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The Sieve of Time: Memoirs of Leni Riefenstahl
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The Sieve of Time: Memoirs of Leni Riefenstahl

3.88 of 5 stars 3.88  ·  rating details  ·  152 ratings  ·  24 reviews
An autobiography of controversial German dancer, actress and eventually Hitler's top national film executive, Leni Riefenstahl.
Paperback, 688 pages
Published October 1st 1999 by Quartet Books (first published 1982)
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this woman was amazing.
Erik Graff
Nov 26, 2012 Erik Graff rated it 3 of 5 stars  ·  review of another edition
Recommends it for: cinema fans
Recommended to Erik by: no one
Shelves: biography
Back during high school a few of us drove to Northwestern University in Evanston, Illinois to see Riefenstahl's Triumph of the Will, a film I have not seen since but remember with extraordinary clarity, so impressive was it, visually speaking. Other than clips from her later Olympia, I have not seen her other cinematic productions.

Consequently, I picked this up without knowing much about the author beyond the fact that she was the most famous film director associated with the Third Reich. I had
The self-serving reminiscences of a Nazi propagandist and collaborator who refused to admit it. Riefenstahl is an incredibly rare blend of a person lacking self-awareness with quite a healthy sense of self-worth and fascist tendencies. Her memoirs are a fascinating example of equivocation and moral justification, but are often unbearable in its rampant self-aggrandization and total lack of remorse. Worth a read, though, if you're interested in Third Reich hangers-on, the German film industry, an ...more
Jessica T.
I have defeated you Leni Riefenstahl. A part of me believes this woman is a liar and a sociopath...
Rom Gayoso
The book was a very interesting read beginning to end. Some of her early life was a mystery to me, so I was able to understand her challenges, as well as to understand her mentors and the people she admired. I was disappointed with her lack of responsibility for the work she did during WWII. The propaganda movies were mostly tasteless poor quality works, but her work was utterly impressive and certainly was a lot more effective for the propaganda machine. Susan Sontag in an essay later debated - ...more
Roman Moguchiy
Не люблю мемуары как жанр, но простые, честные, литературные истории — это всегда интересно.
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Ms. Riefenstahl is more or less the prisoner of history. Having been one of the world's greatest innovative cinematographers, and forced to create what was effectively "the most effective propaganda fill of all time" the Triumph of the Will, Ms Reifenstahl keeps her own reputation intact by being the person who also documented the 1936 Olympics, her film of which, Olympia, was given awards in all the countries Hitler later conquered. She insists on her apolitical freedom, and takes refuge from t ...more
Leni Riefenstahl is a perfect gateway into the German mindset during WWII. Throughout the book she is constantly aware of keeping up her mask of ignorance while promoting her artistic talent. It would be impossible to say she did not make an impact on the way films are made. One can tell she is aware that the reader has already convicted her as a Nazi collaborator in his or her mind, and she dances around her life story in an effort to prove her innocence. This is unlikely to give you a 100% tru ...more
A substantive and informative book which has as its central problem the issue of Riefenstahl's complicity in the Nazi regime. If one is looking for some kind of insight and anecdotal observations on the Weimar film industry, major actors and directors of the period (such as Emil Jannings, F.W. Pabst, Marlene Dietrich) then this is a very useful read. However when Leni tries to provide any form of self-analysis or reflection there are problems with her ego and her need to excuse herself for being ...more
Nancy Thormann
The last 80 pages were good. I still can't believe how badly she was treated by the German people. She seems to have been well accepted by the Americans and British. They seemed to appreciate her work as a director more than the Germans did. The Germans seemed to have gone from the extreme of accepting everything Hitler and the Nazis did to accepting nothing about the Nazis and Hitler. The world was black and white to them, especially in the years after the War. There was no middle ground anywhe ...more
As the blurb says, "as one of the most controversial and debated character of the twenty first century" However, as a student studying the rise to prominence of Leni Riefenstahl and looking at it in a historical and source based analyse, it's a hard and difficult praise. But in hindsight, I loved reading the life of Leni and her story about her "five" lives. She was 85 when she published this book...can you believe all that she said, word-by-word? Quotes-by-Quotes from people she encountered?
Nov 17, 2009 Tawney added it
Oh Leni. Through your memoir I can see why you say everyone loved you, especially Goebbels and Hitler. It's an interesting explanatory theory for making six (not four as you claim) films with fascist aesthetics. Those passages about filming on mountains and on the perilous icebergs of Greenland are beautiful and terrifying. OK, I confess I stopped at page 300 or so, but I'll be back. This is great work of fiction.
As my good friend and film professor Laura said - "I think, though, that because she was affiliated with the Nazis, people who defend her have to inflate her contribution to cinema in order to justify their interest in her. If she had been a Swiss documentarist, she'd get a few lines in a film history book, some intro class screenings, and that would be that."

Erin Mallon
This was the first non-text-book I read relating to World-War II. It spurred a major obsession, and was otherwise just generally really interesting. It is long and very detailed, so if you don't like this kind of thing, it might be too dry. Still, I think the subject is impossibly engrossing for anyone who likes history, especially women in history.
Pilar Lacasa
Intersting. I think about silent movies, women and Germany during the Nazi's time. Another perspective. under Nazism. Another view, this time explored by the author, who needs to justify her contacts with Hitler. I think this is not a good translation to Spanish
Zuzana Kaprinay
Trying to find the answer, how she was coping with the responsibility for supporting the hitler's regime. I did not believe, that she "did not know" how she was stating, but after the book i know it for sure, that she just did not care at all:-(
Actually my rate 4 ½ for the book.
I understand that her memoirs are more personal than an open minded point of view. Any way, she was an outstanding woman... Foremost because she had not lost her dignity passing through the life...
Ben Morrison
This was pretty good. Really long, but a surprisingly easy read. Who to believe? Was she a nazi or a dope? Someone else please read this book, so I can talk about it with you. It's worth it.
Leo Jacobowitz
oh no!!!!!!!! Its Leni Riefenstahl!!!!!! Arrghhhgggghhhh!!!! She's a nazi.....a N A Z I - O T S Y!
This is one great biography - and she is one brilliant artist. AArrrghghghghghgh!!!!
Dipping in and out to 1). prepare myself for Steven Bach's new bio. and 2). allow her voice haunt me like it did on the first read.

Gripping, fascinating, what a life....
Great biography. Believe it or not, I decided to read it because it's one of Tina Fey's favorite books. :˜
I found it hard to get a handle on this book, Leni presents herself as a woman with a very direct personality and who is strong and almost obsessively driven to succeed in a world were women where still treated as lesser citizens. Any goal she set for herself she achieved, all men desired her, all women were jealous of her (which she portrays as an annoying hindrance to her work). Then she decides to meet Hitler and gets ensnared by the Reich, who apparently never directly financed her most famo ...more
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Helene Bertha Amalie "Leni" Riefenstahl (German pronunciation: [ˈʁiːfənʃtaːl]; 22 August 1902 – 8 September 2003) was a German film director, actress and dancer widely noted for her aesthetics and innovations as a filmmaker. Her most famous film was Triumph des Willens (Triumph of the Will), a propaganda film made at the 1934 Nuremberg congress of the Nazi Party. Riefenstahl's prominence in the Th ...more
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