Agnes Meadowes is cook to the Blanchards of Foster Lane, the renowned London silversmiths. Preparing jugged hare, oyster loaves, almond soup, and other delicacies for the family has given her a dependable life for herself and her son. But when the Blanchards' most prestigious commission, a giant silver wine cooler, is stolen and a young apprentice murdered, Theodore Blanchard calls on Agnes to investigate below stairs. Soon she is inside the sordid underworld of London crime, where learning the truth comes at a high price.

Her narrative focuses on three individuals: Alchemist Johann Frederick Böttger inadvertently discovered the arcanum, or secret formula, for making porcelain; Johan Gregor Herold, an ambitious artist, developed colors and patterns of unparalleled brilliance at the newly established Meissen Porcelain Manufacture; Johann Joachim Kaendler, a virtuoso sculptor, used the Meissen porcelain to invent a new art form. Interwoven with the story of Augustus the Strong, the greedy and ambitious king of the Kingdom of Saxony, who held Böttger captive until he discovered the formula, Gleeson's tale reads easily and maintains a high level of suspense and intrigue throughout. --Bertina Loeffler

It is the summer of 1765. The renowned and exquisitely dressed portrait painter Joshua Pope accepts a commission to paint the wedding portrait of Herbert Bentnick and his fiancée, Sabine Mercer, to whom Bentnick has become engaged less than a year after the death of his first wife. Joshua has barely begun the portrait when a man's body is found in the conservatory. A few days later, Sabine's emerald necklace disappears, and Bentnick accuses Joshua of theft. The painter is suddenly fighting not only for his reputation but for his life. With a sure understanding of period detail and character, Janet Gleeson creates a richly nuanced tale of greed and revenge that plays out in the refined landscapes and dark streets of eighteenth-century London.

No sooner does Nathaniel become the unlikely investigator than another body is found, mutilated and frozen in the pond. Nathaniel knows this victim well -- but what was he doing on Montfort's estate? The search for answers takes Nathaniel from the slums of Fleet Street to the silk-draped rooms of the aristocracy that roil with jealousy and secrets. And he meets Madame Trenti, the alluring and mysterious Drury Lane actress and client of Chippendale's, who seems to have known not only Montfort but the dead man in the pond as well.

An ingenious first novel, The Grenadillo Box is a deliciously old-fashioned detective story, crafted with all the intricacy and polish of a Chippendale cabinet.

Born into a Scottish family of Church clerics and goldsmiths in 1671, John Law grew up to exude little of the moral and much of the monetary influence in his blood. When, as a 23-year-old gambler and philandering playboy on the London scene, he killed a nobleman in a duel, he was thrown into prison and sentenced to death. After pursing legal channels of appeal and getting nowhere, he eventually escaped and began the life of a gambler-cum-aristocrat in exile. His uncanny knack at the card tables and renowned success with women earned him a dubious reputation within late seventeenth-century European social circles. But his equally outstanding mathematical skills and fascination with the mechanisms of credit also brought him to the attention of political leaders. After attempting to peddle his revolutionary scheme for creating a national bank that issued paper currency to officials in London, Scotland, Vienna, Turin, and elsewhere, Law finally convinced the war-impoverished French government to back his plan. The bank's success and the events that followed--Law's introduction of the "Mississippi scheme," a wild exercise in capital procurement and share offering that spawned the greatest bull market in history and its drastic crash--make this book fascinating reading for anyone playing the markets today.

Gleeson writes with clarity and style on topics that are notoriously complex and potentially dry. Without dumbing down her subject matter, she elucidates the finer points of credit-based financial systems and stock markets in readable English, welcoming both finance aficionados and illiterates to Law's tale. In that regard, the book is similar to Simon Winchester's The Professor and the Madman, and though ostensibly a record of the rise and fall of one of the world's most infamous--and ultimately influential--financiers, it is a story of murder, lust, politics, wealth, and poverty and far more intriguing than most fare in its often prosaic category. Indeed, this book will leap off your business bookshelf faster than you can ask who wants to be a millionaire. --S. Ketchum

With her previous book, the best selling The Arcanum, antiques expert Janet Gleeson proved that she had an eye for a good story, and a real flair for telling it clearly and economically. And The Moneymaker is a good story, well told, of modern banking's debt to the skill of the professional gambler. Understandably, there¹s some simplification of the status of money in the 17th and 18th centuries--a time when many people were still quite happy with mutually reciprocal credit arrangements--but in some ways, Gleeson goes beyond simply recreating the ostensible period of the book. Law's life has been told many times since the first biography in 1721; Gleeson's skill here is to realise its importance today, and to suggest its modern resonances-- as currencies disappear and markets crash with alarming regularity--without ever hammering them home. It's a fascinating tale. --Alan Stewart