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This is Campbell’s seventh novel of crime fiction. There are a number of strings to the plot and a sub-plot or two as well. They are all nicely balanced, in that the main crime, murder and Medicare fraud remains at the center of attention. Sid Chance...more
This is Campbell’s seventh novel of crime fiction. There are a number of strings to the plot and a sub-plot or two as well. They are all nicely balanced, in that the main crime, murder and Medicare fraud remains at the center of attention. Sid Chance is a private investigator in Tennessee. His occasional assistant is a wealthy ex-cop improbably named Jaz LeMieux. LeMieux has inherited a successful retail travel business. In this story, she’s besieged by erroneous reports of having made damaging racial slurs and as the book develops she shares some risks with her buddy, Sid. Chance is a former Special Forces veteran, a former Forestry ranger and small town police chief. Now he’s dipping an experienced toe into different waters as he establishes himself as a private investigator. When a young man, fresh out of prison, is arrested for a murder, the case appears to be a slam dunk. But the accused man has a fervent supporter in his grandmother and she appeals to Jaz who turns to Sid. And as Sid remarks, “Do I sense Messers Pro and Bono arriving?” Things spiral out of control as the motive for the murder becomes much more than originally considered and both Sid and Jaz are targeted. The writing is straightforward and very believable. There’s plenty of detail but it’s rarely more that we need. Characters, setting, plot points are all rational and nicely handled. Readers won’t finish this novel musing over revealed heavy philosophical truths, but they will have a bang-up satisfying time skulking about and sliding through dark tunnels with Sid Chance and Jaz LeMieux.(less)
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Pascual is an unusual character. He’s a reformed terrorist. And he’s still alive. After years as an underground courier for some of the worst middle-eastern criminal elements, ferrying money, drugs and who knows what else throughout Europe, Pascual s...more
Pascual is an unusual character. He’s a reformed terrorist. And he’s still alive. After years as an underground courier for some of the worst middle-eastern criminal elements, ferrying money, drugs and who knows what else throughout Europe, Pascual suffered a crisis of conscience and bared his soul to the authorities. His actions took down several important terrorist networks and made him a marked man for as long as he could manage to stay alive. For years in the home city of his youth, Barcelona, he’s been keeping a very low profile. With it’s warren of old-city cobbles and hard stone byways, it’s a fitting place for Pascual to go to ground.
He is ever on the watch for his past to come roaring back, spitting bullets. Even though he now works in a neighborhood bar, and has been out of the main stream for years, he is still wary, as he should be. And, he’s falling in love.
The author has fashioned a compelling thriller in this series of dark, moody, and bitter-sweet novels about the wounded and fascinating characters who drift in and out of the life of this man, an individual who lives always on the edge of violence, always walking near the edge of the dark chasm. This is a novel to be tasted, to be savored. Undeniably dark, even when the harsh sun of the Iberian peninsula is straight overhead, the writing is powerful and the pace and language in the well-crafted novel pulls us inexorably along, page after page. As mistakes pile up and emotional turmoil mounts, as secret after secret is revealed, we are led to believe only total murky disaster awaits. Yet, in the very end, as Pascual remarks, “No more secrets. I made a promise.”(less)
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"A good many of the poems in the book have been committed to a long-play album in my treasured possession. It's title is "My Puerto Rico Grandfather.
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One of the crucial elements of this series is its platform. It’s a platform the author knows well and uses to full effect. Her platform is the reality and atmosphere of a television news operation. In today’s broadcast television business, tension an...more
One of the crucial elements of this series is its platform. It’s a platform the author knows well and uses to full effect. Her platform is the reality and atmosphere of a television news operation. In today’s broadcast television business, tension and often frantic pursuit of ratings, rules. Ratings are tied directly to advertisers and what they can be charged for air time. That’s the reality. This is the novel.
Riley Spartz, newshen of a local television station in the Twin Cities of Minnesota, sometimes is a bit of a loose cannon. It drives her bosses up the wall. On the other hand, she seems to get the important stories. Spartz is a veteran reporter, well aware that her skills and experience are being constantly measured against younger, cheaper, upcoming talent. It pushes her to extend herself and sometimes into mortal danger. Author Julie Kramer has a strong background in television new production and she uses that experience to excellent effect. The novel rings with authenticity.
Almost accidentally Riley discovers an odd chalk outline around the body of a dead woman in south Minneapolis. She’s chasing a solution to the murder of a young woman when Riley, against her boss’s wishes, learns of her own personal connection to the dead woman. That connection gives her more incentive to follow the story. Almost as an aside, on a hot day in Minneapolis she comes across a dog locked in a truck in a parking lot. Riley’s instincts kick in and a live feed from a liquor store parking lot sends ripples through the community and incenses the dog’s owner. Between the two stories, Riley has a lot to juggle And then violence flares all around her.
The novel is cleanly and smoothly written, with a powerful forward thrust that grabs the reader and contributes to its page-turning intensity. The characters are multi-dimensional and interesting. One of the author’s strengths is her ability to surprise us while retaining the essential dimensions of the characters. “Killing Kate” is a terrific novel and I’m looking forward to the next in this series.(less)
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The second entry in the author’s intriguing series featuring a gun shop owner and a corporate security officer is a winner. Heavily populated with interesting characters, the turbulent love affair between the protagonist informs and leavens what coul...more
The second entry in the author’s intriguing series featuring a gun shop owner and a corporate security officer is a winner. Heavily populated with interesting characters, the turbulent love affair between the protagonist informs and leavens what could otherwise have been a run-of-the-mill mystery. Indeed, the identity of the killer, while important to the story, was, to this reader, not as compelling as the characters, and the milieu. I'm not sure what I think of the title of the book.
The setting is Atlanta, Georgia, during the run-up to a major poetry slam competition. Some of the characters have known each other from childhood and others seem to have uncertain, even mysterious backgrounds. It’s hot in Atlanta, and gun shop owner Tai Randolph is mentoring her long-time friend, rising poet, Rico. There are teams of competing poets as well as individual efforts and a surplus of egos swirling around as participants prepare. Then murder intrudes.
The relationship developing between our principal “investigator,” amateur tho she is, Tai Randolph and her lover, Trey Seaver, is much more than casually interesting to observe. Seaver is a former cop with a high level of crisis and SWAT training, excellent skills and more than a little rigidity as regards the rules of life and the law. The almost constant battles between the lovers as they try to accommodate each other is a fascinating piece of this very entertaining novel. I recommend it strongly.(less)
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This author needed to dial it back a little. I mean, do we need a joke, a funny line, a pun or a toe-stubber on every page, nay, in every paragraph? Somewhere there is someone involved in our popular culture who is smiling because Cohen’s avatar, one...more
This author needed to dial it back a little. I mean, do we need a joke, a funny line, a pun or a toe-stubber on every page, nay, in every paragraph? Somewhere there is someone involved in our popular culture who is smiling because Cohen’s avatar, one Aaron Tucker, missed cracking wise about him or her, or his project.
Having said that, let me address the substance of the book, that is, the mystery. While attending their twenty-fifth high school reunion, Mr. Tucker and Mr. Mahoney, life-long buddies, discover that their youthful lust object appears to have aged even better than they. In the midst of horny if innocent festivities, the object of their desires, one Stephanie, learns via cell phone (naturally) that her husband is dead. Murdered.
Well, of course, Tucker, a free-lance writer, gets involved. Turns out he’s acquainted with the dead guy and what’s more the dead guy’s widow wants Tucker to investigate, in order, presumably, to cover her assets and avoid incarceration. Then there’s the matter of Mr. Gibson’s politics. Now you, dear reader, may be a conservative, a Democrat, a Progressive an Independent or a liberal. It doesn’t really matter, because your political ox gets gored at some point during this narrative.
Also, Mr. Tucker, being a stay-at-home with a dandy wife who earns more than he does, is involved with their children, the children’s school, and even with some of his wife’s clients, Abby being a defense attorney. Mr. Tucker does some free-lance investigating for the school’s principal, dodges rocks lobbed at him, and deals with many of the usual family matters that occupy a lot of us from time to time.
Therein lies the immense appeal of this book, part of a series. Aaron Tucker embodies elements we all recognize in our neighbors, if not ourselves. But Tucker manages to carry it all off without losing his cool. I like Aaron Tucker a lot. I like the writing, the pace and the dialogue, and I’m pleased to note that this book has been carefully copyedited which reduced grammatical missteps to a bare minimum. Actually I only noticed a single error. Cohen isn’t trying to write great literature. He’s having fun with the genre and doing it so readers can have an enjoyable time with their reading. What’s more, the major mystery is a clever one, well-told. Find Aaron Tucker’s stories. You’ll be glad you did.(less)
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Here we have a fine academic mystery that blends political correctness with private agendas in that often strange collection of individuals we know as private liberal arts colleges.
A new academic dean arrives on campus with a new curriculum which th...more
Here we have a fine academic mystery that blends political correctness with private agendas in that often strange collection of individuals we know as private liberal arts colleges.
A new academic dean arrives on campus with a new curriculum which threatens to disrupt the college and Professor Carl Burns mostly peaceful life. The routine of the college has left Burns plenty of time to contemplate and woo the new love of his life, Elaine Tanner, college librarian. Never mind that his principal rival is the local Chief of Police.
Things are pretty calm and then a window above Professor Burns' head explodes and an unloved colleague crashes to the sidewalk two stories below, killing the man instantly. Was it murder? An accident? Burns is almost forced to participate in an investigation by the Chief of Police. He's reluctant because he knows that any serious poking under the tender surface of any collegiate community will likely release unwanted mercies not so tender.
Because of Crider's keen eye for the nuances of college life, and his understanding of the humor of it all, A Dangerous Thing is a delight. It abounds with gentle humor, made the more so because of its careful plotting, pacing and the talent of the writer. I recommend this mystery to fans of the cozy, of academic mysteries and to anyone who enjoys good writing.
You may have to search used book collections and a library or two to find this novel. It’s worth it.(less)
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This novel is less a mystery than an in-depth examination of a few weeks in the life of an entertaining and intriguing family in suburban Texas. The mystery of who murdered a young homeless woman is really the framework from which to dangle a whole h...more
This novel is less a mystery than an in-depth examination of a few weeks in the life of an entertaining and intriguing family in suburban Texas. The mystery of who murdered a young homeless woman is really the framework from which to dangle a whole houseful of family members from bright children to irascible mothers-in-law.
Eloise Pugh is a romance writer. She lives in Codderville, Texas, in a home undergoing construction of a major addition. In addition to the construction workers, assorted pets, and three children plus a husband are in residence. Written in the first person, readers are treated to EJ’s often delightful, practical and frequently artful coping techniques.
These are wonderful characters, created by a writer with great skill and a fine eye for detail. There just are no missteps, even among certain characters who I doubt very much are a routine part of the author’s environment.
EJ’s family is happily preparing for the imminent high school prom of one of her charges. Their mood is abruptly shattered when EJ’s errant sister-in-law is charged with the murder of that homeless woman. Never one to simply accept apparent reality, EJ determines to save her reluctant sister-in-law by finding the real murderer. EJ’s path of detection becomes a wandering, twisting road of deception, doubt and several surprises.
Perceptively written, well-paced, “A Crooked Little House” is a lot of fun and informative as well.(less)
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