beggar kids, an Australian waiting to do a drug deal, and a native woman doctor struggling with memories of a previous love affair. Garland weaves together t...<a href="http://www.goodreads.com/review/show/45591872">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/45591872]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/45591872]]></link>
</review>
      <review>
  <id>80124563</id>
    <user>
    <id>849290</id>
    <name><![CDATA[Chastity]]></name>
    <location><![CDATA[Elk Grove, CA]]></location>
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  <title>
    <![CDATA[The Tesseract]]>
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  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <read_at>Sun Dec 13 00:00:00 -0800 2009</read_at>
  <date_added>Sun Dec 06 19:12:07 -0800 2009</date_added>
  <date_updated>Mon Dec 14 12:55:37 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[What interested me most about this book was that it was set in the Philippines and Tagalog was used in the narrative. Some of the words aren’t spelled correctly and  most times, if you didn’t understand the language, the meaning wasn’t defined—which I found odd. The book was good enough, but...<a href="http://www.goodreads.com/review/show/80124563">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/80124563]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/80124563]]></link>
</review>
      <review>
  <id>61542653</id>
    <user>
    <id>177596</id>
    <name><![CDATA[Oceana2602]]></name>
    <location><![CDATA[Germany]]></location>
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    <book>
  <id type="integer">8763</id>
  <isbn>0140258426</isbn>
  <isbn13>9780140258424</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[The Tesseract]]>
  </title>
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  <link>http://www.goodreads.com/book/show/8763.The_Tesseract</link>
  <average_rating>3.06</average_rating>
  <ratings_count>100</ratings_count>
  <description>
    <![CDATA[A single evening in Manila hints at shared consciousness and the circular nature of  time and experience. More ambitious than his successful debut, <em>The Beach</em>, Alex  Garland's second novel follows three seemingly disparate stories that converge just this side of  possible. Opening pages are reminiscent of a Raymond Chandler detective story: the dirty hotel  room that &quot;didn't know it was a hotel, or had forgotten&quot;; the flinty, deep thinking protagonist; a  meeting with rough-cut thugs. But just when we expect the arrival of the stock sultry woman, the  cast of characters begins to assume the more recognisable aspects of ordinary life--to eerie  effect. <p> Garland shows a talent for finely crafted phrases that emboss an image and encapsulate a  moment. One minor character's brief sensory flashback provides more human insight than the  pages of descriptive overload in the usual thriller. <em>The Tesseract</em> is an exciting tale that  never stoops to the level of popcorn storytelling. --<em>Samantha Starmer</em></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon Jun 29 14:24:41 -0700 2009</date_added>
  <date_updated>Fri Dec 18 05:23:01 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Years ago (a long time before the movie which I never saw), I got Garland's &quot;The Beach&quot; from the local library and was completely blown away by it. That book had a tremendous meaning to me, for reasons that I would be happy to explain if I were reviewing &quot;The Beach&quot; (which I don'...<a href="http://www.goodreads.com/review/show/61542653">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/61542653]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/61542653]]></link>
</review>
      <review>
  <id>15240135</id>
    <user>
    <id>900340</id>
    <name><![CDATA[Nancy]]></name>
    <location><![CDATA[Hobe Sound, FL]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/900340-nancy]]></link>
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  <title>
    <![CDATA[The Tesseract]]>
  </title>
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  <link>http://www.goodreads.com/book/show/243257.The_Tesseract</link>
  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Tue Feb 12 09:23:57 -0800 2008</date_added>
  <date_updated>Tue Feb 12 09:23:57 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Set in the Philippines, the story focuses on three very different groups of people from different walks of life, and who probably should never in real life have any reason to meet each other, but do here through a bizarre set of circumstances. Throughout the narrative, I got the feeling that each of...<a href="http://www.goodreads.com/review/show/15240135">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/15240135]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/15240135]]></link>
</review>
      <review>
  <id>14668036</id>
    <user>
    <id>878275</id>
    <name><![CDATA[Technoferal]]></name>
    <location><![CDATA[Colorado Springs, CO]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/878275-technoferal]]></link>
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  <isbn>1573221090</isbn>
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  <title>
    <![CDATA[The Tesseract]]>
  </title>
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  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[anyone]]></recommended_for>
  <recommended_by><![CDATA[The bargain bin@the bookstore]]></recommended_by>
  <read_at></read_at>
  <date_added>Tue Feb 05 16:37:33 -0800 2008</date_added>
  <date_updated>Sat Feb 23 00:25:12 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Interesting. Garland captures the essence of places&amp;situations in a way the reader can palatably feel;he does the fright deal straight up directed towards my generation, yet it does not come across as <strong>PULP</strong>('tho there is something to be said for that genre, but Garland is pure human psychology,&amp;dare ...<a href="http://www.goodreads.com/review/show/14668036">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/14668036]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/14668036]]></link>
</review>
      <review>
  <id>38427797</id>
    <user>
    <id>131799</id>
    <name><![CDATA[Emily]]></name>
    <location><![CDATA[Concord, CA]]></location>
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  <id type="integer">243257</id>
  <isbn>1573221090</isbn>
  <isbn13>9781573221092</isbn13>
  <text_reviews_count type="integer">55</text_reviews_count>
  <title>
    <![CDATA[The Tesseract]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173063299m/243257.jpg</image_url>
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  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Nov 23 00:00:00 -0800 2008</read_at>
  <date_added>Sat Nov 22 21:59:07 -0800 2008</date_added>
  <date_updated>Sun Nov 23 21:08:09 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Alex Garland may be one of the best current authors I have read.  I read The Beach twice, and the second time was just as good as the first.  The Tesseract takes place in the Philippines.  Garland tells three separate stories about life there, and brings them together in the end.  Its a little compl...<a href="http://www.goodreads.com/review/show/38427797">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/38427797]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/38427797]]></link>
</review>
      <review>
  <id>77153957</id>
    <user>
    <id>2808376</id>
    <name><![CDATA[Jessica]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2808376-jessica]]></link>
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  <isbn>1573221090</isbn>
  <isbn13>9781573221092</isbn13>
  <text_reviews_count type="integer">55</text_reviews_count>
  <title>
    <![CDATA[The Tesseract]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173063299m/243257.jpg</image_url>
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  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <read_at>Fri Nov 13 00:00:00 -0800 2009</read_at>
  <date_added>Sun Nov 08 18:42:24 -0800 2009</date_added>
  <date_updated>Fri Nov 13 11:01:41 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Nice book.  There's suspense and action but it's woven with a delicate hand.  Without the psychology of the characters it could have been a Michael Bay movie, but it's more like an Oliver Stone maybe, if it was a movie.  Not sure if the ending was forced... but it gave me satisfaction and closure.  ...<a href="http://www.goodreads.com/review/show/77153957">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/77153957]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/77153957]]></link>
</review>
      <review>
  <id>46646801</id>
    <user>
    <id>244284</id>
    <name><![CDATA[Nicole]]></name>
    <location><![CDATA[Vienna, VA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/244284-nicole]]></link>
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  <id type="integer">243257</id>
  <isbn>1573221090</isbn>
  <isbn13>9781573221092</isbn13>
  <text_reviews_count type="integer">55</text_reviews_count>
  <title>
    <![CDATA[The Tesseract]]>
  </title>
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  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Feb 01 00:00:00 -0800 2009</read_at>
  <date_added>Tue Feb 17 10:57:14 -0800 2009</date_added>
  <date_updated>Tue Feb 17 10:59:56 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I really enjoyed this.  All the different story lines were completely engaging.  That said, I need to start reading more books that have some sort of conclusion or ending.  This was more a picture of an event and the things that led up to it, but there was no real resolution.  That only bothered me ...<a href="http://www.goodreads.com/review/show/46646801">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/46646801]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/46646801]]></link>
</review>
      <review>
  <id>64307716</id>
    <user>
    <id>2338568</id>
    <name><![CDATA[Asmah]]></name>
    <location><![CDATA[Austin, TX]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2338568-asmah]]></link>
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  <id type="integer">243257</id>
  <isbn>1573221090</isbn>
  <isbn13>9781573221092</isbn13>
  <text_reviews_count type="integer">55</text_reviews_count>
  <title>
    <![CDATA[The Tesseract]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173063299m/243257.jpg</image_url>
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  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jul 27 00:00:00 -0700 2009</read_at>
  <date_added>Mon Jul 20 20:14:57 -0700 2009</date_added>
  <date_updated>Mon Jul 27 21:35:52 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I enjoyed the fast pace and non-linear progression of this thriller novel set on the Philippine Islands. The distinctive three stories merge in a finale. Garland links polar opposites as twosomes. A family-oriented gangster's chauffeur Jojo relieves his sidekick's cold-blooded aggression.  The fanta...<a href="http://www.goodreads.com/review/show/64307716">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/64307716]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/64307716]]></link>
</review>
      <review>
  <id>50544912</id>
    <user>
    <id>1899624</id>
    <name><![CDATA[Zach]]></name>
    <location><![CDATA[Seattle, WA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1899624-zach]]></link>
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  <isbn>1573221090</isbn>
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  <text_reviews_count type="integer">55</text_reviews_count>
  <title>
    <![CDATA[The Tesseract]]>
  </title>
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  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Mar 30 00:00:00 -0700 2009</read_at>
  <date_added>Thu Mar 26 14:51:03 -0700 2009</date_added>
  <date_updated>Tue Apr 07 13:15:34 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Action-packed and full of interesting characters, but lacking any satisfying &quot;aha&quot; or even &quot;so what&quot; moment.  The novel follows three or four main characters through Manila in disjoint parts which more or less connect in the titular moment of the &quot;tesseract,&quot; and while ...<a href="http://www.goodreads.com/review/show/50544912">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/50544912]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/50544912]]></link>
</review>
      <review>
  <id>77241975</id>
    <user>
    <id>2926314</id>
    <name><![CDATA[Ray]]></name>
    <location><![CDATA[Portland, ME]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2926314-ray-red]]></link>
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  <id type="integer">243257</id>
  <isbn>1573221090</isbn>
  <isbn13>9781573221092</isbn13>
  <text_reviews_count type="integer">55</text_reviews_count>
  <title>
    <![CDATA[The Tesseract]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173063299m/243257.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173063299s/243257.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/243257.The_Tesseract</link>
  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jan 01 00:00:00 -0800 2006</read_at>
  <date_added>Mon Nov 09 14:34:53 -0800 2009</date_added>
  <date_updated>Mon Nov 09 14:41:21 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Its unfortunate Alex Garland isn't producing any books like this these days. I recently read The Dew Breaker in a Multi-Cultural Lit class by Edwidge Danticat and was surprised to find out that she chose the same structure as Garland to craft her work.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/77241975]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/77241975]]></link>
</review>
      <review>
  <id>76250033</id>
    <user>
    <id>2894720</id>
    <name><![CDATA[Lin]]></name>
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  <title>
    <![CDATA[The Tesseract]]>
  </title>
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  <average_rating>3.33</average_rating>
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  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <date_updated>Fri Oct 30 17:43:58 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A collection of seemingly random stories about different seemingly unconnected people that have a deeper connection. Clever but maybe concentrates too much on trying to be clever and not on characters ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/76250033]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/76250033]]></link>
</review>
      <review>
  <id>56740000</id>
    <user>
    <id>78952</id>
    <name><![CDATA[Kiah]]></name>
    <location><![CDATA[Seattle, WA]]></location>
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  <title>
    <![CDATA[The Tesseract]]>
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  <average_rating>3.25</average_rating>
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    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
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    <rating>4</rating>
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  <read_at>Fri May 01 00:00:00 -0700 2009</read_at>
  <date_added>Wed May 20 09:00:32 -0700 2009</date_added>
  <date_updated>Sat May 23 20:27:01 -0700 2009</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[I love what I've read by Alex Garland so far (only three books, but still). Everything comes together in this tale (multiple tales, really, in Manila), but I'll leave it at that. Excellent writing, beautiful really. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56740000]]></url>
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      <review>
  <id>79865157</id>
    <user>
    <id>777369</id>
    <name><![CDATA[Jessica]]></name>
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  <title>
    <![CDATA[The Tesseract]]>
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  <average_rating>3.25</average_rating>
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    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
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    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Fri Dec 04 00:00:00 -0800 2009</read_at>
  <date_added>Fri Dec 04 08:19:59 -0800 2009</date_added>
  <date_updated>Fri Dec 04 08:23:17 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Part I is brilliant. The second part is quite good as well but I found the third part less so, and the denouement disappointing.<br/>A fine writer though, one I'd not read before.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/79865157]]></url>
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      <review>
  <id>45313936</id>
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    <id>1898571</id>
    <name><![CDATA[Joe]]></name>
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    <![CDATA[The Tesseract]]>
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  <average_rating>3.25</average_rating>
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    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
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    <rating>3</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Feb 06 00:00:00 -0800 2009</read_at>
  <date_added>Tue Feb 03 18:42:36 -0800 2009</date_added>
  <date_updated>Fri Feb 06 16:39:28 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A very fast paced read, you can spit it out in a day.  I liked the writing style but I didn't see the connect between all of the characters.  In a couple of instances I was left hanging.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/45313936]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/45313936]]></link>
</review>
      <review>
  <id>12579113</id>
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    <id>570364</id>
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    <location><![CDATA[The United States]]></location>
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    <![CDATA[The Tesseract]]>
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  <average_rating>3.25</average_rating>
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    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
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    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Sun Jan 20 00:00:00 -0800 2008</read_at>
  <date_added>Tue Jan 15 09:40:34 -0800 2008</date_added>
  <date_updated>Sun Jan 27 19:40:57 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Never read The Beach by the same author, or saw the movie for that matter, but was interested to read this book because of the title. But it's not really about four dimensional hypercubes. It starts off as a sort of exotic noir thriller, set in Manilla (a thrilla in Manilla, har). And it's good at t...<a href="http://www.goodreads.com/review/show/12579113">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/12579113]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/12579113]]></link>
</review>
      <review>
  <id>64128389</id>
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    <name><![CDATA[Georgina]]></name>
    <location><![CDATA[London, NY, The United Kingdom]]></location>
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    <![CDATA[The Tesseract]]>
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  <average_rating>3.25</average_rating>
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  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <date_added>Sun Jul 19 14:46:57 -0700 2009</date_added>
  <date_updated>Mon Jul 20 13:34:09 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[twisty turny as you would expect from a tesseract.  and if you don't know what that is read it and you soon will. better than the beach.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/64128389]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/64128389]]></link>
</review>
      <review>
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    <name><![CDATA[Justin]]></name>
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    <![CDATA[The Tesseract]]>
  </title>
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  <average_rating>3.25</average_rating>
  <ratings_count>976</ratings_count>
  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
</book>

    <rating>2</rating>
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    <body><![CDATA[I honestly can't remember too much about it. I remember liking it while I was reading it...it just wasn't too memorable.]]></body>
    
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  <title>
    <![CDATA[The Tesseract]]>
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  <average_rating>3.25</average_rating>
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    <![CDATA[A single evening in Manila hints at shared consciousness and the circular nature of  time and experience. More ambitious than his successful debut, <em>The Beach</em>, Alex  Garland's second novel follows three seemingly disparate stories that converge just this side of  possible. Opening pages are reminiscent of a Raymond Chandler detective story: the dirty hotel  room that &quot;didn't know it was a hotel, or had forgotten&quot;; the flinty, deep thinking protagonist; a  meeting with rough-cut thugs. But just when we expect the arrival of the stock sultry woman, the  cast of characters begins to assume the more recognisable aspects of ordinary life--to eerie  effect. <p> Garland shows a talent for finely crafted phrases that emboss an image and encapsulate a  moment. One minor character's brief sensory flashback provides more human insight than the  pages of descriptive overload in the usual thriller. <em>The Tesseract</em> is an exciting tale that  never stoops to the level of popcorn storytelling. --<em>Samantha Starmer</em></p>]]>
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  <published>1998</published>
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  <read_at>Thu Jul 05 00:00:00 -0700 2001</read_at>
  <date_added>Thu Jul 30 09:04:09 -0700 2009</date_added>
  <date_updated>Thu Jul 30 09:04:46 -0700 2009</date_updated>
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    <body><![CDATA[This book got me happily through an 8 hour delay in a tiny port in Greece, and was outstanding!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/65536395]]></url>
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  <title>
    <![CDATA[The Tesseract]]>
  </title>
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  <average_rating>3.25</average_rating>
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  <description>
    <![CDATA[In <em>The Tesseract</em>, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, <em>The Beach</em>--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X <em>Lord of the Flies</em>. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to <em>Pulp Fiction</em> (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror &quot;in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like.&quot; Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.<p> <p> Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. <em>The Tesseract</em>'s vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's <em>Dog Soldiers</em>. <em>--Tim Appelo</em></p></p>]]>
  </description>
  <published>1998</published>
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    <rating>5</rating>
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  <read_at>Thu Jan 01 00:00:00 -0800 2004</read_at>
  <date_added>Sun May 31 23:49:20 -0700 2009</date_added>
  <date_updated>Sun May 31 23:49:57 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Really cool, mind warping book that reads like a Quentin tarantino movie. very cool]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/58030186]]></url>
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