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Kim Culbertson
Goodreads author profile
born
June 06, 1974
in La Mesa, CA, The United States
gender
female
website
genre
influences
Judy Blume, John Hughes, Nick Hornby, Ethan Canin, pretty much everyth...more
member since
October 2007
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Songs for a Teenage Nomad — published 2007 — 4 editions |
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Instructions for a Broken Heart — published 2011 — 3 editions |
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The Liberation of Max McTrue — published 2012 |
* Note: these are all the books on Goodreads for this author. To add more, click here.
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Sunlight (Literature & Fiction)
1 chapters
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updated Mar 29, 2010 04:34pm
Description:
Reprinted by pemission of Cricket Magazine Group, Carus Publishing Company, from CICADA magazine, September/October 2003, Vol. 6, No. 1, (c) 2003 by Carus Publishing Company.
Lucy Scavinger Points Captain Average in the Right Direction (Literature & Fiction)
1 chapters
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updated Jun 16, 2009 01:20pm
Description:
A little short I wrote as an intro to teaching the college essay with some of my students.
Kim's Recent Updates
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Kim Culbertson
wrote a new blog post: A Quick Chat with Tammara Webber, YA eBook author
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Kim
marked as to-read:
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Kim
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| An engaging, sweet and ultimately really fulfilling look at the world of an elite dancer. Highly recommend to any teen who has an artistic dream (or any grown-up for that matter). Flack beautifully balances the role of a dream in a young life, and ...more | |
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Kim
said "yes" to attending the event:
Figment.com Max McTrue Flash Fiction contest
date:
February 03, 2012 05:39PM
location: http://blog.figment.com/2012/02/03/kim-culbertson-flash-fiction-contest/, The United States description: Enter the Figment.com Max McTrue Flash Figment contest for a chance to win a 30 minute manuscript review with Kim Culbertson (and a few other cool little prizes). |
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"Piglet sidled up to Pooh from behind. "Pooh?" he whispered.
"Yes, Piglet?" "Nothing," said Piglet, taking Pooh's hand. "I just wanted to be sure of you." — A.A. Milne |
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Kim
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| It's no secret I adore Dean Bakopoulos. His first novel Please Don't Come Back from the Moon is one of those novels I recommend to, well, everyone I know. My American Unhappiness is a different novel (love when authors evolve!); it's a bit more bro...more | |
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This is an unsettlingly, crushingly sad book. It reads like a breezy, light story, but the ocean of unsaid is what makes the book great. There's a truth behind the words, suggested but ignored by our "unreliable narrator", that forms the ba...
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Read more of this review » |
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The Statistical Probability of Love at First Sight by Jennifer E. Smith
Precious over at Fragment of Life blog wrote a lovely review of my new novella The Liberation of Max McTrue: http://shusky20.blogspot.com/2012/01/rev... and in that review, she c...more |
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Kim
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| What a beautiful novel - classically beautiful. No fancy POV, no huge high concept, nothing but a good, old-fashioned family story about love, loss and what it means to be truly alive. A rumination on the way our own insecurities and values color ...more | |
“People think being alone makes you lonely, but I don't think that's true. Being surrounded by the wrong people is the loneliest thing in the world.”
― Kim Culbertson, The Liberation of Max McTrue
― Kim Culbertson, The Liberation of Max McTrue
“But that was the thing about metaphors, those tricky comparisons of dissimilar things. They weren't always tricky. Or dissimilar.”
― Kim Culbertson, The Liberation of Max McTrue
― Kim Culbertson, The Liberation of Max McTrue
“Instructions for a Broken Heart
I will find a bare patch of earth, somewhere where the ruins have fallen away, somewhere where I can fit both hands, and I will dig a hole.
And into that hole, I will scream you, I will dump all the shadow places of my heart—the times you didn’t call when you said you’d call, the way you only half listened to my poems, your eyes on people coming through the swinging door of the café—not on me—your ears, not really turned toward me. For all those times I started to tell you about the fight with my dad or when my grandma died, and you said something about your car, something about the math test you flunked, as an answer. I will scream into that hole the silence of dark nights after you’d kissed me, how when I asked if something was wrong—and something was obviously so very wrong—how you said “nothing,” how you didn’t tell me until I had to see it in the dim light of a costume barn—so much wrong. I will scream all of it.
Then I will fill it in with dark earth, leave it here in Italy, so there will be an ocean between the hole and me.
Because then I can bring home a heart full of the light patches. A heart that sees the sunset you saw that night outside of Taco Bell, the way you pointed out that it made the trees seem on fire, a heart that holds the time your little brother fell on his bike at the fairgrounds and you had pockets full of bright colored Band-Aids and you kissed the bare skin of his knees. I will take that home with me. In my heart. I will take home your final Hamlet monologue on the dark stage when you cried closing night and it wasn’t really acting, you cried because you felt the words in you and on that bare stage you felt the way I feel every day of my life, every second, the way the words, the light and dark, the spotlight in your face, made you Hamlet for that brief hiccup of a moment, made you a poet, an artist at your core. I get to take Italy home with me, the Italy that showed me you and the Italy that showed me—me—the Italy that wrote me my very own instructions for a broken heart. And I get to leave the other heart in a hole.
We are over. I know this. But we are not blank. We were a beautiful building made of stone, crumbled now and covered in vines.
But not blank. Not forgotten. We are a history.
We are beauty out of ruins.”
― Kim Culbertson, Instructions for a Broken Heart
I will find a bare patch of earth, somewhere where the ruins have fallen away, somewhere where I can fit both hands, and I will dig a hole.
And into that hole, I will scream you, I will dump all the shadow places of my heart—the times you didn’t call when you said you’d call, the way you only half listened to my poems, your eyes on people coming through the swinging door of the café—not on me—your ears, not really turned toward me. For all those times I started to tell you about the fight with my dad or when my grandma died, and you said something about your car, something about the math test you flunked, as an answer. I will scream into that hole the silence of dark nights after you’d kissed me, how when I asked if something was wrong—and something was obviously so very wrong—how you said “nothing,” how you didn’t tell me until I had to see it in the dim light of a costume barn—so much wrong. I will scream all of it.
Then I will fill it in with dark earth, leave it here in Italy, so there will be an ocean between the hole and me.
Because then I can bring home a heart full of the light patches. A heart that sees the sunset you saw that night outside of Taco Bell, the way you pointed out that it made the trees seem on fire, a heart that holds the time your little brother fell on his bike at the fairgrounds and you had pockets full of bright colored Band-Aids and you kissed the bare skin of his knees. I will take that home with me. In my heart. I will take home your final Hamlet monologue on the dark stage when you cried closing night and it wasn’t really acting, you cried because you felt the words in you and on that bare stage you felt the way I feel every day of my life, every second, the way the words, the light and dark, the spotlight in your face, made you Hamlet for that brief hiccup of a moment, made you a poet, an artist at your core. I get to take Italy home with me, the Italy that showed me you and the Italy that showed me—me—the Italy that wrote me my very own instructions for a broken heart. And I get to leave the other heart in a hole.
We are over. I know this. But we are not blank. We were a beautiful building made of stone, crumbled now and covered in vines.
But not blank. Not forgotten. We are a history.
We are beauty out of ruins.”
― Kim Culbertson, Instructions for a Broken Heart
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| Nothing but Readi...: Level 1 of the Serious Readers Challenge for 2011 | 661 | 801 | Jan 01, 2012 11:55am | |
| Nothing but Readi...: * 99 Cent ebooks ~ limited time | 16 | 68 | Jan 19, 2012 09:19pm | |
| Bookworm Bitches : A - Z Author Challenge | 74 | 228 | Feb 07, 2012 11:38am |
“Three things in human life are important: the first is to be kind; the second is to be kind; and the third is to be kind.”
― Henry James
― Henry James
“There are three rules for writing a novel. Unfortunately, no one knows what they are.”
― W. Somerset Maugham
― W. Somerset Maugham
“Out of the quarrel with others we make rhetoric; out of the quarrel with ourselves we make poetry.”
― W.B. Yeats
― W.B. Yeats
“The aim of writing poetry is to enable readers a little better to enjoy life or a little better to endure it.”
― W.H. Auden
― W.H. Auden
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Thanks for the amazing review - I am so thrilled you connected with the book. Your blog is awesome!Smiles,
Kim
Wow, what an impressive bio Kim. Thanks for adding me as your friend. I'm currently co-authoring a novel with a long-time friend that's a suspense with romantic elements. However, my biggest desire is to write children's books. I'd love to stay in touch.
Big congrats to you!
Blessings,
Jeannie























































