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  <id>86971</id>
  <name><![CDATA[Deborah Wye]]></name>
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        <book>
  <id type="integer">150615</id>
  <isbn>0870700073</isbn>
  <isbn13>9780870700071</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Russian Avant-Garde Book 1910-1934]]>
  </title>
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  <link>http://www.goodreads.com/book/show/150615.The_Russian_Avant_Garde_Book_1910_1934</link>
  <average_rating>4.38</average_rating>
  <ratings_count>16</ratings_count>
  <description>
    <![CDATA[Russian avant-garde books made between 1910 and 1934 reflect a vivid and tumultuous period in that nation's history that had ramifications for art, society, and politics. The early books, with their variously sized pages of coarse paper, illustrations entwined with printed, hand-written, and stamped texts, and provocative covers, were intended to shock academic conventions and bourgeois sensibilities. After the 1917 Revolution, books appeared with optimistic designs and photomontage meant to reach the masses and symbolize a rational, machine-led future. Later books showcased modern Soviet architecture and industry in the service of the government's agenda. Major artists adopted the book format during these two decades. They include Natalia Goncharova, El Lissitzky, Kazimir Malevich, Aleksandr Rodchenko, Olga Rozanova, the Stenberg brothers, Varvara Stepanova, and others. These artists often collaborated with poets, who created their own transrational language to accompany the imaginative illustrations. Three major artistic movements, Futurism, Suprematism, and Constructivism, that developed during this period in painting and sculpture also found their echo in the book format. This publication accompanied an exhibition of Russian avant-garde books at The Museum of Modern Art, New York. All of the books in the exhibition and this publication are part of a gift to the Museum from The Judith Rothschild Foundation.]]>
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<authors>
    <author>
    <id>86971</id>
        <name><![CDATA[Deborah Wye]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/86971.Deborah_Wye]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">706566</id>
  <isbn>0870701258</isbn>
  <isbn13>9780870701252</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Artists and Prints: Masterworks from the Collection of The Museum of Modern Art]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1177466926m/706566.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1177466926s/706566.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/706566.Artists_and_Prints_Masterworks_from_the_Collection_of_The_Museum_of_Modern_Art</link>
  <average_rating>3.86</average_rating>
  <ratings_count>7</ratings_count>
  <description>
    <![CDATA[The creativity of the most celebrated artists of the modern period has been enriched and expanded by their work in the print medium. Exploiting the potential of such techniques as woodcut, lithography, etching and screenprint, as well as other processes, these artists have added immeasurably to their expressive vocabularies. Many have availed themselves of the expertise offered by master printers in professional workshops and have benefited from the fruits of such collaboration. They have found inspiration in traditional printed formats, such as portfolios and illustrated books, and have used them to explore thematic interests. As a result of these experiences, printmaking has exerted influence on their work in other mediums and has become integral to their creative thinking as a whole. Finally, the fact that prints are made in editions rather than as single impressions has enabled these artists to reach a much broader audience than would otherwise be possible.~This volume includes the work of artists from the late 19th century to the present and demonstrates the imaginative ways in which they used print techniques. The potential of the woodcut was explored by Paul Gauguin and Edvard Munch, and the woodcut later became a major preoccupation of the German Expressionists Ernst Ludwig Kirchner, Emil Nolde and Max Beckmann; lithographed posters were a specialty of Henri de Toulouse-Lautrec; Pablo Picasso and Joan Miró experimented with drypoint, etching, and lithography, among other techniques, in new and original ways; Andy Warhol and Jasper Johns exploited the painterly aspects of lithography and the commercial look of screenprint. The current generation of artists, among them Terry Winters and Kiki Smith, has gravitated to printed art as an essential aspect of their creative practice, with major bodies of work already produced.~Including more than 200 illustrations, this publication is organized as an unfolding historical narrative with a focus on individual artists, each with a succinct text describing his or her relationship to printmaking. Bibliographic references cite the latest scholarship in the field. An index of artists, printers, and publishers reflects the involvement of various partners in the printmaking enterprise. All works reproduced are from The Museum of Modern Art's extraordinary collection of over 50,000 prints, the finest of its kind in the world.  With more than 200 prints by such modern masters as Hans Arp, Georg Baselitz, Joseph Beuys, Louise Bourgeois, Georges Braque, Vija Celmins, Paul Cézanne, Chuck Close, Willem de Kooning, Sonia Delaunay-Terk, Marcel Duchamp, Helen Frankenthaler, Lucian Freud, Robert Gober, Natalia Goncharova, Peter Halley, Damien Hirst, David Hockney, Edward Hopper, Vasily Kandinsky, Anish Kapoor, William Kentridge, Fernand Léger, Sol LeWitt, Elizabeth Murray, Bruce Nauman, Barnett Newman, Emily Nolde, Chris Ofili, Sigmar Polke, Martin Puryear, Robert Rauschenberg, Odilon Redon, Gerhard Richter, Dieter Roth, Susan Rothenberg, Kurt Schwitters, Shahzia Sikander, Kiki Smith, Frank Stella, Richard Tuttle and Kara Walker  Essay by Deborah Wye.  Clothbound, 9.5 x 11 in./240 pgs / 275 color 20 BW0 duotone 0 ~ Item D20148]]>
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<authors>
    <author>
    <id>86971</id>
        <name><![CDATA[Deborah Wye]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/86971.Deborah_Wye]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">1505139</id>
  <isbn>0870703714</isbn>
  <isbn13>9780870703713</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Eye on Europe]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1184388316m/1505139.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1184388316s/1505139.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1505139.Eye_on_Europe</link>
  <average_rating>3.83</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[Prints, books and multiples have long played a vital role in the vanguard of European contemporary art. From London to Moscow, artists have expanded the scope of their creative vision--and expanded their audiences--through striking and inventive uses of the printing press, the silkscreen and now electronic media. Beginning with the explosion of mass production techniques in the early 1960s and continuing with innovative projects by young artists working today, this comprehensive catalogue identifies significant developments in printed art over the past 45 years, offering the first fully synthesized analysis of this fertile period in European printmaking. Thematic chapters follow topics anchored by leading figures like Georg Baselitz, Joseph Beuys, Daniel Buren, Richard Hamilton, Damien Hirst, Sigmar Polke, Gerhard Richter, Bridget Riley and Dieter Roth. In addition to a unifying analytical introduction, each section of Eye on Europe includes an essay and color illustrations, making for a total of more than 290 images by more than 120 artists. Along with a thorough chronology of the period and biographies of the artists and publishers included, the publication also incorporates two original artists' projects.]]>
  </description>
<authors>
    <author>
    <id>86971</id>
        <name><![CDATA[Deborah Wye]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/86971.Deborah_Wye]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
    <author>
    <id>206476</id>
        <name><![CDATA[Wendy Weitman]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/206476.Wendy_Weitman]]></link>
    <average_rating>4.49</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">3711427</id>
  <isbn>0870707418</isbn>
  <isbn13>9780870707414</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Kirchner and the Berlin Street]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3711427.Kirchner_and_the_Berlin_Street</link>
  <average_rating>4.40</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[Ernst Ludwig Kirchner's remarkable series of paintings known as the <em>Berlin Street Scenes</em> is a highpoint of the artist's work and a milestone of German Expressionism. Kirchner moved from Dresden to Berlin in 1911, and it was there, immersed in the vitality of a teeming city and under the looming shadow of imminent world war, that he created the <em>Street Scenes</em> in a burst of creative energy and ambition. Berlin was at this time undergoing rapid growth, and as Kirchner absorbed the crowds and energy of city life, his work responded with acute perspective, jagged brushstrokes and searing color. As the most extensive consideration of these paintings in English, this richly illustrated volume examines the creative process undertaken by the artist as he explored his themes through various media and presents a major body of related work including drawings, pen-and-ink studies, pastels, etchings, woodcuts and lithographs. It also investigates the significance of the streetwalker as the dominant motif of this series, and provides insight on its relationship to Kirchner's wider oeuvre. <br/><strong>Ernst Ludwig Kirchner</strong> (1880-1938) was one of German Expressionism's foremost practitioners. His painterly aesthetic was formed within the Bruche group, in Dresden, where he was one among a number of artists rebelling against bourgeois life and the stale conventions of the academy. Kirchner made his <em>Street Scenes<em> series immediately following the dissolution of Bruche. Today he is increasingly recognized as one of the major figures in the early development of Modern art.</em></em>]]>
  </description>
<authors>
    <author>
    <id>86971</id>
        <name><![CDATA[Deborah Wye]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/86971.Deborah_Wye]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">933067</id>
  <isbn>087070124X</isbn>
  <isbn13>9780870701245</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Thinking Print: Books to Billboards, 1980-95]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1179580207m/933067.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1179580207s/933067.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/933067.Thinking_Print_Books_to_Billboards_1980_95</link>
  <average_rating>4.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[From Barbara Kruger's screenprinted feminist billboards to Felix Gonzalez-Torres's stacks of posters featuring head shots of people killed by guns; from Elizabeth Murray's colorful abstract lithographs to Anselm Kiefer's woodcuts embedded in Germany history; from Lucian Freud's moody figure study etchings to Donald Judd's rigid, monochromatic, serially geometric woodcuts--<em>Thinking Print</em>is a broad, ambitious, and varied survey of printed art from the last two decades . Exploring the role of prints, deluxe illustrated books, inexpensive artist's books, and editioned multiples in contemporary art, this exceptionally comprehensive volume covers 235 works by some 147 artists, and includes essays on techniques, formats, and themes, as well as biographic notes on all of the artists and publishers. Originally published on the occasion of a 1996 exhibition at The Museum of Modern Art, New York.    <p>Artists Include: Richard Artschwager, Luis Cruz Azaceta, Judith Francisca Baca, John Baldessari, Richard Long,Robert Mangold, Matthias Mansen, Brice Marden, Annette Messager, Yang Soon Min, Marilyn Minter, Richard Mock, Matt Mullican, Brice Marden, Annette Messager,Marilyn Minter,Matt Mullican, Elizabeth Murray, Claus Oldenburg, AR Penck, Howardina Pindell, Marc Quinn, Robert Rauschenberg, Tom Rollins + K.O.S., Kay Rosen, James Rosenquist, Susan Rothenberg, Ed Ruscha, Alison Saar, Joel Shapiro, Silence=Death Project, Lorna Simpson, Kiki Smith, Joan Snyder, Nancy Spero,Art Spiegelman, Frank Stella, Rosemarie Trockel, Lawrence Weiner, and David Wojnarowicz amongst many others.    <p><p>Essay by Deborah Wye.<br/>Foreword by Glenn D. Lowry.</p></p></p>]]>
  </description>
<authors>
    <author>
    <id>86971</id>
        <name><![CDATA[Deborah Wye]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/86971.Deborah_Wye]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
    <author>
    <id>148020</id>
        <name><![CDATA[Glenn Lowry]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/148020.Glenn_Lowry]]></link>
    <average_rating>3.88</average_rating>
    <ratings_count>16</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>232873</id>
        <name><![CDATA[Joan Snyder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/232873.Joan_Snyder]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>2</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
  </authors>  <published>1996</published>
</book>

        <book>
  <id type="integer">1840321</id>
  <isbn>0870706039</isbn>
  <isbn13>9780870706035</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Antoni Tapies in Print]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1840321.Antoni_Tapies_in_Print</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>86971</id>
        <name><![CDATA[Deborah Wye]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/86971.Deborah_Wye]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
  </authors>  <published>1991</published>
</book>

        <book>
  <id type="integer">1440277</id>
  <isbn>0810961415</isbn>
  <isbn13>9780810961418</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Prints of Louise Bourgeois]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1440277.The_Prints_of_Louise_Bourgeois</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>86971</id>
        <name><![CDATA[Deborah Wye]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/86971.Deborah_Wye]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
    <author>
    <id>296529</id>
        <name><![CDATA[Carol Smith]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/296529.Carol_Smith]]></link>
    <average_rating>3.33</average_rating>
    <ratings_count>91</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

        <book>
  <id type="integer">4810469</id>
  <isbn>8434307030</isbn>
  <isbn13>9788434307032</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Obra Grafica - Antoni Tapies]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/4810469.Obra_Grafica_Antoni_Tapies</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>86971</id>
        <name><![CDATA[Deborah Wye]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/86971.Deborah_Wye]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">1570994</id>
  <isbn>0870702998</isbn>
  <isbn13>9780870702990</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Committed to Print: Social and Political Themes in Recent American Printed Art]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1570994.Committed_to_Print_Social_and_Political_Themes_in_Recent_American_Printed_Art</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>86971</id>
        <name><![CDATA[Deborah Wye]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/86971.Deborah_Wye]]></link>
    <average_rating>4.37</average_rating>
    <ratings_count>63</ratings_count>
    <text_reviews_count>8</text_reviews_count>
  </author>
  </authors>  <published>1988</published>
</book>

        <book>
  <id type="integer">1433245</id>
  <isbn>0870702572</isbn>
  <isbn13>9780870702570</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Louise Bourgeois]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1433245.Louise_Bourgeois</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
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    <author>
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        <name><![CDATA[Deborah Wye]]></name>
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    <average_rating>4.37</average_rating>
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  </authors>  <published>1984</published>
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