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The Luzhin Defense

3.97 of 5 stars 3.97  ·  rating details  ·  5,124 ratings  ·  230 reviews
Nabokov's third novel, The Luzhin Defense, is a chilling story of obsession and madness. As a young boy, Luzhin was unattractive,distracted, withdrawn, sullen--an enigma to his parents and an object of ridicule to his classmates. He takes up chess as a refuge from the anxiety of his everyday life.His talent is prodigious and he rises to the rank of grandmaster--but at a co ...more
ebook, 272 pages
Published February 16th 2011 by Vintage (first published 1930)
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Ah Nabokov, your words are like the warm familiar embrace of an ex-lover who knows just what I like . . . except without all the self-disgust the next day.
We find in The Luzhin Defense many of Nabokov's playful tropes: madness (monomania, solipsism), resistance to meaning (particular jabs at the "Viennese delegation"), genius outcast from society. It is apparent that his is an early work of the master, though a masterful work still. Luzhin is a remote but somehow lovable obsessive. Our affection for him has true potential, perhaps a potential unusual for the typical Nabokovian protagonist. But that affection is abated by our narrative distance fro ...more

If you are a chessplayer, like me, you simply have to read this book. No one else has even come close to describing chess obsession from the inside. The style is, needless to say, impeccable.
Joselito Honestly and Brilliantly
A young boy, a loner, indifferent to everything, discovers chess. Ensnared by this insanely addictive game, he becomes even more indifferent to everything--except chess. He grows up, becomes a champion, many of his games considered "immortals." In a championship game against the equally-brilliant Italian Grandmaster Turati, upon adjourning a very difficult position, he suffers a breakdown. He survives, but the doctors opine that further chess might be fatal to him. Enough of the plot.

I have bee
Not as impressive as Lolita, but still a solid read. Mostly, I was bored and confused with the direction of the plot. Well, almost non-existent plot. Luzhin is supposed to be compelling and intriguing, but he's non of the above. Also, the ending isn't even nearly satisfying.

This is a story about an obsessed chess player who doesn't distinguish reality from imagination. Basically, the plot deals with the story of a genius, whose perception of life entwines with chess strategy. There were some inc
MJ Nicholls
Hands-up: I read some of this at bullet-train speed because I had to return it to the library. Yes, I could have withdrawn it again, but there were only fifty-odd pages left and some new Foster Wallace was in that set my hands a-twitchin’ and my brain a-spinnin’.

So I didn’t let the sumptuous prose slowly unfold, I didn’t delicately caress his sentences with the same narcissistic mania the author bestowed upon his own works. But there wasn’t much sumptuousness here, anyway. His third novel is a m
Emir Never
Consider the chessmen, obedient to the wishes of their masters, the players. Their fates are not for them to decide, their momentary brilliance belongs ultimately to the one who assign them to the appropriate squares. Their doom is given; their end, preordained.

In The Luzhin Defense, Vladimir Nabokov carved out a character who sees life as a chess game. International Grandmaster Luzhin discovers his life, from childhood-- a period of marked apathy enlivened only by the introduction of the royal
Over the last few weeks I’ve read The Luzhin Defense, followed by Bluebeard and then Do Androids Dream of Electric Sheep?

Originally I was going to write some stuff here about the central characters and compare them with the original Outsider. I was going to say things like this:

Maybe it is a contradiction in terms, to put 3 books about outsiders in the same review, but I can’t stop myself.

We have here a chess player, a doctor who might or might not have murdered a wife and a chickenhead. They a
"Let's start if you're willing."

G.K. Chesterton once famously quipped in his book Orthodoxy that "Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom."

Vladimir Nabokov’s th!rd novel about a lonely chess grandmaster reminds me of Franz Kafka and a little bit of Melville's Bartleby, the Scrivener. While this isn't my favorite Nabokov (it isn't Pale Fire or
Nearly five stars, nearly...

Those who know any obsessively compulsive persons will really appreciate the effort Nabokov went into for this. When you become so engrossed in your fixation that you begin to question what is reality. Of course I would never use this as a guide to dealing with loved ones who have OCD or whatever, but it was insightful into another aspect of the mind of the human. I have addictive tendencies, so perhaps I am lucky I never got into any activities like chess seriously.
After reading Lolita, I knew that I'd need another book to feed my new addiction to Nabokov. Something I could read over and over. Something with his deliciously clever writing, minus the pedophilia. I had high hopes for The Defense and I enjoyed the book, but didn't quite find what I was looking for. I'm not sure if some of his writing genius was lost in translation, it was written in Russian then translated to English, or if it was simply that in the 25 years spanning the works he became a bet ...more
If Nabokov's second novel reminded me of one of my favorite writers—Marcel Proust—his third, The Luzhin Defense, brings to mind another: Virginia Woolf. Given that The Luzhin Defense concerns the gradual mental disintegration of a Russian chess grandmaster, and given that Nabokov had apparently not yet read Woolf (when he did, in 1933, he claimed a low opinion of her work), its Woolfian overtones are a bit surprising. But consider this passage, in which the now-middle-aged Luzhin remembers how h ...more
Great story, mediocre book

I hate to say this is the first Nabokov book I've read, but it is. I'm thoroughly impressed with his writing and imagery and the story as a whole is a great one, but the middle is almost insufferable with the story of his hospitalization and marriage. Nabokov did a great job portraying post-revolutionary Russian emigre and their scattered lives in Europe, but most of the characters seem to fall a little flat in the end. Luzhin himself somehow exists dually in my mind as
Elena Yurievna

Моя попытка получше узнать настоящего, не лолитинского Набокова, а свободного от нависающей «славы» скандального романа. Язык все такой же замечательно «вкусный», сюжет интересен и захватывает. Но что-то все равно было не так.

Тяжело мне дался Лужин – не исключено, потому что сам непростой человек. Характер письма Набокова как бы погружает читателя в книгу. И там бедному читателю уже не спастись от мрачной сущности Лужина.

В тексте великое множество карика
A story of an ill fated chess genius. This quote by Oscar Levant pretty much sums it up:

"There's a fine line between genius and insanity. I have erased this line."
Harsha Varma
Reading Nabokov has to be one of the truest pleasures in literature. I have never come across a writer with a better command over the English language; one, who transcends the language barrier to make it art-like. For example, take the immaculate use of metaphors throughout his novels. In the Luzhin's defense, the world championship match between Luzhin and Turati (the main competitor) is incredibly well written. During the match, Luzhin is hunting for his next move. Nabokov paints a great pictu ...more
Take an ecstatic man speaking rapturously from his pulpit. To his converts, this can enrich and reward as the words lure them in…but, depending on person or circumstance, the long-winded joyousness (if unrelatable) can be tedious and irritating.

As a Nabokov convert, I relish his technique; it is not an issue that Nabokov possesses joyousness but lacks relatability. Speak, Memory is strikingly anti-intimate, an autobiography unusually aloof, desperate to keep the reader and his own past at arm’s
Определенное и однозначное отличие великой книги от просто хорошей - это то, что ты погружаешься в нее настолько, что перестаешь замечать окружающую реальность. И когда закрываешь книгу, то еще несколько секунд с удивлением оглядываешься, где это ты и что здесь вообще происходит - настолько реальным оказывается происходящее в книге, так сильно оно увлекает и задевает.

Все, что случается с Лужиным, не кажется надуманным хоть сколько-нибудь, не возникает впечатления, что вот эта сцена или эта детал
Frank Hestvik

First off: I thought Luzhin was an actual chess player and that this "Luzhin Defense" was an actual opening used in chess. I must have heard or read about this book ten years ago, when I attempted (briefly) to go beyond the rules of that game, and the memory of the book somehow fused with what I now remember about chess. So I thought this book was supposed to be a sort of fictionalized biography. I was bemused by the introduction, since it didn't talk about the real Luzhin at all, but stated tha
I had an unhappy childhood; I was shy, socially awkward, always picked last for sports teams, and endured school as a necessary evil until about the age of 16. When I first read a novel about someone else with a miserable childhood, it was a revelation. I realized I wasn’t alone. Now I’m a middle-aged jerk who suspects these books have long since become a genre.
Originally published in Russian in 1930 by a Berlin emigre publishing house, The Defense is the story of Luzhin, a Russian emigre chess
(in describing the unusually bitter winter in Berlin)

"And even the polar bears in the zoo found that the management had overdone it."

Nabokov is his usual lyrical genius in The Luzhin Defense. Unfortunately, something didn't click with me in this book. Our protagonist Luzhin was so boorish that I couldn't find anything I liked about him. Yes, he was a wonder at chess, but he was pretty pathetic at everything else. It was hard not to puzzle over just what the woman who was interested in him found
Brent Legault
Feb 16, 2008 Brent Legault rated it 5 of 5 stars  ·  review of another edition
Recommends it for: grand masters, great-grand masters
I love this novel as I love all of Nabokov's novels. But it is somewhere in the middle of my own Nabokovian hierarchy, below the Ada-Lolita-Pale Fire triumverate, but above the weaker vassels* like Mary & The Enchanter. I know many people who let this book reign over all his others. And I can see why. Maybe. It's linear, it has "warmth" (as Nabokov explains in his introduction) and it isn't as dangerous as many of the novels and short stories he would later write. However, it remains a slend ...more
Richard F. Schiller
Nabokov's biographer Brian Boyd claimed this novel to be "Nabokov's first masterpiece" and placed it alongside The Gift , Lolita , Pale Fire and Ada, or Ardor as Nabokov's best long works. Honestly, I didn't think it was that good. It uses Nabokov's philosophy of literature as a challenge/puzzle between the reader and the author literally as the protagonist Luzhin is a chess master who sees his life in chess problems. I don't think I really grasped the "point" and the prose was pretty aver ...more
A story of obsession and futile attempts of "normal" people to break through the wall of genius. Nabokov reveals a preterhuman character of Luzhin - a famous chess player - awkward, clumsy, failing to adapt to life, yet filled with some mysterious power that anyone who comes in touch with him cannot but feel. This power either charms or frightens "commoners" who are not cursed by a chess talent, but, invariably, it prevents them from having any meaningful relationship with Luzhin. I guess, that ...more
Es innegable el interés del autor por los personajes brillantes en su actividad pero sin habilidades sociales. Psicológica y con buenos golpes de humor.
Thomas Hübner

"What struck him most was the fact that from Monday on he would be Luzhin."

These words mark a beginning and an end - the beginning of Vladimir Nabokov's novel The Luzhin Defense and the end of the probably happiest period in the life of the protagonist when he was the pampered only child of a wealthy St. Petersburg family in pre-revolutionary Russia, living the protected existence of children of this class, when life seemed to be a long holiday. But time is no
Ο νεαρός Λούζιν στρέφεται στο σκάκι μόνο και μόνο για να αποφύγει να κοιτάξει κατάματα τη Μέδουσα της πραγματικότητας. Στα 64 τετράγωνα διοχετεύει όλη του την ενέργεια. Το ταλέντο που κουβαλάει τον οδηγεί στην κορυφή. Όμως η κορυφή δεν ταιριάζει σε άτομα εκκεντρικά, θλιμμένα, εσωστρεφή και υπερευαίσθητα σαν το Λούζιν.

«Ο πόνος πέρασε αμέσως, αλλά σ’ εκείνο το φλογισμένο κενό χρόνου ο Λούζιν είχε δει κάτι αφόρητα επιβλητικό, είχε δει τον απόλυτο τρόμο των αβυσσαλέων βυθών του σκακιού. Κοίταξε τη σ
With this early masterpiece (written when the author was 30), Nabokov proves to be, once more, one of the most influential authors of the 20th century. With exceptional mastery he fathoms the dark depths of the psyche of a chess genius, who is completely obsessed with the game, utterly isolated from the outer world, but still a human being, desperately yearning for love, affection, and understanding.True love and understanding that the hero cannot find even in the face of his spouse who in vain ...more
Abe Something
Beautifully winding sentences.

Nabokov has subtlety crafted a novel that is about writing a novel, yet is not outwardly reflexive. The writing is so skilled that without a careful eye you might miss the fact that Luzhin's obsession with chess is equal to a writers obsession with words. The structure of the plot, the series of small moves that allow for the ultimate move, the final big move, the checkmate - are all as much concerned with chess as the are writing. The book is designed, because the
Sep 24, 2007 Anittah rated it 5 of 5 stars  ·  review of another edition
Recommends it for: overthinkers & math geeks
My messy Amazon review circa 12/2001:

" .. that place where parallel lines go out of their mind and intersect."

This is my favorite work by Nabokov - I first encountered this in a course entitled "The Irrational in Russian Literature." To see how extreme rationality (quote unquote) becomes madness and nonreason --> it is akin to the bureaucratic "reasons" and regulations in Kafka's Castle or the supposed laws that reigned king in the U.S.S.R. (The Man in the Black Coat, Cancer Ward, etc.)

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Nabokov in Three ...: Initial Impressions 1 16 Oct 08, 2011 01:50AM  
  • Vladimir Nabokov: The American Years
  • Envy
  • The Duel and Other Stories
  • The Petty Demon
  • The Golovlyov Family
  • Red Cavalry
  • The Adolescent
  • Black Snow
  • The Enchanter: Nabokov and Happiness
  • Novel with Cocaine
  • The Noise of Time: Selected Prose
  • Less Than One: Selected Essays
  • Petersburg
  • The Gentleman from San Francisco and Other Stories (Penguin Modern Classics)
  • Happy Moscow
  • Golden Calf
  • The Yellow Arrow
  • Conquered City
Russian: Владимир Владимирович Набоков

Vladimir Vladimirovich Nabokov, also known by the pen name Vladimir Sirin, was a Russian-American novelist. Nabokov wrote his first nine novels in Russian, then rose to international prominence as a master English prose stylist. He also made significant contributions to lepidoptery and had an interest in chess problems.

Nabokov's Lolita (1955) is frequently cit
More about Vladimir Nabokov...

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“And perhaps it was precisely because she knew nothing at all about chess that chess for her was not simply a parlor game or a pleasant pastime, but a mysterious art equal to all the recognized arts. She had never been in close contact with such people — there was no one to compare him with except those inspired eccentrics, musicians and poets whose image one knows as clearly and as vaguely as that of a Roman Emperor, an inquisitor or a comedy miser. Her memory contained a modest dimly lit gallery with a sequence of all the people who had in any way caught her fancy.” 2 likes
“The recollection also came back empty, and for the first time in all his life, perhaps, Luzhin asked himself the question – where exactly had it all gone, what had become of his childhood, whither had the veranda floated, whither, rustling through the bushes, had the familiar paths crept away?” 2 likes
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