Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein
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Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein

3.76 of 5 stars 3.76  ·  rating details  ·  673 ratings  ·  133 reviews
The authorized biography of Pulitzer Prize-winning playwright Wendy Wasserstein.

In Wendy and the Lost Boys bestselling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls...more
Hardcover, 461 pages
Published August 18th 2011 by Penguin Press HC, The
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Lisa Vegan
Oct 22, 2011 Lisa Vegan rated it 4 of 5 stars
Recommends it for: anyone who’s interested in the woman or her work; those who enjoy well written biographies
4 ½ stars, ½ star off because of the lack of humor within these pages

I’m completely wrung out after reading this book, and felt that way during my entire reading of it. More on that later.

But first: This is an excellent book. It’s well written and fascinating. It is exactly what a biography should be. It looks as though it would have been great fun to research and write, as the author interviewed so many family members, friends, acquaintances of her subject, as well as made use of written record...more
Nicole
I am madly in love with Wendy Wasserstein in that oh-em-gee-your-plays-rock-my-world kind of way, so reading Wendy and the Lost Boys by Julie Salamon was a no-brainer. I should give you a bit of background first...

About six months ago I realized that I was seeing a lot of shows but not reading many plays, so I took it upon myself to start reading one play a week to pick up on a large chunk of work that I was unfamiliar with. To simplify my process, I choose one playwright at a time and read thei...more
False Millennium
I started by skimming this book, and then I half decided I wouldn't bother reading the whole thing. Then I started it this morning and couldn't put it down. How lucky for Miss Wendy to grow up in the lap of privilege which sure doesn't hurt when you want to pursue a career in the arts. That and having a brother who is rich as Croesus. The children were sickly, for the most part: an elder sister died of brain cancer, an even older brother had been spirited off as a child with alleged retardation....more
Karen Bergreen
I was a huge fan of Wendy Wasserstein. I saw the Heidi Chronicles on Broadway with my four best high school chums shortly after we graduated from college. I also saw the Sisters Rosenzweig some time later. I studied her plays for acting class. I met her briefly a couple of times, and yes, she did look homeless. I also had the occasion to meet Bruce several times. And boy, was Salomon's take on him pitch perfect.

I say all of this as a sort of disclaimer (and I am a huge name dropper!!) because I...more
Susan
Sep 13, 2011 Susan rated it 3 of 5 stars
Recommends it for: theatre people
This book was given me by a friend, who called it "a page-turner." The friend and I both worked on the Playwrights Horizons production of "Isn't It Romantic," and also with many of the theatre people who populate the book, so for us, it definitely was. Contrasting the private Wasserstein with the public Wasserstein, the book reveals an ambitious, talented, driven, social woman who defied uppercrust conventions in her appearance, but was buffeted about privately by traditional societal expectatio...more
Paula
I thoroughly enjoyed reading about the life of playwright Wendy Wasserstein who died in 2006 at the age of 55. I knew Wasserstein through her plays -- which were all about personal identity and relationships, and so well reflected the Boomer generation -- and her New Yorker articles. This narrative chronicles her life -- from her childhood in a family of Jewish immigrant parents to her undergraduate years at Mt. Holyoke and her graduate studies at Yale Drama School, through struggles and success...more
Mandy
An incredibly fun read not only about Wendy Wasserstein but her generation of playwrights. It reads more like an extensive magazine profile than a traditional biography, punctuated with incisive quotations and observations from her family and friends not only about Wendy and her work. While largely reflecting upon the '60s and the '80s, her potent themes examining "uncommon women" (familiarly set in the context of the seven sisters colleges), family, and aging still feel incredibly fresh and con...more
Rachelle Urist
This review has been hidden because it contains spoilers. To view it, click here.
Audra (Unabridged Chick)
I was wholly unfamiliar with Wendy Wasserstein but I love reading about writers, and her life featured so many elements I enjoy reading about -- women's colleges, New York City, the arts scene, and complicated families. This is an authorized biography and I was apprehensive at first that would mean a glossing over of anything unsavory about Wasserstein or her family. Instead, I found it to be measured, fair, and detailed (albeit dry from time to time).

Wasserstein's life has elements of the fai...more
Sarah
I'll start by saying that I have very little knowledge of popular theater and knew next to nothing about Wasserstein before starting this book. But I am interested in any writer's creative process and especially the collaborative effort of theater. This book is about the life of a busy, smart Jewish woman in Manhattan with a broad and complicated social life. This book is not about artistic effort, creative collaboration and exploration, surprisingly not about the impact of the AIDS epidemic to...more
Elisa
I've always been fascinated by Wendy Wasserstein... Now that I have read her biography, I am even more intrigued. What an interesting life, what a talent! As the Author notes, Ms. W had a war within herself, of the confident and the frightened, much of from the times (1960-80s) and some from her family. Her mother never seemed to forgive her for not settling down, marrying and having children. The problem was that Ms. W kept falling in love with gay men including Christopher Durang, Andre Bishop...more
Arleen
Excellent bio of an extraordinary woman. Well written .... could be a history of many post- WW II Jewish families in New York. Yet, this family is unique and Wendy Wasserstein is unique. Her family life, her education and career, as well as the social network she created for herself are told in fascinating detail, while somehow making the reader feel like they knew her. As someone who followed Wasserstein through her plays and other writing, I thought I knew something about her. After reading Sa...more
Emilie
This is really a remarkable biography -- incredibly researched and about a fascinating subject. I was not overly familiar with Wasserstein's work but I was captivated. Wendy is described so fully and objectively that the reader can't help but feel that they have gotten to know her. It would provide excellent fodder for a book club discussion.
Sarah Sullivan
I've always deeply admired Wendy Wasserstein and, as with so many readers/viewers of her plays, felt deeply connected to her as a writer and the characters she put onstage. This biography is intricately researched, warmly and honestly told and completely satisfying.
Arlene Shapiro
I have seen and enjoyed four of Wendy Wasserstein’s plays. As a devoted WW fan I was eager to read "Wendy and the Lost Boys." I‘m sorry to say that I was disappointed. Although I found much of it informative and interesting, I felt that the book needed editing. There was a great deal of repetition and extraneous material. In keeping with the “Playbill” cover, Ms. Salamon might have avoided one problem by providing a “cast in order of appearance” section, rather than repeating information almost...more
Joe
Immensely readable and thoroughly researched, this definitive biography of Wendy Wasserstein deftly explores the many facets of her unique personality. Ultimately what emerges is a fascinating, frustrating, highly talented woman who was taken too soon.
Sjfstudio
An interesting biography of Wendy Wasserstein. A look back at the theater world and this talented playwright who died way too young.
Heather
Amazing! This was a biography that was so well written and about such an interesting person that it was a page turner.
Joanne
A good biography of Wendy Wasserstein, although I'm not sure that anyone really knew Wendy Wasserstein all that well, I still enjoyed learning more about her. It was clear from many of her plays that Wendy, even though smart, funny, and very witty, suffered from inferiority complexes about her looks and her achievements, especially when measured against those of her siblings and the high expectations of her mother. This book delves into those issues as well as her early difficulties in deciding...more
Roberta
This book probably deserves a 3.5, if there was such a thing, but isn't quite a 4 for me. It's a very interesting account of the life of Wendy Wasserstein, the playwright who created the Heidi Chronicles. Wendy Wasserstein was not only a fascinating character in her own right, her family story and her life in New York are also compelling. I was jealous of the schools she went to, both as a child and as a young woman. I enjoyed reading about New York during the 60's on and all the people she enco...more
Patrice
This is a really interesting bio of Wasserstein. I related a lot as we were born at the same time and in the same place (Brooklyn). She went to hebrew school where my husband and I were married.
As she lived in the same time and place as I did it brought back so many memories. But then we went in very different directions.

She had a difficult life, it seems, and it ended much too soon. She lived a life of self-interest.
I'm not saying she was a "bad" person, but I think she was an unhappy person. S...more
Sue Seligman
Nov 30, 2011 Sue Seligman rated it 3 of 5 stars
Recommends it for: fans of the theatre
I got this biography at the library because I had always heard bits and pieces about the life of this extraordinary playwright and I knew she died at a relatively young age, after having a baby "late" in life, at age 48. My first exposure to her plays was seeing a production of "Uncommon Women and Others" on PBS during the 1970s. This play depicted the struggles of several female graduates from an all women's school during the tumultous period of women's rights and the weakening gender stereotyp...more
Carrie Sue
This was a compelling story, but the author's style was not as clear and clean as I'd have liked. Her editor should have pared the language down and perhaps done some reorganizing of the chapters. Nonetheless, it drew me in and more than anything conveyed these two messages: the ongoing and sometimes excruciating tension many women feel between vocation and childbearing/lasting romantic relationships. Although luck and chance plays a great deal in one's vocation, it is also true that one is much...more
Eve
So many echoes of my own life growing up in NYC, although I'm 10 years younger than Wasserstein. She attended the Ethical Culture School in Brooklyn (Who knew there was one in Brooklyn?)and I went to the one in Manhattan. She mentions an early Al Pacino role (The Indian Wants the Bronx) that my mother always raved about and another role (the Basic Training of Pavlo Hummel) that I remember seeing him in. She encounters and gets to know many of the people who shaped the cultural world of NYC that...more
Marissa
"Wendy and the Lost Boys" is a fascinating biography that ferrets out some of the secrets and sorrows that Wendy Wasserstein hid beneath her giggly, lovably self-deprecating public persona. In some respects, Wasserstein was a typical Baby Boomer woman, breaking the glass ceiling in the '70s, giving up her bohemian roots and becoming part of the Establishment during the '80s and '90s, etc. In other respects, she was completely atypical. Her parents, siblings, friendships, and romantic relationshi...more
Robin
One of the bad things about being a librarian is that I read reviews about so many potentially interesting books to read and then put them on hold so the bad part is when they all come in at the same time which is what happened to me recently. I got this one as well as the Roger Ebert memoir and Jane Lynch's book. So I read Jane's first and loved it then moved onto this one and didn't put it down until I finished reading it (not only because it is fascinating but because I knew there would be no...more
Meg
Three and a half. Went back and forth on this. The first three quarters are very strong, likely due to the willingness of interviewees to reminisce in great detail about the early years. As the book progresses and things get thornier, details get foggier. The last few chapters in particular were a disappointment; not that I needed razor-sharp ghoulish detail but it did seem as though suddenly Salamon's sources were close-lipped about the way things were sorted after Wendy's death.

Also I was nev...more
Eileen
I thought this was an excellent biography. Julie Salamon depicts Wendy Wasserstein, Wendy's family, her life experiences, the times in which she lived, and her family's intense, fascinating background in careful, thoughtful and intricate detail. Salamon is especially good at showing how, in her opinion, Wendy's relationships with her family, the family's history, and Wendy's upbringing helped to form part of who Wendy was and the decisions she made.

I have seen Uncommon Women and Others, but hav...more
Judy
This is actually at 3 and 1/2 star book. Although I have heard of THE HEIDI CHRONICALS, I had no idea who had authored them. Wendy Wasserstein is/was the author and she was the first woman playwright to win a Tony Award. If you are a follower of the New York theater crowd this is a book you will enjoy. Wasserstein led an interesting and colorful life. She gave birth at 48 to a little girl. She kept her pregnacy a secret and 6 years later when Wasserstein died, she had kept her illness a secret t...more
Lisa Schmeiser
Bearing in mind that I am no theatre person ...

... I loved this book. It's a breezy, evocative biography of native New Yorker/playwright Wendy Wasserstein (NYC in the 1990s is drawn in vivid, accurate detail), someone who was a big deal and, sadly, is not around to continue to be a big deal in the American theater.

After reading the biography, I went back and read some of her writing for the New Yorker. What was striking to me was how ordinary it seems now; the same commentary she has on the indi...more
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