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The Beautiful Room is Empty (The Edmund Trilogy #2)

3.87 of 5 stars 3.87  ·  rating details  ·  1,705 ratings  ·  82 reviews
When the narrator of White's poised yet scalding autobiographical novel first embarks on his sexual odyssey, it is the 1950s, and America is "a big gray country of families on drowsy holiday." That country has no room for a scholarly teenager with guilty but insatiable stirrings toward other men. Moving from a Midwestern college to the Stonewall Tavern on the night of the ...more
Kindle Edition, 240 pages
Published (first published 1988)
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(showing 1-30 of 3,000)
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mark monday
White’s follow-up to A Boy's Own Story is an admirable effort. The language is still extraordinary. The various episodes recounted in the author’s life are certainly free from sentiment – if anything, the author leans towards self-evisceration and distance. Perhaps this absence of nostalgia is what makes the book rather off-putting. In A Boy’s Own, the style was eye-opening. In Beautiful Room, at times it feels a little too self-consciously alienated, as if edmund white himself is fearful of rev ...more
Paul Bryant
This is a beautifully written memoir of Edmund going to college and being as gay as it was possible to be, in fact constantly attempting to invent even gayer things to do and to be.

This book is hilarious. I think it helps to have a wicked sense of humour if you're in a despised minority (so on that logic war criminals must be a real tonic to be around.)

This is not from the book but I remember a news programme from way back, when Aids was at its height. The Queen visited some hospital or anothe
Edmund White's writing style is more or less a series of incredibly vivid vignettes linked together through simple chronology. And while the individual events, memories and musings are often beautiful in and of themselves, it has a curiously monotone effect after a while, almost like banging the same chords on a piano over and over--not even the most gorgeous notes can sustain their impact if piled on top of each other with nothing between to showcase their individual merit. That said, White's n ...more

This novel, although I suppose it is usually categorized under gay fiction, is an excellent coming of age novel that picks at the conservative Midwestern society of the late 50s and ends up describing both the promises and failures of New York City in the early to mid 60s. If I had discovered this book in high school, I would have fallen in love with all of the characters and over-identified with their struggle to live as their true selves, although I would have been horrified by the anonymous b
You know how you can be doing some mundane task and all of a sudden a random memory just surfaces? For a while you are just reliving that moment and maybe you even smile because that line between the physical and mental world is blurred enough to allow you to.

That’s sort of the effect this book has left on me.

The Beautiful Room Is Empty is one of the few books that left me with very distinct scenes, as if Edmund White’s memories are now mine.

Edmund White is a very talented writer; I think tha
You got to atleast give Edmund White credit for crafting such strong visuals regarding sex and the male form: "revealing a hairless chest marbled by blue veins and decorated like a piece of wedding cake with two candle sockets in pink frosting--the erect nipples" (pg. 178).
"..untidy Minnie Mouse with big thighs of mushroom pallor." (pg. 175).
"the tan line suggested poolside swimsuit, frosted glass, sunglasses....But the hickory-hard straining of this cock upward spelled animal--a straight line
The title is not a line from a scene in the book. Perhaps it's a warning?

I'm no great fan of autobiography but this is one of the best tooled autobiographies. I've ever read. My problem with the book is that it seems to meander through comonplace events that have been told in more engaging ways elsewhere. No matter how nice the cup, poor coffee is still poor coffee. The writing here is excellent and at times brilliant but the story itself is unengaging.

While it deals with one man's journey from
Titling your novel "The Beautiful Room is Empty" is really asking for it, and this book unfortunately lives up to the insult of its title. The luminous, mordantly insightful writing style White is known for is in full flower here, but it all unspools across the page with no purpose, no heart. The deeply moving emotional bedrock you usually feel grounding you so powerfully while wandering through White's patented haze of romantic, vaguely connected set pieces seemed totally lacking here. The endi ...more
I felt like I needed some gay literature in my life and was hoping for a dramatized historical fiction that would be perhaps heartwrenching or informative or something. The character was neither likeable, lovable, hatable, or commendable. I had a hard time reading the book because I didn't care what happened to the main character, or even the supporting characters. The last 50 pages were good. All the others I felt were on the verge of poor writing. At least foggy - I felt like the plot had no d ...more
i cried on the subway.
a lot of people discredit this book, saying it is not a novel, that it is a thinly veiled autobiography, that the narrator is hard to love. all of these things may be true, but take away from the fact at hand: this is really good writing. the first time "searing" has ever come to mind to describe something i've read. from "i did not travel." on page 223, i don't think i breathed at all while reading the last six pages. sadly, the beautiful room is, in fact, empty - thank go
Subtitled "a novel," but barely recognizable as such since it reads like a beautifully written but otherwise quite commonplace memoir. A brainy, well-read young gay man grows up in the repressed, conformist America of the 50's and early 60's. Um . . . wow, how shocking. Maybe it would have been better if White had focused on one particular stop in his journey from uncertain closeted teen to uncertain openly gay youth -- the prep school, the University of Michigan fraternity, the Chicago gold coa ...more
Written as a part memoir of growing up homosexual in the USA of the 1950s, when such things weren't really accepted, this novel reads as a more sympathetic, but no less literate Hollinghurst. In the post HIV era, a lot of the description of the rather lonely, yet promiscuous life of the author reads more as an elegy for a closeted lifestyle that may be best forgotten in a more open society.

While a novel depicting such unfairness in a relatively modern era always causes some stirring of emotion,
Not the sort of book I would have read many years ago when it was first published (1988), or indeed reissued (1994 in this one). My own trajectory through these images of relationships has been between the forcefulness of others insisting that their stereotypes of experience are ones that I should also be confronted with, as they were.
This has lead to my own resistance.
Now I find I can more easily read the work of Edmund White directly and see how gently he unfolds the resistances and the forces
Book Wormy
The Beautiful Room is Empty Edmund White

This is the second book in a trilogy about a gay boy growing up and coming to terms with his sexuality, I think this would have been better read in order however book bingo assigned me this book and not the first and having read the description I wasn't sure I would want to read anything else

This book deals with the narrator becoming an adult he is attending college and associating with bohemians one of whom, Maria, becomes a firm friend.

What I liked about
Mel Bossa

I'd read a collection of short stories, Skinned Alive, by Edmund White, but never a full novel. Now, I want more.

I thought this would be a little pretentious, you know, sort of "here are the tortured and self-centered thoughts of an Ivy League, white male", and it was a little, at times, but where White surprised me, was in his unabashed honesty and ability to turn his very critical eye on himself too.

And it's such a pleasure to read someone who has phenomenal wit, knowledge, culture
"Non si può parlare delle cose più intime e importanti con gli estranei, eccetto che nei libri".

Secondo episodio della tetralogia autobiografica di Edmund White, focalizzato sugli anni universitari. Dall'esordio in un'accademia d'arte al tentativo di andare per la propria strada: in mezzo, la compulsiva ricerca del sesso e il bisogno di un'accettazione di sé.
Poetico, dolceamaro, fortemente ironico e godibilissimo, questo secondo episodio si presenta come una certa conferma delle qualità del prim
The second novel in Edmund White's trilogy "The Beautiful Room is Empty" explores oppression. Again one is moved by his intelligence, humour, anger and poetic language, which I will let speak for itself:
"We listened to an old scratchy recording of a Bach unaccompanied cello suite. The music, so spare, so passionate, seemed at any moment about to break into speech. It cut with precision into the big soft folds of time that nearly smothered us."
Kathleen Hagen
The Beautiful Room is Empty, by Edmond White, Narrated by George Backman, Produced by Audible Studios, downloaded from

This is the second in the trilogy of autobiographical novels by White. In this one he starts off at college at the U. of Michigan, but finds the Midwest in general in the 1960’s to be inhospitable to people who are trying to determine if they are gay. He tries various therapies to “deny his tendencies” but finds it pretty much impossible. Toward the end of this book,
Exquisitely written with unbelievable characterisation, this book is poignant and tragic while being beautiful at the same time. The narrator, living at a time when homosexuality was seen as a disease which could be cured, battles continuously with his own sexuality and his belief that he will ultimately be cured of it. He doesn't see himself as worthy of love, and when he does fall in love at the end of the book, the relationship ends because both men can't shake this belief that their homosexu ...more
Sometimes I have the feeling that we're in one room with two opposite doors and each of us holds the handle of one door, one of us flicks an eyelash and the other is already behind his door, and now the first one has but to utter a word and immediately the second one has closed his door behind him and can no longer be seen. He's sure to open the door again for it's a room which perhaps one cannot leave. If only the first one were not precisely like the second, if he were calm, if he would only p ...more
Tex Reader
3.5 of 5 stars – Intelligent Prose, But Still Left Me A Bit Empty.

Like Edmund White’s A Boy’s Own Story, this was an interesting study of a gay YA, conveyed through his own narrative story. This also had similar issues as book 1, but not as much, so I grew to like book 2 a bit more.

I actually appreciated the prose more in this one – similar beautiful phrasings, but this time more realistic because it didn't overstretch as much. I thought the prose was at its best describing the emotions of falli
Steve Woods
This is the second of White's trilogy that I have read, one to go and I am truly looking forward to it. The first A Boys Own Story left me breathless, I have very rarely seen anyone who can work with the English language to such effect. There is not a wasted word anywhere and the strength of characterisation is such that I felt much of the time, so very identified with the main character. Visceral and disturbing at times, it is certainly those things but then the agony of this boys struggle with ...more
I think I give White the benefit of the doubt because (a) "City Boy" is so great; and (b) he's a queermo, like me. But in point of fact, neither of his novels that I've read were really that fabulous. Maybe this is a lil' whiff of my latent snobbery coming out, but I found this and "A Boy's Own Story" to be glorified erotica, rather than a measured exploration of queer subjectivity in the mid-century cultural and political American context. And I can't figure if I'm a snob or if White toots his ...more
so much better than his first in the trilogy of novels about growing up gay. maybe i liked it better because it seemed more autobiographical and less literary. it was beautifully written, and managed to portray this man's brutally honest thoughts/feelings about his college/formative years. i'm proud to say that he follows in a long line of famous, distinguished ohio authors.

this book also helped me realize that i take part in a specific subculture that i sometimes have a hard time explaining to
Dusty Myers
It’s a shame that White is our Updike, which is to say that he’s our learned and well read and omnipresent white-male writer born decades ago whom we are meant to revere solely because of his status and age and productivity. It means that I have to read the final book of the trilogy, The Farewell Symphony, which I’m hoping to god is a lot more palatable.

The problem with these novels is that they aren’t novels. They’re memoirs labeled as novels at a time, I imagine, when the memoir wasn’t as mar
Nicely turned phrases and descriptions.
Not a novel.
Great title.*

Considering I can find only half a dozen works by him, I do wonder why he is so famous. Like other autobiographies, eg. Fry's, the author is rather unlikeable. As with other books I read recently, I have no more sympathy left for needing to have sex with literally hundreds of different men, as if straight people had that option. As with "Surprising Myself", the protagonist moves to NY and wastes time there reading and fucking, but n
Not really a memoir, although it draws strongly from White's personal life. I wish I had read this in sequence. From what I understand, this is part two of a trilogy (beginning with 'A Boy's Own Story' and ending with 'The Final Symphony' - I think) based on White's realization that he is a homosexual in childhood, awkward coming out in adolescence, and entrance into early adulthood in Greenwich Village of New York City.

This book in the series opens with his final years of prep school, before t
Jared Tester

Given this book's serious subject, (life as a closeted gay man in 1960s-right up to Stonewall-New York City) I was bothered by White's prose style here, which seemed so low on drama that it was tossed-off in a rush. What drama there is is in the fact that the main character comports himself more like an observer than an active participant in his own story. Indeed, the real fireworks come when the protagonist describes what people he knows are going through in their lives. Still, White cover
I picked this up b/c it has been on my list to read for a while. A friend of mine who I once respected revered White so he was sort of in my mind as something I should read. Something important that if I wanted to consider myself a lettered homosexual, I should be at least passingly familiar with White. Reflecting on it now that I am older and less impressed by so called intelligence it makes sense that he would be a White fan. He was both cowardly, fickle and self-loathing. I thought White over ...more
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Edmund White's novels include Fanny: A Fiction, A Boy's Own Story, The Farewell Symphony, and A Married Man. He is also the author of a biography of Jean Genet, a study of Marcel Proust, The Flâneur: A Stroll Through the Paradoxes of Paris, and, most recently, his memoir, My Lives. Having lived in Paris for many years, he is now a New Yorker and teaches at Princeton University. He was also a membe ...more
More about Edmund White...

Other Books in the Series

The Edmund Trilogy (3 books)
  • A Boy's Own Story
  • The Farewell Symphony
A Boy's Own Story The Flaneur: A Stroll through the Paradoxes of Paris The Married Man Jack Holmes and His Friend City Boy: My Life in New York in the 1960s and 70s

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“Sometimes I have the feeling that we're in one room with two opposite doors and each of us holds the handle of one door, one of us flicks an eyelash and the other is already behind his door, and now the first one has but to utter a word ad immediately the second one has closed his door behind him and can no longer be seen. He's sure to open the door again for it's a room which perhaps one cannot leave. If only the first one were not precisely like the second, if he were calm, if he would only pretend not to look at the other, if he slowly set the room in order as though it were a room like any other; but instead he does exactly the same as the other at his door, sometimes even both are behind the doors and the the beautiful room is empty." Franz Kafka (in a letter to Milena Jesenska)” 9 likes
“Suffering does make us more sensitive until it crushes us completely.” 2 likes
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