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  <id>86085</id>
  <name><![CDATA[Blue Balliett]]></name>
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  <about><![CDATA[I was born in New York City and grew up playing in Central Park, getting my share of scraped knees, and riding many public buses and subways. By the time I was a teenager, I sometimes stopped at the Metropolitan Museum of Art or the Frick Museum after school, just to wander and look and think. The Met has five Vermeer paintings and the Frick three, so Vermeer and I have been friends for many years.<br/>After studying art history in college, I moved to Nantucket Island, in Massachusetts, in order to write. I surprised myself by writing two books of ghost stories, stories collected by interviewing people. My husband and I met and were married on Nantucket, lived there year-round for another 10 years, and had our two children there.<br/>When our kids started school, we moved to Chicago. I began teaching 3rd grade at the University of Chicago Laboratory Schools. One year my class and I decided to figure out what art was about. We asked many questions, visited many museums in the city, and set off a number of alarms — by mistake, of course.<br/>In writing Chasing Vermeer, I wanted to explore the ways kids perceive connections between supposedly unrelated events and situations, connections that grown-ups often miss. Given the opportunity, kids can ask questions that help them to think their way through tough problems that adults haven’t been able to figure out — problems like the theft of a Vermeer painting!<br/>In The Wright 3, I play with questions about architecture as art, the preservation of old buildings, and Frank Lloyd Wright’s legacy. I wanted to continue exploring controversial ideas within the three-dimensional art world. We need kids to develop into powerful, out-of-the-box thinkers, now more than ever. I believe in making trouble — of the right kind.<br/>My third book, The Calder Game, takes place in a small community in England, a 1,000-year-old town that I visited while on a book tour. I had a wonderful time writing this book. I had to do lots of eavesdropping, poking around, tiptoeing through graveyards, and climbing walls, and then there was all the Cadbury chocolate I had to eat. Alexander Calder's work is art for any age. I first saw his sculpture when I was 9 years old, in a show at the Guggenheim Museum in New York. It was art but it was magic, and it left me hungry for more. This, I'm sure, was the beginning of my belief that art is about adventure.<br/>Blue Balliett grew up in New York City and attended Brown University. She and her family now live in Chicago, within walking distance of Frank Lloyd Wright's Robie House. Balliett's books have now appeared in 34 languages. Warner Bros. Pictures has acquired the film rights to Chasing Vermeer.]]></about>
  <influences><![CDATA[]]></influences>
  <gender>female</gender>
  <hometown>New York City </hometown>
  <born_at>1955/01/01</born_at>
  <died_at></died_at>
  
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  <id type="integer">444347</id>
  <isbn>0439372941</isbn>
  <isbn13>9780439372947</isbn13>
  <text_reviews_count type="integer">559</text_reviews_count>
  <title>
    <![CDATA[Chasing Vermeer]]>
  </title>
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  <link>http://www.goodreads.com/book/show/444347.Chasing_Vermeer</link>
  <average_rating>3.78</average_rating>
  <ratings_count>2828</ratings_count>
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    <![CDATA[In the classic tradition of E.L. Konigsburg's <em>From the Mixed-up Files of Mrs. Basil E. Frankweiler</em>, debut author Blue Balliett introduces readers to another pair of precocious kids on an artful quest full of patterns, puzzles, and the power of blue M&amp;Ms.  Eleven year old Petra and Calder may be in the same sixth grade class, but they barely know each other. It's only after a near collision during a museum field trip that they discover their shared worship of art, their teacher Ms. Hussey, and the blue candy that doesn't melt in your hands.  Their burgeoning friendship is strengthened when a creative thief steals a valuable Vermeer painting en route to Chicago, their home town. When the thief leaves a trail of public clues via the newspaper, Petra and Calder decide to try and recover the painting themselves. But tracking down the Vermeer isn't easy, as Calder and Petra try to figure out what a set of pentominos (mathematical puzzle pieces), a mysterious book about unexplainable phenomena and a suddenly very nervous Ms. Hussey have to do with a centuries old artwork.  When the thief ups the ante by declaring that he or she may very well destroy the painting, the two friends know they have to make the pieces of the puzzle fit before it's too late!  <p>  Already being heralded as <em>The DaVinci Code</em> for kids, <em>Chasing Vermeer</em> will have middle grade readers scrutinizing art books as they try to solve the mystery along with Calder and Petra. In an added bonus, artist Brett Helquist has also hidden a secret pentomino message in several of the book's illustrations for readers to decode. An auspicious and wonderfully satisfying debut that will leave no young detective clueless. <em>--Jennifer Hubert</em></p>]]>
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        <name><![CDATA[Blue Balliett]]></name>
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    <average_rating>3.80</average_rating>
    <ratings_count>5313</ratings_count>
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  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">148782</id>
  <isbn>0439693675</isbn>
  <isbn13>9780439693677</isbn13>
  <text_reviews_count type="integer">221</text_reviews_count>
  <title>
    <![CDATA[The Wright 3]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1172198028s/148782.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/148782.The_Wright_3</link>
  <average_rating>3.90</average_rating>
  <ratings_count>1246</ratings_count>
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    <![CDATA[Spring semester at the Lab School in Hyde Park finds Petra and Calder drawn into another mystery when unexplainable accidents and ghostly happenings throw a spotlight on Frank Lloyd Wright's Robie House, and it's up to the two junior sleuths to piece together the clues. Stir in the return of Calder's friend Tommy (which creates a tense triangle), H.G. Wells's The Invisible Man, 3D pentominoes, and the hunt for a coded message left behind by Wright, and the kids become tangled in a dangerous web in which life and art intermingle with death, deception, and surprise.]]>
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    <id>86085</id>
        <name><![CDATA[Blue Balliett]]></name>
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    <id>44524</id>
        <name><![CDATA[Brett Helquist]]></name>
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    <average_rating>3.92</average_rating>
    <ratings_count>2265</ratings_count>
    <text_reviews_count>374</text_reviews_count>
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  </authors>  <published>2006</published>
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        <book>
  <id type="integer">2200542</id>
  <isbn>0439852072</isbn>
  <isbn13>9780439852074</isbn13>
  <text_reviews_count type="integer">186</text_reviews_count>
  <title>
    <![CDATA[The Calder Game]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1255652445s/2200542.jpg</small_image_url>
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  <average_rating>3.78</average_rating>
  <ratings_count>699</ratings_count>
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    <![CDATA[Calder Pillay travels to a remote English village with with father, where he finds a mix of mazes and mystery...beginning with an Alexander Calder sculpture right in the middle of town square.  He is fascinated with the sculpture and townfolk reactions to it.  They don't seem to want it there.  Then, on the same night, both Calder and the sculpture disappear.  Calder's distraught father calls back to America to enlist the help of Calder's friends Tommy and Petra.  They discover even more twists and turns to the mystery which plunges them headlong into some very dangerous territory.  Is someone playing the Calder Game?  What happened to the sculpture?  Is Calder Pillay still alive?  ]]>
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    <average_rating>3.80</average_rating>
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  </authors>  <published>2008</published>
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        <book>
  <id type="integer">594917</id>
  <isbn>089272191X</isbn>
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  <title>
    <![CDATA[The Ghosts of Nantucket: 23 True Accounts]]>
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  <average_rating>3.88</average_rating>
  <ratings_count>8</ratings_count>
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    <![CDATA[Nantucket residents describe their firsthand encounters with paranormal phenomena in this unusual (and bestselling) book. Their accounts are both surprising and entertaining, for Nantucket's ghosts are as individualistic as today's flesh-and-blood inhabitants.]]>
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    <average_rating>3.80</average_rating>
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  </authors>  <published>1984</published>
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  <title>
    <![CDATA[Chasing Vermeer]]>
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        <name><![CDATA[Brett Helquist]]></name>
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    <average_rating>3.92</average_rating>
    <ratings_count>2265</ratings_count>
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  </authors>  <published>2005</published>
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        <book>
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    <![CDATA[Das Pentomino-Orakel]]>
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    <average_rating>3.80</average_rating>
    <ratings_count>5313</ratings_count>
    <text_reviews_count>1046</text_reviews_count>
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  </authors>  <published>2008</published>
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    <![CDATA[Nantucket Ghosts: 44 True Accounts]]>
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    <average_rating>3.80</average_rating>
    <ratings_count>5313</ratings_count>
    <text_reviews_count>1046</text_reviews_count>
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    <id>2974815</id>
        <name><![CDATA[Lucy Bixby]]></name>
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  </authors>  <published>2008</published>
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