Pauline Rowson's Blog - Posts tagged "writing"

I've just uploaded a new video to my broadcast channel at You Tube where you can watch all my videos and subscribe to receive updates as new videos are posted. Or you can see all my video interviews on my web site

The latest video is an interview with Rob Richardson of Express FM where I am talking about my marine mysteries and we are discussing writing point of view.

I’ve been wrestling with the plot of my next Inspector Horton Marine Mystery crime novel over the last few days – hence the silence on my blog, and the silence around the house. I get so absorbed in it, that I find it hard to think of anything else. I’m just over two thirds of the way through writing the first draft and I’ve got to that stage where I need to know exactly where I’m going and with whom. You’d think I would have it all worked out by now, having written nearly seventy thousand words but I haven’t. I always do this – it’s the way I work. I have an idea for the novel, I work out the basic plotline, and I do the character sketches. Then I’m ready to get cracking on the creative writing stuff. I love getting down to the actual writing as soon as I can even though I often don’t know the ending or even ‘who done it’ because the whole novel doesn’t come alive until Horton starts investigating and gets into all sorts of trouble as a result.

As I write, the plot becomes more and more interesting and complex, full of twists and turns so much so that I often tie myself up in knots! That’s when I need to stop writing and do some more hard thinking. I need to revisit the plot (or even re-invent it) to ensure that what I am actually creating is believable, exciting and full of tension.

With this novel, like most of my previous crime novels, the plot line is multi-faceted. And now after a few days hard thinking, and much scribbling I’ve hit the eureka button (although I’ve still got some further research to undertake). At last I think it all ties up. I say think because until I start working on it again I won’t really know but I’m optimistic and excited.
Deadly WatersThe Suffocating Sea

I was asked the other day how I feel when I tap out the immortal words THE END at the completion of a novel.

The timing of the question was quite eerie because I was just reaching the final pages of the copy edits of my latest DI Horton marine mystery crime novel Blood on the Sand which is being published by Severn House in February next year. It is the fifth in the Inspector Horton series. Reaching the end of this my feelings were relief mixed with anxiety: is it good enough? Should I re-write one more time? Could I have changed anything? Too late…I’ve pressed the send button and it’s gone to my editor. The next time I’ll get to review this will be at proof reading stage and all the anxieties over what, if anything, I should have changed will return. But by then it really is too late to make changes.

So how do I feel when I tap out the immortal words THE END at the completion of a novel? (Although I don’t actually tap out THE END).

It really depends on which draft I am writing. After the first draft there is a feeling of elation - I have finally managed to reach THE END after bashing out, as quickly as I can, somewhere between 80,000 to 100,000 words. With the second draft comes a greater sense of satisfaction that all the ends are beginning to tie up neatly. The third and fourth drafts fine tune the novel and by the time I’ve reached the fifth and sixth I’m beginning to know it backwards, up side down and inside out and can no longer see where the glaring holes are – time to get a second opinion from my editor. But always, no matter how many drafts it takes to get to the final version, when I reach the END I feel a shiver up (or should that be down?) my spine. This can be a shiver of satisfaction or excitement or both, and if I feel that then hopefully my readers will feel it too. And I’m pleased that Inspector Andy Horton has survived another case and will live to solve a new one.



Tide of Death

"Once they find a favourite way of getting their words on paper - or screen - novelists normally stick with it, says Philip Hensher," in the Daily Telegraph recently, and that is true because it takes a writer some time to evolve the perfect system that works for him or her. It did with me anyway.
 
Before I struck on the 'perfect system'  I tried all sorts of ways of compiling my research, plots and character outlines, from using note books to wall maps, to A4 folders.  None of them worked. The A4 folders looked nice and neat, all properly indexed, but because of my civil service training my mind told me that something in a file, was 'filed away,' actioned, finished with and a novel is a work in progress, or at least it is with me until I am holding the actual printed book in my hand.  Notebooks worked for a while but I got tired of flicking through various pages trying to find the precise piece of information I needed, when I needed it. And they weren't much use for containing the research pulled off the Internet, and from other sources.   Wall maps were soon a no,no. They looked messy and very rapidly got covered with notes pinned over them. So what next?
 
I'm not really sure how I evolved my current system of working but gradually it came together so that now all my plot lines and character outlines are executed in pencil on recycled bits of A4 paper.  The plot line and each character outline is held together by a treasury tag (or India Tag).  The individual characters have their name flagged up at the top of the paper. The research from various sources is then tagged on to that character and/or the plot line, and all this stays on my desk in a three tiered tray system until the novel is finished and sent to my editor, when it moves to a table behind my desk and sits there while it progresses to the printed version and I turn to writing the next novel.  Nothing is filed away until the novel in question has been printed.  
 
As to the actual writing tool - then it is straight on to the computer for me, so easy for editing.
 
Developing the method that works for a writer is much like developing his or her style of writing. It takes time, and trial and error until something clicks and, as the man says, once you find what works for you, you usually stick with it.

Visit the Pauline Rowson official web site for more about this author at http://www.rowmark.co.uk