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  <id>998</id>
  <name><![CDATA[Simon Goldhill]]></name>
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        <book>
  <id type="integer">1800</id>
  <isbn>0226301192</isbn>
  <isbn13>9780226301198</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Love, Sex &amp; Tragedy: How the Ancient World Shapes Our Lives]]>
  </title>
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  <link>http://www.goodreads.com/book/show/1800.Love_Sex_Tragedy_How_the_Ancient_World_Shapes_Our_Lives</link>
  <average_rating>3.71</average_rating>
  <ratings_count>17</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;In <em>Love, Sex &amp; Tragedy</em> Simon Goldhill lifts the veil on our inheritance of classical traditions and offers a witty, engrossing survey of the Greek and Roman roots of everything from our overwhelming mania for &quot;hard bodies&quot; to our political systems. Encompassing Karl Marx, Clark Gable, George W. Bush, Oscar Wilde, and Sigmund Freud, Goldhill takes great delight in tracing both follies and fundamental philosophical questions through the centuries and continents to the birthplace of Western civilization as we know it. Underlying his brisk and learned excursions through history and art is the foundational belief, following Cicero, that learning about the classics makes a critical difference to our self-understanding. Whether we are considering the role of religion in contemporary society, our expectations about the boundaries between public and private life, or even how we spend our free time, recognizing the role of the classics is integral to our comprehension of modern life and our place in it. <br/><br/>&quot;Confident, intelligent and assertive; [<em>Love, Sex &amp; Tragedy</em>] stands up for 'classics' without apology, without snobbishness and without conservatism.&quot;&#8212;Oliver Taplin, <em>Guardian<br/></em><br/>&quot;Goldhill . . . takes us through the looking glass into antiquity and shows us some of the sights that he thinks most interesting and informative. . . . Anyone who goes on the journey will be amused, surprised, and enlightened.&quot;&#8212;Mary K. Lefkowitz, <em>New York Sun <br/><br/></em>&quot;A passionate, witty, and broad-ranging exploration of the ancient foundations of our world. . . . There is a widening gap between our perceptions and the ancient sources. Goldhill closes that gap with this lively and multi-layered challenge to assumptions embedded in modern life.&quot;&#8212;Lizzie Speller,<em> Observer <br/><br/></em>&lt;/div&gt;]]>
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<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">1801</id>
  <isbn>0521315794</isbn>
  <isbn13>9780521315791</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Reading Greek Tragedy]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158331444m/1801.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158331444s/1801.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1801.Reading_Greek_Tragedy</link>
  <average_rating>3.50</average_rating>
  <ratings_count>4</ratings_count>
  <description>
    <![CDATA[This book is an advanced critical introduction to Greek tragedy. It is written specifically for the reader who does not know Greek and who may be unfamiliar with the context of the Athenian drama festival but who nevertheless wants to appreciate the plays in all their complexity. Simon Goldhill aims to combine the best contemporary scholarly criticism in classics with a wide knowledge of modern literary studies in other fields. He discusses the masterpieces of Athenian drama in the light of contemporary critical controversies in such a way as to enable the student or scholar not only to understand and appreciate the texts of the most commonly read plays, but also to evaluate and utilize the range of approaches to the problems of ancient drama.]]>
  </description>
<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>1986</published>
</book>

        <book>
  <id type="integer">1127052</id>
  <isbn>0226301281</isbn>
  <isbn13>9780226301280</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[How to Stage Greek Tragedy Today]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1181212004m/1127052.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1181212004s/1127052.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1127052.How_to_Stage_Greek_Tragedy_Today</link>
  <average_rating>3.67</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;&lt;div&gt;&lt;div&gt;From the stages of Broadway and London to university campuses, Paris, and the bourgeoning theaters of Africa, Greek tragedy remains constantly in production. This global revival, in addition to delighting audiences, has highlighted both the promise and the pitfalls of staging ancient masterpieces in the modern age. Addressing the issues and challenges these performances pose, renowned classicist Simon Goldhill responds here to the growing demand for a comprehensive guide to staging Greek tragedy today.<br/><br/>In crisp and spirited prose, Goldhill explains how Aeschylus, Euripides, and Sophocles conceived their works in performance and then summarizes everything we know about how their tragedies were actually staged. The heart of his book tackles the six major problems facing any company performing these works today: the staging space and concept of the play; the use of the chorus; the actor&#8217;s role in an unfamiliar style of performance; the place of politics in tragedy; the question of translation; and the treatment of gods, monsters, and other strange characters of the ancient world. Outlining exactly what makes each of these issues such a pressing difficulty for modern companies, Goldhill provides insightful solutions drawn from his nimble analyses of some of the best recent productions in the United States, Britain, and Continental Europe.<br/><br/>One of the few experts on both Greek tragedy and contemporary performance, Goldhill uses his unique background and prodigious literary skill to illuminate brilliantly what makes tragedy at once so exciting and so tricky to get right. The result will inspire and enlighten all directors and performers&#8212;not to mention the growing audiences&#8212;of ancient Greek theater. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">2742383</id>
  <isbn>067402866X</isbn>
  <isbn13>9780674028661</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Jerusalem: City of Longing]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2742383.Jerusalem_City_of_Longing</link>
  <average_rating>3.33</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[<p> Jerusalem is the site of some of the most famous religious monuments in the world, from the Dome of the Rock to the Church of the Holy Sepulchre to the Western Wall of the Temple. Since the nineteenth century, the city has been a premier tourist destination, not least because of the countless religious pilgrims from the three Abrahamic faiths.  </p><p> But Jerusalem is more than a tourist site—it is a city where every square mile is layered with historical significance, religious intensity, and extraordinary stories. It is a city rebuilt by each ruling Empire in its own way: the Jews, the Romans, the Christians, the Muslims, and for the past sixty years, the modern Israelis. What makes Jerusalem so unique is the heady mix, in one place, of centuries of passion and scandal, kingdom-threatening wars and petty squabbles, architectural magnificence and bizarre relics, spiritual longing and political cruelty. It is a history marked by three great forces: religion, war, and monumentality. </p><p> In this book, Simon Goldhill takes on this peculiar archaeology of human imagination, hope, and disaster to provide a tour through the history of this most image-filled and ideology-laden city—from the bedrock of the Old City to the towering roofs of the Holy Sepulchre. Along the way, we discover through layers of buried and exposed memories—the long history, the forgotten stories, and the lesser-known aspects of contemporary politics that continue to make Jerusalem one of the most embattled cities in the world. </p>]]>
  </description>
<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">992115</id>
  <isbn>0674017978</isbn>
  <isbn13>9780674017979</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Temple of Jerusalem]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1180046481m/992115.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1180046481s/992115.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/992115.The_Temple_of_Jerusalem</link>
  <average_rating>3.33</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[<p> It was destroyed nearly 2000 years ago, and yet the Temple of Jerusalem--cultural memory, symbol, and site--remains one of the most powerful, and most contested, buildings in the world. This glorious structure,     imagined and re-imagined, reconsidered and reinterpreted again and again over two millennia, emerges in all its historical, cultural, and religious significance in Simon Goldhill's account. </p><p> Built by     Herod on a scale that is still staggering--on an earth and rock platform 144,000 square meters in area and 32 meters high--and destroyed by the Roman emperor Titus 90 years later, in 70 &lt;font     size=&quot;-1&quot;&gt;AD, the Temple has become the world's most potent symbol of the human search for a lost ideal, an image of greatness. Goldhill travels across cultural and temporal boundaries to convey the full     extent of the Temple's impact on religious, artistic, and scholarly imaginations. Through biblical stories and ancient texts, rabbinical writings, archaeological records, and modern accounts, he traces the Temple's shifting significance     for Jews, Christians, and Muslims. </p><p> A complex and engaging history of a singular locus of the imagination--a site of longing for the Jews; a central metaphor of Christian thought; an icon for Muslims:     the Dome of the Rock--<em>The Temple of Jerusalem</em> also offers unique insight into where Judaism, Christianity, and Islam differ in interpreting their shared inheritance. It is a story that, from the     Crusades onward, has helped form the modern political world. </p>]]>
  </description>
<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">1805</id>
  <isbn>0521479347</isbn>
  <isbn13>9780521479349</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Foucault's Virginity: Ancient Erotic Fiction and the History of Sexuality]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158331446m/1805.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158331446s/1805.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1805.Foucault_s_Virginity_Ancient_Erotic_Fiction_and_the_History_of_Sexuality</link>
  <average_rating>4.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[This is a study of how sex and sexuality were written about in the first centuries of this era, a central period in the history of sexuality. Writing with the same wit and verve as the ancient writers he engages with, Simon Goldhill shows how the standard accounts of sexuality in this period are distorted by ignoring the sexy, ironic and often bizarre texts of the ancient novel, erotic poetry and humorous dialogues.]]>
  </description>
<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

        <book>
  <id type="integer">1799</id>
  <isbn>0521604303</isbn>
  <isbn13>9780521604307</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Language, Sexuality, Narrative: The Oresteia]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158331444m/1799.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158331444s/1799.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1799.Language_Sexuality_Narrative_The_Oresteia</link>
  <average_rating>3.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[This book is concerned with the complexity and difficulty of reading the Oresteia. It is not a traditional commentary, although it is often concerned with problems of interpretation and language, nor is it simply what is generally understood by a literary study, although it often discusses the wider themes of the narrative. It is a close reading of the text concentrating on the developing meanings of words within the structuring of the play. In particular, Simon Goldhill focuses on the text&#8217;s interests in language and its control, in sexuality and sexual difference, and in the progression and description of events. Dr Goldhill links a sound philological knowledge with material drawn widely from modern literary theory and anthropological studies. The result is a challenging and provocative book, which offers for the serious student of Greek drama an exciting range of insights into one of the most important texts of the ancient world.]]>
  </description>
<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>1985</published>
</book>

        <book>
  <id type="integer">723553</id>
  <isbn>0521030870</isbn>
  <isbn13>9780521030878</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Being Greek under Rome: Cultural Identity, the Second Sophistic and the Development of Empire]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177643103m/723553.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177643103s/723553.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/723553.Being_Greek_under_Rome_Cultural_Identity_the_Second_Sophistic_and_the_Development_of_Empire</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[These especially commissioned essays open up a fascinating and novel perspective on a crucial era of Western culture. In the second century CE the Roman empire dominated the Mediterranean, but Greek culture maintained its huge prestige. At the same time, Christianity and Judaism were vying for followers against the lures of such an elite cultural life. This book looks at how writers in Greek from all areas of Empire society responded to their political position, to intellectual authority, to religious and social pressures.]]>
  </description>
<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">1804</id>
  <isbn>0521011760</isbn>
  <isbn13>9780521011761</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Who Needs Greek?: Contests in the Cultural History of Hellenism]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158331445m/1804.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158331445s/1804.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1804.Who_Needs_Greek_Contests_in_the_Cultural_History_of_Hellenism</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Who Needs Greek? is an interdisciplinary study of arguments on what ancient Greece has meant to western culture from the ancient world to today. The battles between artists and literary critics, historians and journalists, politicians and scholars, are often violent, hilarious, and always passionate. This cutting-edge cultural history ranges from ancient Greece via the Renaissance to modern opera, and treats a central question of culture in a way which will intrigue academics as well as a more general audience.]]>
  </description>
<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">1802</id>
  <isbn>0521395704</isbn>
  <isbn13>9780521395700</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Poet's Voice: Essays on Poetics and Greek Literature]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158331445m/1802.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158331445s/1802.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1802.The_Poet_s_Voice_Essays_on_Poetics_and_Greek_Literature</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[&quot;The object of this book,&quot; writes the author in his Preface, &quot;is to investigate how poetry and the figure of the poet are represented, discussed, contested within the poetry of ancient Greece.&quot;  Dr. Goldhill seeks to discover how ancient authors broached the questions: From what position does a poet speak?  With what authority?  With what debts to the past?  With what involvement in the present?  Through a series of interrelated essays on Homer, lyric poetry, Aristophanes, Theocritus and Apollonius of Rhodes, key aspects in the history of poetics are discussed: tale telling and the representation of man as the user of language; memorial and praise; parody, comedy and carnival; irony, masks and desire; the legacy of the past and the idea of influence.  Detailed readings of major works of Greek literature show how richly rewarding and revealing this approach can be.  The author makes liberal use of critical writings from areas of study other than Classics and focuses on problems central to contemporary critical debate.  His book is uniquely placed to bring together modern and ancient poetics in a way that is enlightening for both.  The work is written as much for the serious scholar of literary criticism as for the Classicist.]]>
  </description>
<authors>
    <author>
    <id>998</id>
        <name><![CDATA[Simon Goldhill]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/998.Simon_Goldhill]]></link>
    <average_rating>3.87</average_rating>
    <ratings_count>75</ratings_count>
    <text_reviews_count>11</text_reviews_count>
  </author>
  </authors>  <published>1990</published>
</book>

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