Lisa Crystal Carver

“Anything well done has the feeling of death to me, of being finished. I don't want to "master" anything. I want to spy, and sneak, and capture things just as they are . . . record all that comes before and after the song—jokes and fights and private moments.

Having an unfillable hole inside is a great catalyst. You're always trying new things to fill it. People with holes look good! Look ready for action. But then sometimes you're home alone, and there's nothing new to try, and the hole's still there. "Hey," it growls, poking you from inside, "I'm hungry." I get tired of it!

We are like two living cells inside a just-dead body—doomed, terrified.

She argues herself out of anything she's working on, halfway through. As I stand there in the downpour and pull the mailbox open and drop my letter down the hole, I think about how Cindy is more beautiful, intelligent, and intricate than me, but still I have the winning point: whatever I do, even when I'm wrong, I go all the way.

It's dark humor, but it's rooted in something real. What you present to the world is light humor. You keep it fun and fast-paced. No one can relate to that long-term. Struggle is what makes life rich—not success.”
― Lisa Crystal Carver, Drugs are Nice: A Post-Punk Memoir

“In his attempt to graft my attributes onto his own belief system, one just would not take: my rabid feminism, which for me was the idea that no kind of sex is shameful and any kind of violence (including psychological, including societal mores) is. This is the unspoken reverse of American thinking in general, and of rich men in particular. I am often inappropriate. ”
― Lisa Crystal Carver