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Slumberland

3.81 of 5 stars 3.81 · rating details · 381 ratings · 83 reviews

Critical darling Paul Beatty's highly original, widely praised novel of race, identity, and underground music.After creating the perfect beat, DJ Darky goes in search of Charles Stone, a little know avant-garde jazzman, to play over his sonic masterpiece. His quest brings him to a recently unified Berlin, where he stumbles through the city's dreamy streets ruminating about...more

ebook, 256 pages

Published January 15th 2011 by Bloomsbury Publishing PLC (first published June 10th 2008)

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Jan 08, 2009 Eugene rated it 4 of 5 stars · review of another edition

a sly and outrageous book that i don’t know why isn’t getting more attention or wasn’t on anyone’s best of 08 lists. it may be provincial to say but i’ll read a hundred beatty’s before i read a book about friggin cricket.

a strange curse to be the smartest comedian in the room. my two pfennigs: paul beatty is the funniest american writer alive. a riff master, there‘s so much comic bravado packed into this one i had to keep putting it down to walk around the room, big grin on my face. comedians ar...more a sly and outrageous book that i don’t know why isn’t getting more attention or wasn’t on anyone’s best of 08 lists. it may be provincial to say but i’ll read a hundred beatty’s before i read a book about friggin cricket.

a strange curse to be the smartest comedian in the room. my two pfennigs: paul beatty is the funniest american writer alive. a riff master, there‘s so much comic bravado packed into this one i had to keep putting it down to walk around the room, big grin on my face. comedians are a dangerous breed, sacrificing a lot for the punch line but needing the vinegar of truth to make it sting. on race — SLUMBERLAND’s sub- supra- and ur- text — beatty’s not 100% right, but who is. and beatty’s usually nudging us to surprising recognitions. on the other hand, when he’s less honest or more cheap, we get: just gags or cheap shock and awe tactics.

structurally and language-wise, the book, which thankfully shows beatty recovered from the sophomore slump of TUFF, is whipsmart and quick-footed but not groundbreaking. it starts out irregular—a black american DJ in 1989 berlin—and turns quickly comic book-y irreal. or maybe: para-paranormal. the DJ is in berlin searching for a quasi-legendary jazz musician who was last heard on the soundtrack of a bestiality porn flick, specifically one where a man fucks a chicken (the man in the blue vid turns out to be a prognosticating stasi agent). the jazz musician—dubbed the schwa because his sound, “like the inderterminate vowel is unstressed, upside-down, and backward”—eventually reveals himself at the eponymous slumberland bar to perform a percussive tour de force using only a beat up copy of a faulkner paperback.

it weakens just a bit in the middle when the berlin wall falls and the narrative stalls discussing african east german experience with an oddly overly-academic sociology angle. characters are introduced to make points but not so we really need them. but that’s okay. DJ darky—our lead protag—has enough character to spare. (also, it’s impressive but a little tiring to read convincingly about all the various musical ecstasies, which happens alot) ...but before too long the book re-finds its pace and hilariously works itself up to its plot crescendo of an ending.

a cliché and prolly a gratuitous aside: i think your contemporary comedian is one of the most tragic of beasts. absolutely self-willed to be impervious, there’s no possibility of intimacy. perhaps this is the point of the book—inescapable loneliness—and maybe i’m wrong, but the thing that seems to prevent SLUMBERLAND from sounding the real depths it seems capable of is its glibness.

but then. maybe glibness is the wrong word. the book seems to be fighting itself sometimes to exhaustion—jacob and the angel type combat—trying to become. and i felt very sympathetic to its struggle to be conflicting things at once. and maybe its glibness is in fact a method.

beatty on black humor: "I wish I'd been exposed to this black literary insobriety at an earlier age. It would've been comforting to know that I wasn't the only one laughing at myself in the mirror.”
http://www.nytimes.com/2006/01/22/boo...

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Aug 03, 2008 Jamil rated it 5 of 5 stars · review of another edition

Shelves: music, berlin, jazz, phonographic-memory, best-2008, favorites, post-blackness, comedy

Slumberland is probably the most intensely racialized book i've read in a while. It hits it from a multitude of angles - self-loathing, self-deprecating, self-mythologizing...

"There are many similarities between Germans and blacks. The nouns themselves are loaded with so much historical baggage it's impossible for anyone to be indifferent to the simple mention of either group. We're two insightful people looking for reasons to love ourselves; and let's not forget we both love pork and wear sand...more

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Nov 22, 2009 Andrea marked it as to-read · review of another edition

The breakout novel from a literary virtuoso about a disaffected Los Angeles DJ who travels to post-Wall Berlin in search of his transatlantic doppelganger.
Hailed by the New York Times and the Los Angeles Times as one of the best writers of his generation, Paul Beatty turns his incisive eye to man’s search for meaning and identity in an increasingly chaotic world.
After creating the perfect beat, DJ Darky goes in search of Charles Stone, a little-known avant-garde jazzman, to play over his sonic m...more

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Aug 10, 2012 Osvaldo rated it 2 of 5 stars · review of another edition

Let's say two-and-a-half stars.

Much like White Boy Shuffle, I really wanted to like this book more than I did. Like White Boy Shuffle, I felt like it had a lot of promise, but failed to deliver.

It is hard to not want to love a novel about a self-hating African-American DJ jukebox sommelier and his quest for the composer of the perfect piece of music which was written for a German chicken-fucking porno which he happened upon in his own quest to create the perfect beat that he wants the chicken-fu...more Let's say two-and-a-half stars.

Much like White Boy Shuffle, I really wanted to like this book more than I did. Like White Boy Shuffle, I felt like it had a lot of promise, but failed to deliver.

It is hard to not want to love a novel about a self-hating African-American DJ jukebox sommelier and his quest for the composer of the perfect piece of music which was written for a German chicken-fucking porno which he happened upon in his own quest to create the perfect beat that he wants the chicken-fucking composer to collaborate on. But really, the above description makes the book sound better than it really is.

Ultimately, I think it comes down to Beatty's voice. The tone is not much different from that used in White Boy Shuffle, and as such the prose can be obnoxiously overdone. Actually, I am thinking that perhaps I would prefer his books read aloud to me—I am not a books-on-tape kind of person, but I may make an exception in this case, because actually reading his books is fucking exhausting, and not in a good way. (Looking up Beatty, I see that he is/was a Slam Poet, so maybe the orality I am sensing is coming from there).

The book really shines when it get close to exploring the idea of “othering.” It gets kind of deep when it uses the fall of the Berlin Wall to think about how its physical manifestation of difference through geographical disparity (East and West Berlin) takes the place of deep-seated racial bigotry that re-erupts in the midst of German reunification. Beatty seems well-informed on some Stuart Hall-type shit, you know, “Identity equals difference” and by re-locating his protagonist to Germany with its own infamous history of ethnic violence seems ready to explore how blackness (or the “essence” any ethnic minority) is constructed and commodified (the bar the novel is named for is a place where Teutonic women can fulfill their miscegenation dreams with Afro-Ex-Pats). In other words, this is some ambitious shit. . . And I did dig how he writes about music in various places. . . I can see how he tries to bring various ideas together race and culture's relationship through appropriation, re-appropriation, sample, remix and quote.

But in the end, while I can appreciate the effort, and can understand how the theme of futility and the appeal of suicide plays into both this and the previous book, I am not sure he succeeds. He is trying to tie together some heavy shit with some heavy absurdity, and sometimes it works, but I think he needs a more minimalist approach—he kills it with the humor (and I don't mean “kill it” in the comedic meaning of doing a great job, I mean it in the sense of robbing it of life).

Don't get me wrong. I am glad I read it and I think it may prove useful for my academic work and it will likely get a mention or three in my dissertation, but as a reading experience? This book feels underworked. It needs to be edited. Its samples sharpened. Its rhythms made tighter. (less)

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Mar 05, 2012 Miki rated it 4 of 5 stars · review of another edition

Laugh out loud funny book about Frances - aka DJ Dark - an African American who moves to West Berlin, shortly before the Wall came down, in search of the Schwa, a legendary, but obscure jazz musician. DJ Dark has a "phonographic memory" - the ability to recall every sound he's ever heard. A sometimes rambling, but always funny look at race, music and the absurdities of the human condition (In polite democratic society it's important to note stratification, but impolite to label the layers). You...more

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Sep 11, 2009 Angie rated it 4 of 5 stars · review of another edition

Shelves: first-reads, 2009, humor

It was somewhere around the chicken-fucking "fowl play" that I started to wonder if I was going to be able to finish this book. The day I found out I won this book, a similar feeling had passed through me, something akin to, "Oh great. Out of all the books I thought I wouldn't poke my eyeballs out trying to read and I get this... what the hell IS this, even??"

Ultimately, however, this book is a damn joy to read. You get sucked into the wordplay, which at times seems cheesy but it helps that it i...more

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Sep 02, 2009 Terri rated it 4 of 5 stars · review of another edition

Shelves: quirky-brown

Paul Beatty has written a really scathing and hilarious tale about a Black guy, who goes by DJ Darky, on his journey of creating the perfect beat. The most significant part of this journey involves him going to Berlin to get validation from his musical hero, jazz musician Charles Stone, who he and his friends- The Beard Scratchers- have affectionately dubbed "The Schwa". This novel presents ideas of race, culture, and music with language that's lyrical and cheeky. From the opening page, DJ Darky...more

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Sep 10, 2009 Marvin rated it 4 of 5 stars · review of another edition

Shelves: first-reads

You don't have to be a jazz fan to enjoy Slumberland but it helps. Paul Beatty not only knows a hell of a lot about jazz but he writes like a jazz musician. He states the theme, write like a maniac around it, wanders off into imaginative detours then miraculously returns to the theme. His writing is loaded with outrageous and hilarious ideas, then he's off to the next one. Beatty manages to say a lot about race, music, and culture, both American and European. And before I forget, there's a plot....more

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Dec 29, 2009 Wizzard rated it 3 of 5 stars · review of another edition

What is the black man coming to? Paula Beatty says the B lack man is now “passé.” I have come to the conclusion that with slumberland and tuff, beatty shares a large chunk of responsibility of killing the black man.

What is Blackness – to Beatty it seems to be Self-centered ubercool ogre savant. I have a love hate relationship with slumberland. With Beatty’s gratuitous display of intellectualism. With his arrogant defining of Blackness and sweeping generalizations. His writing substitutes cultura...more

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Mar 09, 2012 Byron rated it 4 of 5 stars

And I thought I was crazy! Slumberland is filled with descriptions of weird German pr0n (is there any other kind?), shots at people you're not supposed to take shots at, and race discussion that's bound to make pretty much everyone uncomfortable. Needless to say I loved it. There's hardly much of a story to speak of. DJ Darky, from LA, creates the best beat of all time (of ALL TIME) and travels to Germany to have some obscure jazz musician play on it. And that's really about the extent of it. Th...more

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Oct 04, 2008 Wally rated it 5 of 5 stars · review of another edition

Shelves: african-american, philosophy, poetry, postmodern, music, german

One of my favorite books this year. DJ Darky goes on a quest to East Germany to find the reclusive jazz musician who can provide him with the one note that will complete his personal musical opus. Hilarious.

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Jan 29, 2010 Isaac rated it 5 of 5 stars · review of another edition

A fantastic (in both senses of the word) boys' own adventure story, full of enough wanky detail to keep music/culture nerds frothing at the mouth. Kind of like a Daniel Pinkwater book for grownups, in which things that are so fantasic that they really -ought- to be happening somewhere really do happen, and people are not quite as transformed as you might expect them to be as a result.

A must for fans of race-baiting, culture-tweaking, crate-digging, showing off, and general offensiveness. (Als...more

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Dec 07, 2008 Tara C rated it 4 of 5 stars · review of another edition

I like Paul Beatty a good deal and wish that this pop-culture referencing, witty, quick paced prose won the Pulitizer Prize over "Oscar Wao".

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Apr 02, 2012 Michael rated it 4 of 5 stars · review of another edition

Having recently read two of Paul Beatty's novels (Tuff being the other), I was impressed with and liked both of them, but for completely different reasons. It's fascinating to have a novelist be able to play with his own style that much with so few books under his belt so far.

Tuff was a book I liked primarily because of story and character. Slumberland, alternately, was really pretty light on plotting, though there are good character moments. Slumberland's strength, however, is mood and style. S...more

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Nov 13, 2011 Charlie Heller rated it 5 of 5 stars · review of another edition

I honestly have no idea how people who are not me will feel about this book, but if this paragraph resonates with you at all:

“Stolen Moments” is Oliver Nelson’s signature tune, a song I find to be the ultimate mood setter; it’s a classic jazz aperitif. Oftentimes, when I play hardcore underground hip-hop or punk gigs, after three or four especially rambunctious tunes the mosh pits begin to resemble the skirmish lines of Bronze Age battlefield, the warehouse windows start to shake, the record nee...more

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Sep 26, 2009 Rose rated it 4 of 5 stars · review of another edition

Shelves: first-reads

I won this copy from goodreads. I love books that take you away from your life and this book was just that treat for me. I got to explore a whole new world of music and place. While I'm sure some of the music references were lost on me, it didn't distract from the story in any way. I got the gist that this musician or that musician was a big deal. What was more interesting to me was the story of Ferguson (DJ Darky) meeting the brilliant, but obscure, jazz musician that can put the final touch on...more

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Aug 05, 2012 Teresa rated it 4 of 5 stars · review of another edition

Shelves: book-calendar-rec

"Is there a God?" I weigh the arguments pro (Hawaiian surf, Welch's grape juice, koala bears, worn-in Levi's, the northern lights, the Volvo station wagon, women with braces, the Canadian Rockies, Godard, Nerf footballs, Shirley Chisholm's smile, free checking, and Woody Allen) and con (flies, Alabama, religion, chihuahuas, chihuahua owners, my mother's cooking, airplane turbulence. LL Cool J, Mondays, how boring heaven must fucking be, and Woody Allen)..."
The end to the book was not as good as...more

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Jul 14, 2011 Sarah rated it 2 of 5 stars · review of another edition

Shelves: fiction

Ergh, I have no idea how to rate this book. On the one hand, I really did not enjoy reading it and indeed was mostly actively irritated by it. On the other hand, I can imagine that some people might like it (in fact, it's my boyfriend's favourite novel, which is why I stuck with it) and Beatty is an undeniably skilled writer. Honestly. That isn't supposed to be damning with faint praise. He's clearly brilliant. I just wish he'd write... something else.

Happily, if you live in a major city, I have...more

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Oct 19, 2009 Whitney rated it 4 of 5 stars · review of another edition Recommends it for: Lovers of langauge and music

Recommended to Whitney by: Goodreads Giveaway

Shelves: first-reads

Normally, when I read a book, I am focused on plot development. I am interested in the words only to the extent that they tell me what the main characters are thinking, feeling, or doing. Reading Slumberland was an entirely different experience. I found myself examining every word chosen meticulously by Paul Beatty to evoke an image or emotion. Granted, at times, that image was a man getting intimate with a chicken and that emotion was disgust. But, the stranger the scenario, the more I was re...more

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Jul 29, 2008 Indigo Editing/Ink-Filled Page rated it 4 of 5 stars · review of another edition

Slumberland, the third novel from Paul Beatty, is an equal combination of reflections on language and jazz music (with some rock, classical, and pop references thrown in for good measure). The narrative is built around a plethora of pop culture references (ranging from Pink Floyd to Samuel Becket to LL Cool J) that can be either side-splitting, laugh-out-loud hilarious or distancing and only potentially amusing, depending on whether or not you understand them. It’s the kind of postmodern name-dr...more Slumberland, the third novel from Paul Beatty, is an equal combination of reflections on language and jazz music (with some rock, classical, and pop references thrown in for good measure). The narrative is built around a plethora of pop culture references (ranging from Pink Floyd to Samuel Becket to LL Cool J) that can be either side-splitting, laugh-out-loud hilarious or distancing and only potentially amusing, depending on whether or not you understand them. It’s the kind of postmodern name-dropping that makes those well versed in pop culture, literature, and underground DJ hip-hop feel proud and elitist, and those who aren’t as well versed as if they’ve missed the boat on its maiden voyage.

The loosely composed and developed story consists of Ferguson W. Sowell (a.k.a. DJ Darky) searching Berlin, just before and after the fall of the Berlin Wall, for a virtually unknown free-jazz musician named Charles Stone. DJ Darky has created the perfect beat, and he needs a perfect musician to lay down the perfect solo over his masterpiece. The novel benefits from the tremendous wordplay and rhythm of the voice, creating an auditory experience that seems a representation of listening to amazing, transformative music.

As a metaphor for conspicuous segregation and the stratification of identity, Wall-era Berlin is an ideal backdrop for Beatty’s playful meditations on race and identity. “Blackness is passé,” the narrator says, but in the end, Stone answers him with, “Being passé is freedom. You can do what you want. No demands. No expectations.” The characters constantly straddle the tumultuous line between the simple freedom of racial/ethnic equality (“colorblindness”), and the desire to maintain and express one’s identity through ethnicity and heritage.

The novel is very funny—so funny it’s easy to look past subtle anachronisms like the mention of Affirmative Action or Halle Berry circa 1989 Berlin. But the important undertones throughout—the pluralistic nature of identity, the cultural inability to escape history, and the unifying and transformative power of music, and all art—are what allows its playfulness to grab hold of the reader and never let go.

Review by Caleb Murray, Indigo Editing, LLC, originally posted at Seeing Indigo.

ISBN-13: 9781596912403
Publisher: Bloomsbury USA
Pub Date: July 2008
Hardcover: $24.99(less)

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Jan 21, 2010 Ben rated it 3 of 5 stars · review of another edition

A few pages in, I could feel myself swirling in a pool of overwritten trying-a-little-bit-too-hard-to-be-cool prose, but after I made my way a little further in, it started to grow on me. The writing definitely stays a bit overwrought, but it starts to take on a kind of layered DJ/jazz rhythm, and the too-cool feel starts to melt into maybe just regular cool. The plot is fun, and the book is breezy, but that's not a bad thing, even if it dips into the absurd at times. More than anything, it made...more

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Mar 07, 2012 Christina Marie Rau rated it 4 of 5 stars · review of another edition

Taking on race, nationality, a major historical event, and a major music movement all at once in one book could have been a plan to fail. Paul Beatty's Slumberland does not. It succeeds beyond any expectations. Beatty's descriptions of the simplest elements of daily we take for granted represent how we take our senses for granted--the sound of coins dropping onto a table, the smell of burning flesh, the taste of sex, the feel of dry mouth, the look of a black man in Germany--it's all there in a...more

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Sep 17, 2009 Danielle rated it 4 of 5 stars · review of another edition

Shelves: first-reads

I received Slumberland through the goodreads first reads program. The idea of the book sounded great from the snippet given, and I was even more psyched when this was the book that I won.

While reading Slumberland I felt I needed to adjust my perspective on things. I'm average and white. Something DJ Darky is not. I love how Slumberland transported me inside his head, living a totally different life from me -- but also so similar in a strange way. I guess everyone is searching for that "perfect...more

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Jul 16, 2008 Liesl rated it 2 of 5 stars · review of another edition

Shelves: fiction

I sipped my beer, the second-best beer I'd ever had,* and asked the question I imagined all great artists ask themselves before engaging in the creative process: "Is there a God?" I weighed the arguments pro (Hawaiian surf, Welch's grape juice, koala bears, worn-in Levi's, the northern lights, the Volvo station wagon, women with braces, the Canadian Rockies, Godard, Nerf footballs, Shirley Chisholm's smile, free checking, and Woody Allen) and con (flies, Alabama, religion, chihuahuas, chihuahua...more

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Oct 04, 2012 Sarah rated it 5 of 5 stars · review of another edition

Recommended to Sarah by: Book Fight

Shelves: read-in-2012

Being the literary adventures of DJ Darky, who creates the perfect beat and is beckoned to Cold War-era Berlin by a pornographic video accompanied by the greatest jazz saxophonist ever. Yeah, I know, I read the jacket blurb and didn't think I could handle this. This has got to be trying too hard. But the flop sweat never appears, and the author handles the material with a light, skilled touch. He's like a less overtly angry Percival Everett.

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Jul 09, 2010 Brianna rated it 2 of 5 stars · review of another edition

eh, this book was okay. i think i enjoyed it more than i would have if i hadn't been also reading a book about german history. i loved the white boy shuffle, but haven't been able to really get into his last book tuff, or this book. the language was outrageous and fun, but the plot feel short and the obscure music references left me feeling stupid. not a bad public transportation read, but would skip it if i didn't have so much time to read.

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Nov 09, 2009 Audacia Ray rated it 3 of 5 stars · review of another edition

Shelves: fiction, read-in-2009

Beatty's White Boy Shuffle hit me like a ton of bricks when I read it a few years ago, so I'll pick up anything else he writes. Slumberland, set in Berlin around the fall of the Berlin Wall, is fast paced, dark, and funny. Beatty is a master of writing characters - the characters really shine and are just the best part of the book. I'm a sucker for weird, funny, self-deprecating characters, so I totally ate it up. However, though I really enjoyed the read I don't know how much this book will sti...more

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Feb 19, 2010 Mary rated it 3 of 5 stars · review of another edition

Slumberland has left me with more questions than answers, but somehow, that's just fine. Set in Berlin just as the Wall was coming down, Slumberland explores race, bigotry, music, fame, obscurity and about a dozen other topics through DJ Darky, Schallplattenunterhalter extraordinaire. DJ Darky heads to Berlin to locate a mysterious jazz musician, Charles Stone, because only he can complete Darky's "perfect beat," a groove so amazing, it can breaks hearts and mend them, make a man see God and sim...more

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Mar 07, 2011 Jamie rated it 4 of 5 stars · review of another edition

Shelves: first-reads

This book is a great read from cover to cover, with quite a few tempo changes but no stops. The language flows like the music it discusses, incorporating images that are that music come to life. It will make you laugh out loud one minute then turn to serious introspection and philosophy the next. Beatty pulls no punches, so the language and images are frequently harsh and crass, but the end result is not something from which you turn away, but something you appreciate for its brutal honesty and...more

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Feb 11, 2013 Hen rated it 4 of 5 stars · review of another edition

Loved this book - memorable sex scene involving lists of piano players and armpit smells!
LOved the music - some of the best writing about music I have ever read - plus the little details, like riding a ladies bike in Europe and NOONE questioning your sexuality!
I want to read more Paul Beatty (tho' when that happens I often end up disapointed)

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Quotes from Slumberland

“Man, didn't anybody ever tell you that art is propaganda? It doesn't matter whether you think it should be or it shouldn't be, it just is, and motherfucker, like or not, you're sitting on a funky Magna Carta.” — 4 people liked it

“Look, dude, you've sampled your life, mixed those sounds with a funk precedent, and established a sixteen-bar system of government for the entire rhythm nation. Set the Dj up as the executive, the legislative, and judicial branches. I mean, after listening to your beat, anything I've heard on the pop radio in the last five years feels like a violation of my civil rights.” — 4 people liked it

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