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4.04 of 5 stars 4.04  ·  rating details  ·  39,636 ratings  ·  1,318 reviews
Jean-Baptiste Clamence is a soul in turmoil. Over several drunken nights he regales a chance acquaintance with his story. From this successful former lawyer and seemingly model citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth. "The Fall" (1956) is a brilliant portrayal of a man who has glimpsed the hollowness of his existence. Bu ...more
Paperback, 121 pages
Published 2000 by دار مكتبة الحياة (first published January 1st 1956)
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Lauren Van Buskirk
I ran into my friend Dan at the club last week, and he was drunk. So we talked Camus. We didn’t discuss Camus’s theories, or the fact that he avoided riding in cars and then DIED IN A CAR CRASH. We just talked about Camus in relation to Dan’s life and in relation to mine. The only really interesting thing about anything to me is how it affects me. That’s the honest truth.

Dan and I agreed that an interest in Existentialism is kind of a stage in your life – like when you liked Pearl Jam or lived
Glenn Russell

“A single sentence will suffice for modern man: he fornicated and read the newspapers.” So pronounces Jean-Baptiste Clamence, narrator of Albert Camus’s short novel during the first evening of a monologue he delivers to a stranger over drinks at a shabby Amsterdam watering hole. Then, during the course of several evenings, the narrator continues his musings uninterrupted; yes, that’s right, completely uninterrupted, since his interlocutor says not a word. At one point Clamence states, “Alcohol a
Riku Sayuj

The Anti-Christ

Why does the Judge-penitent address you directly, as if he has found a kindred soul in you?

In this world responsibility is infinite and that is why The Fall is inevitable - even for a Christ. But back then Christ made a mistake — he saw (was) the nausea of the world, he saw (was) the complete guilt of each man (and his own) and he decided to redeem man (himself) by setting a supreme example. He sacrificed himself because he found himself guilty. It was only an example, a call to a
mark monday
you know this person, we all know this person, this particular kind of person. a real do-gooder, a person of the people, doling out the goodwill and the spare change and the spare arm to help that blind person across the street. you know the satisfaction they get from looking humble, acting humble, being anything but humble at the heart of them. reveling in their goodness; reveling in their superiority. selflessness disguising selfishness. this person loves 'em and leaves 'em too, except "love" ...more
Do you want to have the very foundations on the basis of which your whole outlook towards life has been shaped, questioned?
Do you want to see the lines between so-called good and evil, right and wrong, the moral and immoral blurred to the extent you could not distinguish one from the other?
Do you want to erase that cherished and precious point of reference, against which you have compared, weighed all your actions, thoughts and feelings so far?

If the answer to the above 3 questions is yes, then
Mar 14, 2008 Jake rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Anyone who's confused as to what this life is all about.
As with most Camus, this book is, in the course of a hundred or so pages, an entire decade of therapy. If you don't feel worse—yet oddly optimistic—about yourself and people in general after this book, you're either inhuman, or you're the exact person this book was meant for.

Someone once extolled this book as "an examination of modern conscience," and it was through this lens that I first began this work. That's accurate, I suppose, to a point, but to leave interpretation at that would be to ro
In any case, I only like confessions nowadays, and the authors of confessions write chiefly in order not to confess, saying nothing of what they know. When they pretend to be owning up, that’s the moment to beware: they’re putting make-up on the corpse.

As far as his prose-fiction output goes, Camus is most well-known for three works: The Stranger The Plague and this one, The Fall. The first two have definitive places amongst cycles of his work within his oeuvre and the development of his ideas:

Muhammad Arqum
How foolish I was to assume this would be a quick little read. I could not have been more wrong. I physically feel exhausted. How did Camus write this? The fall is as dense as they come, bitter, excruciating. Forces you to cogitate. The ideas are so repugnant and yet they keep gnawing inside your head. The words are like evil dark matter that establishes it's authority right from the start and stays there dictating, vandalizing your property. I cannot believe I am giving this a 5 star rating. I ...more

“Sometimes, carrying on, just carrying on, is the superhuman achievement.”

The Fall is one of those books which is less of a novel than an exploration of some kind of spiritual or philosophical narrative or truth. The narrator is a self appointed judge who spares no details about the fact that he does in fact love himself in a highly narcissistic manner. It is this manner which lends him to feeling free as to judge humanity, while ironically also judging himself and yet seemingly feeling free fro
MJ Nicholls
The follow-up to Christos Tsiolkas’s bestseller The Slap, where a boozy Australian lunatic whomps a friend’s child at a party and creates a hotbed of interpersonal tension over 400 outstandingly boring pages. In The Fall, a different boozy Australian accidentally (or was it intentional?) elbows a child onto the grass, causing him to fall and hurt his pelvis, causing outrage on the streets of Canberra! Are our children ever safe from inebriated philanderers with pointy elbows? Why can’t drunks we ...more
"Mon chéri, it seems Amsterdam has disagreed with you. You're so pale."

"Ah, mon amour, oui, I never want to leave the Paris sun again. I want to hold you naked and hang my fog-drenched clothes over the terrace to dry and never look at another dismal canal or smoky bar."

"But I thought my man liked those things about Amsterdam."

"I did, sweet, until I had the misfortune of running into this rather shabby, verbose character...French expat, Jean-Baptiste...well, at least that's what he called himself
Eleni Ouzouni
To The Fall δεν είναι ένα απλό μυθιστόρημα. Αλλά είναι μια φιλοσοφική εξερεύνησε προς τον δρόμο για την αλήθεια. Γραμμένο σε δεύτερο πρόσωπο, το μυθιστόρημα είναι μια σειρά από χωρισμένους μονολόγους που αφηγήται ο Jean-Baptiste Clamence σε έναν ξένο - δηλαδή εμάς. Εδώ μας διηγείται την ιστορία της πτώσης του από το «Eden» αλλιώς Παρίσι και την εξορία του στην «αστική κόλαση» του Άμστερνταμ. Ο Clamence είναι ένας πρώην δικαστής που δεν παύει να μας υπενθυμίζει πόσο αγαπάει τον εαυτό του ενώ ταυτ ...more
Richard Reviles Censorship Always in All Ways
Rating: 4* of five

The Book Report: Told as a long monologue stretched over several days, Jean-Baptiste Clamence reviews the very great highs of his life as a respected criminal attorney, and the very great lows of his life as a libertine without a discernible conscience or moral compass. He narrates his life to an unseen and unheard Other, a tourist from France in Clamence's adopted home of Amsterdam who runs into Clamence at a seedy bar. At each major turning point in Clamence's life, the narra
Leo Robertson
Awesome, powerful, almost scarily compressed, seductive, peppered with ironic humour, unreadable then readable then re-readable. Camus’ Jean-Baptiste strips away the artifice and illusions of civilization having undeniably fallen out of it and hence witnessed the pointlessness of it, striving with the rest of his time to wrench others out too. An easy task, as once the reader is made aware of the absurd, it becomes an obsession, and he or she too would do anything in their power not to return to ...more
Oh, just to have that second chance...
This is the first book I read every year. I read it in memory of a friend I lost going on seven years ago. January 1, 2015 I have read it again

"O young girl, throw yourself again into the water so that I might have a second time the chance to save the two of us!" A second time, eh, what imprudence! Suppose, dear sir, someone actually took our word for it? It would have to be fulfill
Rakhi Dalal
Left me thinking more than ever.Still there is so much that is left unanswered.The book leaves you uneasy, contemplating and struggling to find the logic underneath the issues raised/addressed by the author.But can there be any sense to the working of human minds?
Leila Hashemi
اول از همه منظور کلی این کتاب اینه که یسری از اصول اخلاقی خوب آدم ها هامثل مهربونی و محبت دوستی و... زیر سوال میبره .دروئی که انسان حتی با خودش داره .خودخواهی واحساس رضایت از خود میشه دلیل فروتنی ومهربونی با بقیه .کلمانس نماد آدم مهربون راستگو سخاوتمند در نظر خودش و دیگران ، چیزهایی رو تو خودش کشف میکنه که همه اینهارو جز دروغ چیز دیگه ای نمیدونه .آدم های مجرم میشن روراست و ساده لوح و انسان های خوب دورو و خودخواه .وارد عمیق ترین روحیات یک نفر میشه و درمودش قضاوت میکنه .میگه انسان ممکنه در بالاتری ...more

اقتباسات من الكتاب تعبر عن أفكاره الرئيسية ، عذراً على عدم كتابة رأيي الشخصي بالكتاب ، النجوم كافية هذه المرة ^_^

" أتحدثني عن يوم الحساب الأخير ؟ اسمح لي بأن اضحك باحترام ، و سأنتظر ذلك اليوم بصبر ، لانني عرفت ماهو أسوأ منه .. حساب البشر ، سأخبرك بسر كبير يا صديقي العزيز .. لا تنتظر يوم الحساب الأخير ، إنه يحدث في كل يوم "

المرء يتخذ شكل الأماكن التي يعيش بها-

البشر يحتاجون إلى المأساة .. الا تعرف ؟ انها تمثل نزوعهم الذاتي الصغير .. و مشتهاهم-

الإنسان - ياصديقي العزيز - له وجهان ، فهو لا يستطيع أن
If you have never read Camus you are mostly surely missing something special. Absurdity explained with absolute clairvoyance.I must say this is a very special writer, the rare combination of great thinker who knew to write. The novel is a monologue by Jean Baptice Clemmmence, Jude -Penitent , the story of his fall form the high flying life in Paris though the concentric circles of hell in Amsterdam. The protagonist introspects his life with brutal simplicity , he finds himself to be absurd, his ...more
Hugo Emanuel
Albert Camus tem o fabuloso e sempre infalível dom de romancear magistralmente uma miríade de conceitos e sistemas filosóficos de um modo coerente e empolgante, aplicado-os a realidades relacionáveis e por vezes ilusoriamente banais. Os seus romances e contos, não obstante o seu frequentemente pequeno numero de páginas, reflectem um considerável numero de ideias filosóficas que, se lidas com a devida atenção e dedicação, podem muito bem alterar a percepção que o leitor tem da realidade. Foi prec ...more
Feb 19, 2009 Michael rated it 3 of 5 stars  ·  review of another edition
Recommends it for: Those looking for an example of The Absurd Man in action.
This review has been hidden because it contains spoilers. To view it, click here.
Amir Mojiry
اگر بگویم یکی از بهترین کتاب هایی است که خوانده ام پر بیراه نگفته ام. مطمئنن این کتاب را بیش از «بیگانه» ی کامو می پسندم. گرچه «سقوط» بیش تر فلسفه پردازی دارد و کم تر داستان. با این حال خیلی از فکرهایی که نامنظم و پراکنده توی ذهنم وول می خورد، این جا مرتب شده و مرتبط شده و طبقه بندی شده وجود داشتند. از این که کسی این چنین بتواند فلسفه پردازی کند، تعجب کردم.
باید یادم باشد به همه ی کسانی که جز نالیدن از زندگی کار دیگری ندارند، توصیه کنم حتمن حتمن این کتاب را بخوانند. حداقلش این است که از این به بع
Victoria Mixon
I love Camus. He's generally lumped with the existentialists but was actually an absurdist. I mean, when your protagonist gets convicted of matricide because he doesn't cry hard enough at his mother's funeral (The Stranger)---THAT, folks, is black humor.

And The Fall doesn't disappoint. In this marvelous twist on first-person narrative, the protagonist speaks not to all readers in general but to you specifically, cast as you are in the role of an intelligent Parisian lawyer the mysterious Jean-Ba
Nov 01, 2007 Katherine rated it 2 of 5 stars  ·  review of another edition
Recommends it for: those who always sit at the bar, lawyers
Eh. This book started off with potential, I thought, even making me laugh out loud, though I'm not sure it's supposed to be funny. But then again what's not funny about proclaiming that humans will be remembered only for reading the paper and fornicating?

It took me a while to get into the monologue form, and then I liked the casual banter for a bit. But then by page 40, and it's only 100-some pages, I found myself fast asleep face down in the book, literally. This book also fails the page-99 tes
Celeste Corrêa
"Sermos nós próprios é uma coisa estranha pois nunca o somos verdadeiramente, excepto na recordação do que fomos. E, evidentemente, não acreditamos na recordação."

Gertrude Stein

Com Jean-Baptiste Clamence, a personagem do livro ( muito diferente da do “O Estrangeiro”) , Camus retoma a temática da liberdade individual, mas fá-lo de uma forma diferente daquela que conhecemos com Meursault.

Do que trata afinal a "A Queda"?

Em poucas palavras é a confissão de um afamado advogado parisiense, Jean-Baptis
هنا ألبير كامو يعري الانسان ، الاقتباسات كثيرة هنا، حقيقة بالصدفة أخترت وقرأت هذه الرواية برغم صغر حجمها لكنها عميقة جداً بأسئلة وجودية ،ترى الحياة كيف هزلية وتستمر، وترى ثيم الموت في اللحظات الاخيرة من عمرك أعتقد أنني سوف أطرح هذة الاسئله في مرحلة لاحقة من حياتي قبل الموت لا أقصد لحظة الموت بذاتها، أقصد الوعي بقرب الموت نفسة وهنا الالم من فعل ادراك هذة اللحظة ليس الموت بذاتة.من جرب خطر الموت في مرحلة من حياتة راح يعرف هذا الشعور واللحظة التي اتحدث عنها هنا.
رواية حقاً فريدة من نوعها غريبة مثيرة
Najla Hammad
رواية فلسفية جميلة فيها الكثير من الثرثرة والإستدراك
بعض الإقتباسات:
"أما الصداقة فهي أقل بساطة، والحصول عليها يتطلب وقتاً، وهو صعب. أما حين يحصل عليها المرء فيجب أن يسير معها. ولا تظن لحظة واحدةأن أصدقاءك سيتصلون بك تلفونياً كل مساء، كما يجب عليهم أن يفعلوا، لكي يعرفوا هل أن هذا المساء هو المساء الذي تقرر فيه أن تنتحر، أو هل أنت في حاجة إلى الرفقة، أو أنك لست في مزاج يتيح لك الخروج.
كلا، لا تقلق، فإنهم سيتصلون بك في المساء الذي لا تكون فيه وحدك، حين تكون الحياة جميلة. أما بالنسبة للإنتحار، فإنهم س
This late work by Camus (he died in l960) is short, and you’d think some brief comments would take care of a brief book. Not so. Even though it’s short, so many ideas tumble from it that you feel like saying, to do justice to them, read the book for yourself!

Part of the challenge of the book, and also one of its pleasures, is its style. Yes, Camus expresses the key concepts of his brand of existentialism, but the ideas emerge in a ongoing monologue with the reader as the listener. The voice of
مهم این است که شخص بتواند همه چیز را برای خود مجاز بداند ، ولو اینکه مجبور شود که گاه به گاه بی لیاقتی خویش را به آوای بلند اعلام دارد. من از نو ، و این بار بدون خنده ، همه چیز را بر خود مجاز می دانم . من تغییر زندگی نداده ام:همچنان به خودم عشق می ورزم و از دیگران بهره می برم.منتها اعتراف به خطاهایم به من اجازه می دهد که با سبکباری بیشتری از نو آغاز کنم و دو برابر لذت ببرم.نخست از طبیعتم و بعد از احساس دلچسب پشیمانی.
از وقتی که این راه حل را یافته ام ، خود را به دست همه چیز رها می کنم:به زن ،
A self-titled “Judge Penitent” living in Amsterdam tells his life story, over several days, to a man he meets in a bar, bizarrely called Mexico City. It is written as a first person monologue, with occasional asides and replies to the other man, which gives the narrative a very distinctive voice.

Although a very short book, it is not one to rush as so much philosophy, law and theology is explored. (It is certainly much heavier than The Outsider or The Plague.)

You discover how an apparently altrui
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  • The Wall
  • The Counterfeiters
  • The Ethics of Ambiguity
  • Man's Fate
  • Time Regained (In Search of Lost Time, #7)
  • Either/Or: A Fragment of Life
  • The Holy Terrors
  • Against Nature (A Rebours)
  • Death on the Installment Plan
  • Amerika
  • Malone Dies
  • Paris Spleen
  • The Gay Science: with a Prelude in Rhymes and an Appendix of Songs
Albert Camus was an Algerian-born French author, philosopher, and journalist who was awarded the Nobel Prize for Literature in 1957. He is often cited as a proponent of existentialism (the philosophy that he was associated with during his own lifetime), but Camus himself rejected this particular label. Specifically, his views contributed to the rise of the more current philosophy known as absurdis ...more
More about Albert Camus...

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“You know what charm is: a way of getting the answer yes without having asked any clear question.” 2961 likes
“I used to advertise my loyalty and I don't believe there is a single person I loved that I didn't eventually betray.” 1128 likes
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