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  <id>846168</id>
  <name><![CDATA[Alain Porte]]></name>
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  <isbn>1887482067</isbn>
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  <title>
    <![CDATA[Essays on Francois Delsarte]]>
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    <![CDATA[<strong>Including:</strong><br/> Introduction <br/> <em>By Nancy Lee Chalfa Ruyter</em> <br/> Misunderstanding Delsarte <br/> <em>By Thomas Leabhart</em> <br/> Four Reflections of FranÃƒÂ§ois Delsarte <br/> <em>By Alain Porte</em> <br/> Quiet Victory: The Professional Identity American Women Forged Through Delsartism <br/> <em>By Joseph Fahey</em> <br/> Consciousness and Inspiration in Delsartean Theory <br/> <em>By Elena Randi</em> <br/> FranÃƒÂ§ois Delsarte, Prince Sergei Volkonsky and Mikhail Chekhov <br/><em>By George Taylor and Rose Whyman</em> <br/> The Delsarte Attitude on the Legitimate Stage: Mary Anderson's Galatea and the Trope of the Classical Body <br/> <em>By Taylor S. Lake</em> <br/> Delsartean Traces in Dalcroze Eurhythmics <br/> <em>By Selma Landen Odom</em> <br/> The Aristocratic City: The Dance Aesthetic of Dorothee GÃƒÂ¼nther and the political Legacy of FranÃƒÂ§ois Delsarte <br/> <em>By Karl Toepfer</em> <br/> Do You See What I See? The Impact of Delsarte on Silent Film Acting <br/><em>By Hilary Hart</em>]]>
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        <name><![CDATA[Joseph Fahey]]></name>
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        <name><![CDATA[George Taylor]]></name>
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        <name><![CDATA[Rose Whyman]]></name>
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        <name><![CDATA[Taylor S. Lake]]></name>
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        <name><![CDATA[Selma Landen Odom]]></name>
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        <name><![CDATA[Karl Toepfer]]></name>
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        <name><![CDATA[Hilary Hart]]></name>
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        <name><![CDATA[Nancy Lee Chalfa Ruyter]]></name>
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    <average_rating>4.00</average_rating>
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    <id>417125</id>
        <name><![CDATA[Thomas Leabhart]]></name>
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    <average_rating>4.25</average_rating>
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  </authors>  <published>2005</published>
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        <book>
  <id type="integer">4075122</id>
  <isbn>2841620093</isbn>
  <isbn13>9782841620098</isbn13>
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  <title>
    <![CDATA[Les Paroles du Huit - fois - difforme : Dialogue sur la réalité]]>
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  <link>http://www.goodreads.com/book/show/4075122.Les_Paroles_du_Huit_fois_difforme_Dialogue_sur_la_r_alit_</link>
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  <ratings_count>0</ratings_count>
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    <![CDATA[]]>
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    <author>
    <id>846168</id>
        <name><![CDATA[Alain Porte]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/846168.Alain_Porte]]></link>
    <average_rating>0.0</average_rating>
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  </authors>  <published>1996</published>
</book>

        <book>
  <id type="integer">2084387</id>
  <isbn>2908825767</isbn>
  <isbn13>9782908825763</isbn13>
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  <title>
    <![CDATA[Trois Upanishad Isha Kena Katha]]>
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  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2084387.Trois_Upanishad_Isha_Kena_Katha</link>
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    <![CDATA[]]>
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    <author>
    <id>846168</id>
        <name><![CDATA[Alain Porte]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/846168.Alain_Porte]]></link>
    <average_rating>0.0</average_rating>
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  </authors>  <published>2000</published>
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        <book>
  <id type="integer">1854095</id>
  <isbn>2869592418</isbn>
  <isbn13>9782869592414</isbn13>
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  <title>
    <![CDATA[La Bhagavad-Gîtâ]]>
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  <average_rating>0.0</average_rating>
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    <![CDATA[Poème mystique de 700 versets, inséré dans la grande épopée anonyme du Mahabharata, <em>La Bhagavad-Gîtâ</em>, &quot;le chant du Seigneur&quot;, est considérée comme la &quot;Bible de l'Inde&quot;. Le dieu Krishna, avatar de Vishnu (voir <em>Mythes et dieux de l'Inde</em>), prenant la forme d'un conducteur de char, expose ici, au jeune guerrier Arjuna, une doctrine portant sur l'action, la discrimination, la connaissance et la dévotion. <p>La présente traduction est de Camille Rao et, Jean Herbert, indianiste bien connu, qui est aussi le préfacier. Le volume comprend un glossaire, un index et des &quot;définitions psychologiques&quot; importantes. Parmi les innombrables commentaires écrits sur ce texte, celui de Shri Aurobindo (1872-1950) offre l'intérêt du regard d'un homme qui se retira de la vie publique après une carrière politique ardente pour rechercher une religion synthétique universelle. Fondateur, en 1926, d'un ashram dont il fut le gourou très influent jusqu'à sa mort, il a su adapter la pensée indienne à la vie moderne. Formé en Occident, il rend ici accessible pour nous ce grand trésor spirituel. <em>--Colette-Rebecca Estin</em> </p>]]>
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    <id>846168</id>
        <name><![CDATA[Alain Porte]]></name>
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  </authors>  <published>2004</published>
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        <book>
  <id type="integer">6380810</id>
  <isbn>2877305155</isbn>
  <isbn13>9782877305150</isbn13>
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  <title>
    <![CDATA[Les cinq livres de la sagesse]]>
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    <![CDATA[]]>
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    <id>560164</id>
        <name><![CDATA[Pancatantra. Français]]></name>
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    <author>
    <id>846168</id>
        <name><![CDATA[Alain Porte]]></name>
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  </authors>  <published>2000</published>
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        <book>
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  <isbn>2908825856</isbn>
  <isbn13>9782908825855</isbn13>
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    <![CDATA[Le chant ultime]]>
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    <![CDATA[]]>
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    <id>1001841</id>
        <name><![CDATA[Bhagavadgìtà. Français &amp; sanskrit. Extraits]]></name>
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    <author>
    <id>846168</id>
        <name><![CDATA[Alain Porte]]></name>
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  </authors>  <published>2001</published>
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        <book>
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  <isbn>2877305929</isbn>
  <isbn13>9782877305921</isbn13>
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    <![CDATA[L'Amour dans une langue morte]]>
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    <![CDATA[]]>
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    <author>
    <id>79946</id>
        <name><![CDATA[Lee Siegel]]></name>
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    <average_rating>3.06</average_rating>
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    <author>
    <id>846168</id>
        <name><![CDATA[Alain Porte]]></name>
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  </authors>  <published>2003</published>
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        <book>
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  <isbn13>9782742772605</isbn13>
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    <![CDATA[Et les morts nous abandonnent]]>
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    <![CDATA[]]>
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    <id>2830192</id>
        <name><![CDATA[Raj-Kamal Jha]]></name>
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        <name><![CDATA[Alain Porte]]></name>
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