false 1042537 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 1042537 2 1028936 2 2001 Primetime Blues: African Americans on Network Television total:7|5:4|4:3| 7 32 13 0 163714 4.21 121 16 60606590 1270097 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 0 0 false Mon Jun 22 00:32:55 -0700 2009 Mon Jun 22 00:33:02 -0700 2009 44345713 1441591 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 5 0 false Sun Jan 25 18:46:47 -0800 2009 Sun Jan 25 18:46:47 -0800 2009 40459753 1765920 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 0 0 false Thu Jan 01 00:00:00 -0800 2004 Fri Dec 19 09:24:38 -0800 2008 Fri Dec 19 09:24:46 -0800 2008 33449251 1548618 482826 0374527180 9780374527181 0 http://photo.goodreads.com/books/1175126191m/482826.jpg http://photo.goodreads.com/books/1175126191s/482826.jpg http://www.goodreads.com/book/show/482826.Primetime_Blues_African_Americans_on_Network_Television 0.0 0 A landmark study by the leading critic of African American film and television

Primetime Blues is the first comprehensive history of African Americans on network television. Donald Bogle examines the stereotypes, which too often continue to march across the screen today, but also shows the ways in which television has been invigorated by extraordinary black performers, whose presence on the screen has been of great significance to the African American community.

Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and an edgy, ultra-hip program like Mod Squad. He examines the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated into the ethnic humor of Sanford and Son and Good Times and the poltically conservative eighties marked by the unexpected success of The Cosby Show and the emergence of deracialized characters on such dramatic series as L.A. Law. Finally, he turns a critical eye to the television landscape of the nineties, with shows such as The Fresh Prince of Bel Air, I'll Fly Away, ER, and The Steve Harvey Show.
</div>]]> 2001 0 0 false Sun Sep 21 13:36:00 -0700 2008 Sun Sep 21 13:36:00 -0700 2008 33449123 1548618 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 0 0 false Sun Sep 21 13:35:04 -0700 2008 Sun Sep 21 13:35:04 -0700 2008 33182849 543499 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 0 0 false Thu Sep 18 12:11:30 -0700 2008 Thu Sep 18 12:11:33 -0700 2008 22546099 1169987 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 4 0 false Mon May 19 08:12:55 -0700 2008 Mon May 19 08:12:55 -0700 2008 9572034 353695 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 0 0 false Mon Nov 26 15:43:15 -0800 2007 Mon Nov 26 15:43:15 -0800 2007 8567828 121722 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 4 0 false Fri Nov 02 10:09:41 -0700 2007 Fri Nov 02 10:09:41 -0700 2007 7763161 547720 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 5 0 false Mon Oct 15 14:56:27 -0700 2007 Mon Oct 15 14:56:27 -0700 2007 4475608 237424 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 5 0 false Mon Aug 13 09:20:15 -0700 2007 Mon Aug 13 09:20:15 -0700 2007 3622604 226404 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 5 0 false Thu Jul 26 20:34:49 -0700 2007 Thu Jul 26 20:34:49 -0700 2007 3283241 195959 1042537 0374127204 9780374237202 0 http://photo.goodreads.com/books/1180458826m/1042537.jpg http://photo.goodreads.com/books/1180458826s/1042537.jpg http://www.goodreads.com/book/show/1042537.Primetime_Blues_African_Americans_on_Network_Television 4.57 7 Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.]]> 2001 4 0 false Thu Jul 19 13:50:27 -0700 2007 Thu Jul 19 13:50:27 -0700 2007 8 http://www.goodreads.com/book_link/follow/8?book_id=1042537