Someday This Will Be Funny
by
Lynne Tillman (Goodreads Author)
The stories in Some Day This Will Be Funny marry memory to moment in a union of narrative form as immaculate and imperfect as the characters damned to act them out on page. Lynne Tillman, author of American Genius, presides over the ceremony; Clarence Thomas, Marvin Gaye, and Madame Realism mingle at the reception. Narrators � by turn infamous and nameless � shift within t...more
Paperback, 160 pages
Published
April 22nd 2011
by Red Lemonade/Cursor
(first published April 20th 2011)
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http://www.dallasnews.com/entertainme...
“Someday This Will Be Funny,” by Lynne Tillman, is being published by an imprint that plans to produce books simultaneously in paperback, as digital downloads and as “a limited edition artisanal object direct from the publisher.” Appropriately, the author here offers multiple definitions of what a “story” is.v
By JENNY SHANK
Special Contributor
The Dallas Morning News
SHORT STORIES
Someday This Will Be Funny
Lynne Tillman
(Red Lemonade, $14.95)
Books have existe...more
“Someday This Will Be Funny,” by Lynne Tillman, is being published by an imprint that plans to produce books simultaneously in paperback, as digital downloads and as “a limited edition artisanal object direct from the publisher.” Appropriately, the author here offers multiple definitions of what a “story” is.v
By JENNY SHANK
Special Contributor
The Dallas Morning News
SHORT STORIES
Someday This Will Be Funny
Lynne Tillman
(Red Lemonade, $14.95)
Books have existe...more
The first book I read by Lynne Tillman was The Madame Realism Complex, a collection of stories published by the small avante-garde press Semiotext(e). That was close to 20 years ago, and I still have not recovered from the excitement I felt on first reading it.
I read everything else I could find by her, and in the mid-1990s I wrote an article about her for Scotland on Sunday. In the article, I described her as being "simultaneously more complex and more accessible than Beckett." When I wrote tha...more
I read everything else I could find by her, and in the mid-1990s I wrote an article about her for Scotland on Sunday. In the article, I described her as being "simultaneously more complex and more accessible than Beckett." When I wrote tha...more
Lynne Tillman is a total fucking treasure. This is not nearly as good as AMERICAN GENIUS, but there are still stories in here that are wonderful, including the first, That's How Wrong My Love Is, about a pair of mourning doves.
"...While the airplane with the cinematographers flew beside the flock, the birds ignored it and singlemindedly moved forward, their wings beating rhythmically and constantly, though occasionally they glided, and they might have been exhausted; yet they kept going, determi...more
"...While the airplane with the cinematographers flew beside the flock, the birds ignored it and singlemindedly moved forward, their wings beating rhythmically and constantly, though occasionally they glided, and they might have been exhausted; yet they kept going, determi...more
My stepfather checked a copy of this out from our local library and sort of asked me to take a look at it before he did, because I apparently have a good taste in literature. I found the essays/short stories to be a little evocative, semi thought-provoking, and well written, if a little hard to follow.
I hated it.
I'm the type of person who never leaves a book unfinished (I saw Twilight through to the end, and that was some serious tripe) but I seriously could not get past the third piece. Perhap...more
I hated it.
I'm the type of person who never leaves a book unfinished (I saw Twilight through to the end, and that was some serious tripe) but I seriously could not get past the third piece. Perhap...more
Like Ehmmaleigh, I'm never one to leave a book unfinished. Whether I've picked it up at the bookstore because of an interesting back cover, or it's on the bestseller's list, there's a reason I chose to read it in the first place.
A collection of short stories doesn't take an investment by the reader- neither thought or time. You can pick up a story here and there, before bed or on a weekend, when you have a bit of time but don't feel like diving into a novel. I managed to get to page 77 (midway...more
A collection of short stories doesn't take an investment by the reader- neither thought or time. You can pick up a story here and there, before bed or on a weekend, when you have a bit of time but don't feel like diving into a novel. I managed to get to page 77 (midway...more
red lemonade saves the day.
fantastic short stories, i guess collected from over the decades. i am hereby officially a fan of lynne tillman. i have a line of a book about Shore she is involved with, but i don't know in what capacity, intro perhaps?
and a novel of her's, about paranoia (that;s all i need, hey!..what are you looking at?!)
No Lease on Life
her stories are varied in tone and topic, and remind me of old fashioned styles Lawrence, Hardy, even Trollope, but also new old fashioned styles...more
fantastic short stories, i guess collected from over the decades. i am hereby officially a fan of lynne tillman. i have a line of a book about Shore she is involved with, but i don't know in what capacity, intro perhaps?

and a novel of her's, about paranoia (that;s all i need, hey!..what are you looking at?!)
No Lease on Life
her stories are varied in tone and topic, and remind me of old fashioned styles Lawrence, Hardy, even Trollope, but also new old fashioned styles...more
I had the pleasure of reviewing an earlier book of Tillman's stories, her collaborative with visual artists _This is Not It_ a while back, and so I feel like I know Tillman's work at least a little, and this is another book by her:)
In other words, this is a book made up of stories that have plots, but which are also interested in language, mostly set in NYC and amongst the kinds of people who shop at bodegas but are also concerned, post-Beckett, about the ability and the need to say things: how...more
In other words, this is a book made up of stories that have plots, but which are also interested in language, mostly set in NYC and amongst the kinds of people who shop at bodegas but are also concerned, post-Beckett, about the ability and the need to say things: how...more
Lynne Tillman places together a variety of stories about loss and heartache, grouping them under a title encouraging laughter in the face of sadness. The collection is a mixed bag of good, bad, and indifferent. One tale laments the disappearance of a dove's nest outside her window, another shares a final tale of freindship before it fall apart. Marvin Gaye attempts a collaboration with John Lennon, and the author herself offers a poignant letter to an old flame. Overall, not quite my cup of tea...more
Tillman's work initially struck me as dry, abstract, and lacking in emotion, particularly in the very short pieces or the ones which had famous people at their center, but there are three masterpieces in the middle of the collection that were pure genius and made me recognize that the dry style only amplified the sense of emotional disconnection felt by the characters. Tillman is an exceptionally gifted writer who is breaking new stylistic ground. The collection has uneven moments, but it is dee...more
This is a collection of short stories from Lynn Tillman. Some were great, other were not so great. Actually, far more were less-than-stellar, hence the two-star rating. Unfortunately, none of them were moving enough -- there was not a single story that I loved! Some that I really like and just liked, but not one did I love. I think it's because, at times, it feels like the author is trying too hard to write these surreal and weird stories. They're too strange and too out there, and they end up n...more
Tillman is one of our present literary-... well "genius" falls flat, more precisely she is a literarian immersed in our moment in time, and serves us well as cultural beacon.
Someday it will be funny when they look back at how amused and content we were with late seventies and eighties sitcoms and soap operas, that were backlashed with reality tv shows.
Her writing is at times melancholy and/or hyper, it is paced or sporadic. Irony, wit, sarcasm, revealing. Exposed, naked, cloaked. Dryly or feve...more
Someday it will be funny when they look back at how amused and content we were with late seventies and eighties sitcoms and soap operas, that were backlashed with reality tv shows.
Her writing is at times melancholy and/or hyper, it is paced or sporadic. Irony, wit, sarcasm, revealing. Exposed, naked, cloaked. Dryly or feve...more
added after reading the Vanity Fair review in the June 2011 issue on my iPad.
http://www.nytimes.com/2011/06/05/boo...
http://www.nytimes.com/2011/06/05/boo...
Nov 03, 2011
Jessamine
added it
http://blogs.publishersweekly.com/blo...
I wrote about this book here (see above)
I wrote about this book here (see above)
I really loved some of the stories but didn't care all that much for others.
Exceptional stories that traverse an impressive variety of landscapes: emotional, political, humourous, fantastical. Lynne Tillman is the writer that writers fall in love with, a master of supportive provocation. Her humility and honesty make her an ideal, the practitioner who inspires others to do, be, and write better.
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Here’s an Author’s Bio. It could be written differently. I’ve written many for myself and read lots of other people’s. None is right or sufficient, each slants one way or the other. So, a kind of fiction – selection of events and facts.. So let me just say: I wanted to be a writer since I was eight years old. That I actually do write stories and novels and essays, and that they get published, stil...more
More about Lynne Tillman...
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