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<book id="10349">
  <title><![CDATA[How Novels Work]]></title>
  <isbn><![CDATA[0199281777]]></isbn>
  <isbn13><![CDATA[9780199281770]]></isbn13>
    <image_url>http://photo.goodreads.com/books/1166154068m/10349.jpg</image_url>
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  <best_book_id type="integer">10349</best_book_id>
  <books_count type="integer">2</books_count>
  <default_description>Never has contemporary fiction been more widely discussed and passionately analysed; recent years have seen a huge growth in the number of reading groups and in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, setting recent fiction alongside classics of the past. Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's; Carole Shield's chapter divisions are likened to Fanny Burney's. Each section shows how some basic element of fiction is used. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers; others (metanarrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft.  How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist. It is an entertaining and stimulating exploration of that ingenuity. Addressed to anyone who is interested in the close reading of fiction, it makes visible techniques and effects we are often only half-aware of as we read. It shows that literary criticism is something that all fiction enthusiasts can do.  Contemporary novels discussed include: Monica Ali's Brick Lane; Martin Amis's Money; Margaret Atwood's The Blind Assassin; A.S. Byatt's Possession; Jonathan Coe's The Rotters' Club; J.M. Coetzee's Disgrace; Michael Cunningham's The Hours; Don DeLillo's Underworld; Michel Faber's The Crimson Petal and the White; Ian Fleming's From Russia with Love; Jonathan Franzen's The Corrections; Mark Haddon's The Curious Incident of the Dog in the Night-Time; Patricia Highsmith's Ripley under Ground; Alan Hollinghurst's The Spell; Nick Hornby's How to Be Good; Ian McEwan's Atonement; John le Carre's The Constant Gardener; Andrea Levy's Small Island; David Mitchell's Cloud Atlas; Andrew O'Hagan's Personality; Orhan Pamuk's My Name Is Red; Ann Patchett's Bel Canto; Ruth Rendell's Adam and Eve and Pinch Me; Philip Roth's The Human Stain; Jonathan Safran Foer's Everything Is Illuminated; Carol Shields's Unless; Zadie Smith's White Teeth; Muriel Spark's Aiding and Abetting; Graham Swift's Last Orders; Donna Tartt's The Secret History; William Trevor's The Hill Bachelors; and Richard Yates's Revolutionary Road</default_description>
  <id type="integer">13065</id>
  <media_type nil="true"></media_type>
  <original_language_id type="integer" nil="true"></original_language_id>
  <original_publication_day type="integer">7</original_publication_day>
  <original_publication_month type="integer">12</original_publication_month>
  <original_publication_year type="integer">2006</original_publication_year>
  <original_title>How Novels Work</original_title>
  <rating_dist>total:23|5:5|4:6|3:10|2:2|1:0|</rating_dist>
  <ratings_count type="integer">23</ratings_count>
  <ratings_sum type="integer">83</ratings_sum>
  <reviews_count type="integer">51</reviews_count>
  <text_reviews_count type="integer">6</text_reviews_count>
</work>

  <average_rating><![CDATA[3.61]]></average_rating>
  <ratings_count><![CDATA[15]]></ratings_count>
  <text_reviews_count><![CDATA[4]]></text_reviews_count>
  <url><![CDATA[http://www.goodreads.com/book/show/10349.How_Novels_Work]]></url>
  <authors>
        <author id="6793">
      <name><![CDATA[John Mullan]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/6793.John_Mullan]]></url>
      <average_rating><![CDATA[3.53]]></average_rating>
      <ratings_count><![CDATA[30]]></ratings_count>
      <text_reviews_count><![CDATA[8]]></text_reviews_count>
    </author>
      </authors>
    <reviews start="1" end="20" total="51">
    <review id="67921715">
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      <rating>3</rating>
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  <read_at>Tue Aug 18 00:00:00 -0700 2009</read_at>
  <date_added>Tue Aug 18 13:21:31 -0700 2009</date_added>
  <date_updated>Tue Aug 18 13:26:36 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Yeah, pretty good: eminently sensible rather than crazily inspired. Similar to David Lodge's excellent Art of Fiction, with more up-to-date titles, several of which I'll probably now seek out. A couple of gripes though. Firstly, there are some howling spoilers of Keyser Soze/Darth Vader proportions ...<a href="http://www.goodreads.com/review/show/67921715">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/67921715]]></url>
</review>
    <review id="42436655">
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  <read_at>Sun Jul 19 00:00:00 -0700 2009</read_at>
  <date_added>Fri Jan 09 02:29:04 -0800 2009</date_added>
  <date_updated>Sun Jul 19 06:16:35 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[How Novels Work is an exciting read; Mullan explains the many techniques novelists utilise to convince us of their story. I love reading novels, I know the writers I love are brilliant, but Mullan gave me the tools to know <em>why</em>. As well as brief notes that illuminate the history of the novel, Mullan ...<a href="http://www.goodreads.com/review/show/42436655">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/42436655]]></url>
</review>
    <review id="31220289">
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    <location><![CDATA[London, Ontario, Canada]]></location>        
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      <rating>4</rating>
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  <read_at></read_at>
  <date_added>Tue Aug 26 07:13:33 -0700 2008</date_added>
  <date_updated>Sun Aug 31 13:29:13 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A very useful overview, clearly written and with repeated reference to examples. Mullan covers a wide range of topics and discusses them in plain language. His explanations are sufficiently detailed that it isn't necessary to have read all the books he draws from.<br/><br/>The one fault of this bo...<a href="http://www.goodreads.com/review/show/31220289">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/31220289]]></url>
</review>
    <review id="27072089">
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  <read_at>Tue Jun 30 21:46:32 -0700 2009</read_at>
  <date_added>Sat Jul 12 17:25:15 -0700 2008</date_added>
  <date_updated>Tue Jun 30 21:46:32 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I am still working through this book, but I find it very interesting regarding its techniques and comparisons between given novels.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/27072089]]></url>
</review>
    <review id="20464058">
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    <body><![CDATA[Interesting so far. Pity I haven't read any of the novels he studies]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/20464058]]></url>
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    <body><![CDATA[The only good source for solid info about just what the title says.]]></body>
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