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3.06 of 5 stars 3.06  ·  rating details  ·  1,895 ratings  ·  392 reviews
Opening in England at the turn of the twentieth century, C is the story of Serge Carrefax, whose father experiments with wireless communication while running a school for deaf children. Serge grows up amid the noise and silence with his brilliant but troubled older sister, Sophie: an intense sibling relationship that haunts him as he heads off into an equally troubled larg...more
Paperback, 400 pages
Published September 6th 2011 by Vintage (first published January 1st 2010)
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Adam Floridia
The book jacket quotations claim this to be “a work of outstanding originality and ambition…An avant-garde epic, the first I can think of since Ulysses” and “The remix the novel has been crying out for.”

Among the many questions this book has left me with, perhaps the most pressing is this: What the hell were those reviewers thinking? This is a fairly straightforward narrative about the life, albeit a life that takes some unusual twists, of a rather dull protagonist. Serge is dull in the sense t...more
In my review for Jennifer Egan's newest novel I got carried away with digressions and forgot to mention the most remarkable aspect of the novel: the depth and richness she achieved even though the book was only two hundred and something pages, fifty pages were taken up by the powerpoint chapter, and each chapter had the difficult task of having to introduce a whole new cast of characters.

C has a similar-ish task that Egan's book does. Show a persons life through a series of chapters that captur...more
MJ Nicholls
Dear Mr. McC,

I had occasion to read your latest novel, C, over the weekend. I know this will be difficult to hear, given the warm reception to Remainder, but this novel is bloated twaddle.

Don’t get me wrong – I think you have talent. Bags of talent. Why, however, you chose to waste that talent writing a bad novel from the 19th century is beyond me. I mean, you are a modern artist, Tom – why must you borrow from the past to “steer the contemporary novel in exciting directions?” Is this the exciti...more
Marc Kozak
We live in an age of information overload. There's as much data around us, visible or invisible, as oxygen practically. I often like to think about what the internet will be like in 5, 10, 20 years. At some point, there's going to be a time when there is just SO much information on it - active and non-active, abandoned Livejournals, decades-old records of transactions, discarded emails, forgotten websites, log after countless log - it will all, theoretically, still be around, and still be availa...more
Aaron (Typographical Era)

Author Tom McCarthy can write, there’s no question there, but what he chooses to write about in C, or rather the way he goes about it, can be painfully dull for a large chunk of the novel. The main character Serge isn’t very likable or relatable either. Though this isn’t always a requirement for a novel to be good, it would have helped if this character had at least some semblance of a direction or goal in mind. Instead he wanders through life as if noth...more
Dazzling, like an intricate puzzle with a variety of themes held together with delicate threads. The sets were superb. Each vignette was special and illuminating in its own way. Juxtipositions of science and art, attraction and repulsion, life and death were compelling. The writing was dense throughout, requiring utmost concentration to fully appreciate. For readers so inclined, well worth the effort.
OK--I am SO not intellectual enough to enjoy this book. Either that or, it's a case of the Emperor's new clothes. I can't decide which, but I'm leaning towards the latter.

I found large portions of this book dull and tedious. The only reason I pressed on was because I'd read so many reviews of this book that insisted it was a rich and rewarding kaleidoscope of meaning, and how "everything ties together." I was convinced it was all going somewhere. Well, it wasn't--at least in my mind. Then again,...more
Jeff Jackson
Tough to review: Some sections were blindingly brilliant while others were crushingly dull. C is about patterns and signals but the avalanche of information adds more static to the circuit than McCarthy probably intends. The surge at the heart of the book - the death of Serge's sister - doesn't quite trip the breakers either. But plenty still comes through - charging the parts about erotic childhood games, listening to early radio transmissions, flying planes in WWI, scoring drugs in London, and...more
I loved this book. Never before have I read a book so cerebral, a writer so adept at describing how strange things seem to us when we're ill. Serge Carrefax's life is like one long fever in some ways, and yet lived completely to the full.

Great stuff - lots of beautiful prose, virtually all of it readable and relevant, though I still don't understand the key part of the plot that was the school show.

What's it about? To me.. grief, sibling love, death, life and the meaning of it, death, and histor...more
I loved the first 50 pages or so, then the writing started to get surprisingly lazy: the sister says something shocking to her brother, and he feels like the earth is falling away from him, stuff like that. And it deteriorates for a time, in the resort section that culminates in a shockingly figurative sex, then makes a come back with seances and the heroin flapper, and then kind-of tappers off again. Serge is boring and an asshole, so that one actively roots against him. Other characters act in...more
Falando do livro, falando da sua história, falando do que li, bem li o livro e não sei bem o que dizer/escrever dele.

Tom MacCarthy elege Serge Carrefax para personagem central deste seu livro "C" e tudo gira à sua volta. Logo no início do livro deparamo-nos com o nascimento de Serge, um parto realizado pelo Dr. Learmont, uma escrita que nos cativa logo à partida. Serge é filho de Simon uma personagem muito peculiar, seu pai é um inventor, um cientista e também um professor que dirige uma escola...more
Oct 08, 2010 Stephen rated it 2 of 5 stars  ·  review of another edition Recommends it for: no one
This review has been hidden because it contains spoilers. To view it, click here.
C is the kind of book that takes a few days of rumination to determine how you feel about it. On the surface, it is a biography of a boy born at the turn of the 20th century. The boy travels from England, to Bavaria, to the fronts of WWI, to Egypt. Normally, this would seem like a mundane plot. But, the story is not plot-driven by any stretch. A friend of mine absolutely raved about how amazing it was, so I checked it out. While I didn't leave the novel completely floored, I was left with a sens...more
Nancy Oakes
Trying to put all of my thoughts together about this book was like giving birth, I swear. It took me forever, even after having read this book twice.

When you begin reading C, you immediately discover that you’re in for something well off the beaten path. The book is divided into four parts: the first offers the main character’s (Serge Carrefax) birth and childhood. At the time of Serge’s birth, as we learn from Serge’s father, the inventor Marconi was out on Salisbury Plain, doing his final demo...more
A história começa de forma bastante aliciante e cativante para o leitor. Um médico é chamado para fazer nascer uma criança. Esta criança é o nosso personagem principal “C”. Há um prenuncio de boa sorte para este bebé, pois quando vem ao mundo, vem envolto numa coifa.
Na casa onde Serge nasce o pai dá aulas a crianças surdas. Uma escola onde é proibido gesticular!
Comunicar faz parte da vida, mas segundo o pai de Serge, é fundamental que se comunique através da fala “aqui ensinamos-lhes a linguagem...more
The first pages of this book were immensely difficult to get through. I kept spacing out, losing track, feeling unconnected to the story and confused about where it was heading. Writing that now, I feel it was rather apt, although I'm not sure it was intentional.

I had wanted to read this book for a long time before buying it. The blurb interested me, the life of a young man born with the century, growing up with the century, participating in all those fascinating events and lifestyles that we as...more
James Pinakis
I absolutely loved this book, though like a few others here I'm not completely sure why. I think it was something to do with the extremely weird feeling I had when reading it, which had a lot to do with the relative blankness of the main character, Serge. I think McCarthy displays a true mastery here, making Serge a kind of conduit (or even an antenna) for information rather than a fully developed human being. He seems to only exist to try and make sense of, and report on, his spectrum of experi...more
Mar 18, 2012 Kirstie rated it 3 of 5 stars  ·  review of another edition Recommends it for: fans of pseudo history, WWII stories, etc
Maybe I'm being too hard on this novel. I thought it was pretty interesting to see how the plot evolved in one sense but in another sense, it felt a little disjointed and I'm getting sick to death of creative pseudo historical fiction. I like my fiction more fiction-y and my non fiction a representation of true historic fact. Perhaps it's also that all of the creative based on some historical events, however vague, books that I've read lately are also from the same time period and if I have to r...more
i'll keep it short. i liked this book. because i like mccarthy's writing. but i didn't love it. because i don't think i really got it.

on the surface, there is a lot of clear plot happening. interesting life of an interesting young man. the pacing is both slow and hurried at the same time... in that mccarthy lingers on certain aspects of the boy's life that you sense are plot progressions, but at the same time, as one continues to read, seem not to have the importance in the overall context of th...more
I do seek out such novels as this that try to make sense of our place in the universe. But as usual I find such books a challenge to read and hard to walk away with an easy message (Pynchon's "Gravity's Rainbow" comes to mind as another example). The book "C" covers the evolution of young Brit Serge from the Edwardian period in rural England, through a stint as an aviator artillery spotter in World War 1, to multicutural Egypt around 1920 in the throes of independence. The overall theme appears...more
McCarthy, as he demonstrated in Remainder (2005), is interested in the human capacity for perception and cognition stripped of affect, and in the tradition of European modernism he pursues the strange beauty of life's forms understood as forms. This is a way of saying that not every reader will have the patience for this book, which at its heights achieves a kind of highly stylized autism. I enjoy this kind of writing more than most casual novel-readers, and even I found it tedious at times. The...more
This book is a Proustian period piece/faux memoir, except instead of beautifully describing nature & love, McCarthy has a go at technology & sex. To be fair, his go is literary. Entire quotations are lifted from McCarthy's favorite writers and thinkers and other important writers and thinkers will be alluded be directly. One literary idea connects to another and arises again in a different context. And the context grows into a big literary subtext that you can't help but subconciously ap...more
This review has been hidden because it contains spoilers. To view it, click here.
Greg Zimmerman
Remember the mid-'90s tune "Everything Zen" by Bush? Remember how everyone loved the song 'cause it rocked, but no one had any idea what it was really about because the lyrics are a goofy mess of seemingly unrelated phrases and ideas? That's kind of how I felt about Tom McCarthy's uber-literary, Man Booker-shortlisted novel C.

There's a pretty straightforward story here that I enjoyed strictly on a "beat and rhythm" level. And then there's what it really means. McCarthy creates a laundry list of...more
Conspicuously so
X-d out


Historical fiction that follows the adventures of England native Serge Carrefax beginning with his birth in 1898 to his death off the coast of Egypt in 1922. Okay. I can't decide if this novel tries too hard to be intellectual or if I'm not smart enough to "get it". I guess this is a coming of age novel - whatever that really is. "C" really didn't hold my interest and I'm sure I missed some important details; however, I did like the descriptive writing style and the way it was unconventionally c...more
Luke Robinson
To be honest, the majority of this book went right over my head, or rather it went in it but was never properly received. It was a real slog to read; the large pages with tiny top and bottom margins took time enough to read when they were legible, but a lot of the time they were so overflowing with slabs of overwritten, incomprehensible text that I couldn't reach the bottom before tuning my brain out and reciting the words in individual vacuums, devoid of meaning, while my thoughts wandered else...more
A metatextual mess -- that is so intriguing you want to start over again with it the minute you put it down. Serge is a blank character who observes the advent of the modern world (ca 1890 - 1920). And he is also the most interesting of heroes caught up in circumstances he can't even begin to fathom. WWI flying Ace? Egyptian necromanticist? Freudian snitarium patient? Strange and inviting.
I am so pleased now that I bought a copy of this book. It really is not one that I can review quickly as it is so rich in ideas as to need some time to digest.

It is a book that like 'The Children's Book' requires attention and reflection. It is layered in symbolism and quite abstract in places.

Currently though it is my favourite of all the Man Booker short-list.
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Who/What is C? 2 42 Jun 02, 2011 02:17AM  
  • In a Strange Room
  • The Quickening Maze
  • The Long Song
  • Parrot and Olivier in America
  • The Betrayal
  • Umbrella
  • Darkmans (Thames Gateway, #3)
  • The Northern Clemency
  • Master Georgie
  • A Long Long Way
  • Summertime
  • A Moment in the Sun
  • Narcopolis
  • Trespass
  • The Wilderness
  • The Canal
  • I'll Go to Bed at Noon
  • The Lighthouse
Tom McCarthy — “English fiction’s new laureate of disappointment” (Time Out, September 2007) — is a writer and artist. He was born in 1969 and lives in a tower-block in London. Tom grew up in Greenwich, south London, and studied English at New College, Oxford. After a couple of years in Prague in the early 1990s, he lived in Amsterdam as literary editor of the local Time Out, and later worked in B...more
More about Tom McCarthy...
Remainder Men in Space Tintin and the Secret of Literature Transmission and the Individual Remix The Mattering of Matter Documents from the Archive of the International Necronautical Society

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