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  <name><![CDATA[Michael Renov]]></name>
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  <id type="integer">167336</id>
  <isbn>0816631360</isbn>
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  <title>
    <![CDATA[Collecting Visible Evidence]]>
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    <![CDATA[]]>
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        <name><![CDATA[Michael Renov]]></name>
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  </authors>  <published>1999</published>
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        <book>
  <id type="integer">774320</id>
  <isbn>0415903823</isbn>
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  <title>
    <![CDATA[Theorizing Documentary]]>
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  <average_rating>3.14</average_rating>
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    <![CDATA[<p>A key collection of essays that looks at the specific issues related to the documentary form. Questions addressed include `What is documentary?' and `How fictional is nonfiction?'</p>]]>
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    <id>97400</id>
        <name><![CDATA[Michael Renov]]></name>
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  </authors>  <published>1993</published>
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        <book>
  <id type="integer">1062704</id>
  <isbn>0816634416</isbn>
  <isbn13>9780816634415</isbn13>
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  <title>
    <![CDATA[The Subject of Documentary]]>
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  <average_rating>3.80</average_rating>
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  <description>
    <![CDATA[Here is, by far, the best, boldest, and most thorough account to date of video art and activism, practice and theory. The long-awaited follow-up to a project conducted by Los Angeles Contemporary Exhibitions (LACE), this volume comprises original articles by many of the most interesting video artists, filmmakers, and critical theorists writing today. Their subjects, from video pedagogy to emerging technologies, are many and varied and together constitute a clear and complete picture of the state of the medium.  <p>Constructed like an inquiry into newly forming video practice, the collection at once interweaves and questions a series of relationships among politics, popular culture, artistic intervention, and social practices of the media. The often provocative essays, on topics ranging from video porn to Geraldo Rivera to lesbian representation to the politics of video memory, contribute significantly to a much-needed reconceptualization of the electronic medium.</p>]]>
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    <author>
    <id>97400</id>
        <name><![CDATA[Michael Renov]]></name>
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    <average_rating>3.60</average_rating>
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  </authors>  <published>2004</published>
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        <book>
  <id type="integer">1062710</id>
  <isbn>0761943269</isbn>
  <isbn13>9780761943266</isbn13>
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  <title>
    <![CDATA[Handbook of Film Studies]]>
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  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Film Studies has emerged as one of the most distinctive and exciting areas of study and research to be established in the second half of the twentieth century. <br/><br/>Written by a team of veteran scholars and emerging talents, <strong>The SAGE Handbook of Film Studies </strong>maps the international traditions of the field, drawing out regional differences in the way that intellectual reflection on cinema and film has been transformed into a field of systematic inquiry. It reflects on the field's conceptual infrastructure, the dominant paradigms and debates, and evaluates their continuing salience. Finally, it looks optimistically to the future of film, the institution of cinema, and the discipline of Film Studies at a time when the very existence of film is being called into question by new technological, industrial, and aesthetic developments. <br/><br/>An indispensable resource for scholars and students of Film Studies, <strong>The SAGE Handbook of Film Studies</strong> is at once a synthesis of advances in the field, and a provocative examination of the state of the art and its futures.]]>
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    <author>
    <id>97400</id>
        <name><![CDATA[Michael Renov]]></name>
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    <average_rating>3.60</average_rating>
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  </authors>  <published>2003</published>
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        <book>
  <id type="integer">1062709</id>
  <isbn>0415903815</isbn>
  <isbn13>9780415903813</isbn13>
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  <title>
    <![CDATA[Theorizing Documentary]]>
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  <link>http://www.goodreads.com/book/show/1062709.Theorizing_Documentary</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[<p>A key collection of essays that looks at the specific issues related to the documentary form. Questions addressed include `What is documentary?' and `How fictional is nonfiction?'</p>]]>
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    <author>
    <id>97400</id>
        <name><![CDATA[Michael Renov]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
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    <average_rating>3.60</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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  </authors>  <published>1995</published>
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        <book>
  <id type="integer">1062708</id>
  <isbn>3718606119</isbn>
  <isbn13>9783718606115</isbn13>
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  <title>
    <![CDATA[Quarterly Review of Film and Video]]>
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  <link>http://www.goodreads.com/book/show/1062708.Quarterly_Review_of_Film_and_Video</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>97400</id>
        <name><![CDATA[Michael Renov]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/97400.Michael_Renov]]></link>
    <average_rating>3.60</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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  </authors>  <published>1998</published>
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        <book>
  <id type="integer">1062707</id>
  <isbn>0835718131</isbn>
  <isbn13>9780835718134</isbn13>
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  <title>
    <![CDATA[Hollywood's Wartime Women: A Cultural Perspective (Studies in Cinema, No 42)]]>
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  <link>http://www.goodreads.com/book/show/1062707.Hollywood_s_Wartime_Women_A_Cultural_Perspective</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
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    <author>
    <id>97400</id>
        <name><![CDATA[Michael Renov]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/97400.Michael_Renov]]></link>
    <average_rating>3.60</average_rating>
    <ratings_count>20</ratings_count>
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  </authors>  <published>1987</published>
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        <book>
  <id type="integer">1062705</id>
  <isbn>0816634408</isbn>
  <isbn13>9780816634408</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Subject of Documentary]]>
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  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1062705.The_Subject_of_Documentary</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Here is, by far, the best, boldest, and most thorough account to date of video art and activism, practice and theory. The long-awaited follow-up to a project conducted by Los Angeles Contemporary Exhibitions (LACE), this volume comprises original articles by many of the most interesting video artists, filmmakers, and critical theorists writing today. Their subjects, from video pedagogy to emerging technologies, are many and varied and together constitute a clear and complete picture of the state of the medium.  <p>Constructed like an inquiry into newly forming video practice, the collection at once interweaves and questions a series of relationships among politics, popular culture, artistic intervention, and social practices of the media. The often provocative essays, on topics ranging from video porn to Geraldo Rivera to lesbian representation to the politics of video memory, contribute significantly to a much-needed reconceptualization of the electronic medium.</p>]]>
  </description>
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    <author>
    <id>97400</id>
        <name><![CDATA[Michael Renov]]></name>
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    <average_rating>3.60</average_rating>
    <ratings_count>20</ratings_count>
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  </authors>  <published>2004</published>
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