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  <id>77634</id>
  <name><![CDATA[William J. Mitchell]]></name>
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  <books>
        <book>
  <id type="integer">1215846</id>
  <isbn>0262631768</isbn>
  <isbn13>9780262631761</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[City of Bits: Space, Place, and the Infobahn]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1181948259m/1215846.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1181948259s/1215846.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1215846.City_of_Bits_Space_Place_and_the_Infobahn</link>
  <average_rating>3.96</average_rating>
  <ratings_count>27</ratings_count>
  <description>
    <![CDATA[Cliche alert: just as railroads influenced settlement patterns and economics of the 19th century, and automobiles influenced settlement, commerce, and recreation in the 20th century, computer networks will influence how we live, work, and move (and how and even whether we move) in the 21st century. <p>  William Mitchell, from MIT, is one of the first scholars to rigorously examine this modern cliche, and draws heavily on the history of architecture, and urbanism. If you suspect there is truth in these truisms, and want to get beyond facile sloganeering prophesying an infintely ductile future, I highly recommend this book. Mitchell does a very job of explaining not just how things are likely to change, but also of examining historical precendents such as telephony, and to what degree previous prognostications came true.</p>]]>
  </description>
<authors>
    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>1996</published>
</book>

        <book>
  <id type="integer">640262</id>
  <isbn>0262633221</isbn>
  <isbn13>9780262633222</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[Placing Words: Symbols, Space, and the City]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1176616070m/640262.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1176616070s/640262.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/640262.Placing_Words_Symbols_Space_and_the_City</link>
  <average_rating>3.14</average_rating>
  <ratings_count>21</ratings_count>
  <description>
    <![CDATA[The meaning of a message, says William Mitchell, depends on the context of its reception. &quot;Shouting 'fire' in a crowded theater produces a dramatically different effect from barking the same word to a squad of soldiers with guns,&quot; he observes. In <em>Placing Words</em>, Mitchell looks at the ways in which urban spaces and places provide settings for communication and at how they conduct complex flows of information through the twenty-first century city.<br/> <br/> Cities participate in the production of meaning by providing places populated with objects for words to refer to. Inscriptions on these objects (labels, billboards, newspapers, graffiti) provide another layer of meaning. And today, the flow of digital information -- from one device to another in the urban scene -- creates a digital network that also exists in physical space. <em>Placing Words</em> examines this emerging system of spaces, flows, and practices in a series of short essays -- snapshots of the city in the twenty-first century.<br/> <br/> Mitchell questions the necessity of flashy downtown office towers in an age of corporate Web sites. He casts the shocked-and-awed Baghdad as a contemporary Guernica. He describes architectural makeovers throughout history, listing Le Corbusier's Fab Five Points of difference between new and old architecture, and he discusses the architecture of Manolo Blahniks. He pens an open letter to the Secretary of Defense recommending architectural features to include in torture chambers. He compares Baudelaire, the Parisian flaneur, to Spiderman, the Manhattan traceur. He describes the iPod-like galleries of the renovated MoMA and he recognizes the camera phone as the latest step in a process of image mobilization that began when artists stopped painting on walls and began making pictures on small pieces of wood, canvas, or paper. The endless flow of information, he makes clear, is not only more pervasive and efficient than ever, it is also generating new cultural complexities.]]>
  </description>
<authors>
    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">239294</id>
  <isbn>0262633132</isbn>
  <isbn13>9780262633130</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Me++: The Cyborg Self and the Networked City]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173027268m/239294.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173027268s/239294.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/239294.Me_The_Cyborg_Self_and_the_Networked_City</link>
  <average_rating>3.67</average_rating>
  <ratings_count>15</ratings_count>
  <description>
    <![CDATA[With <em>Me++</em> the author of <em>City of Bits</em> and <em>e-topia</em> completes an informal trilogy examining the ramifications of information technology in everyday life. William Mitchell describes the transformation of wireless technology in the hundred years since Marconi--the scaling up of networks and the scaling down of the apparatus for transmission and reception. It is, he says, as if &quot;Brobdingnag had been rebooted as Lilliput&quot;; Marconi's massive mechanism of tower and kerosene engine has been replaced by a palm-size cellphone. If the operators of Marconi's invention can be seen as human appendages to an immobile machine, today's hand-held devices can be seen as extensions of the human body. This transformation has, in turn, changed our relationship with our surroundings and with each other. The cellphone calls from the collapsing World Trade Center towers and the hijacked jets on September 11 were testimony to the intensity of this new state of continuous electronic engagement.<br/> <br/> Thus, Mitchell proposes, the &quot;trial separation&quot; of bits (the elementary unit of information) and atoms (the elementary unit of matter) is over. With increasing frequency, events in physical space reflect events in cyberspace, and vice versa; digital information can, for example, direct the movement of an aircraft or a robot arm. In <em>Me++</em> Mitchell examines the effects of wireless linkage, global interconnection, miniaturization, and portability on our bodies, our clothing, our architecture, our cities, and our uses of space and time. Computer viruses, cascading power outages, terrorist infiltration of transportation networks, and cellphone conversations in the streets are symptoms of a dramatic new urban condition--that of ubiquitous, inescapable network interconnectivity. He argues that a world governed less and less by boundaries and more and more by connections requires us to reimagine and reconstruct our environment and to reconsider the ethical foundations of design, engineering, and planning practice.]]>
  </description>
<authors>
    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>2004</published>
</book>

        <book>
  <id type="integer">1504422</id>
  <isbn>0262632055</isbn>
  <isbn13>9780262632058</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[e-topia]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1184381429m/1504422.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1184381429s/1504422.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1504422.e_topia</link>
  <average_rating>3.40</average_rating>
  <ratings_count>10</ratings_count>
  <description>
    <![CDATA[This little book begins with a big claim: the city is dead, and cyberspace killed it. But Mitchell, it turns out, is too intelligent an observer to really mean anything quite so drastic. Despite his weakness for bold, catchy statements (and it is a weakness), this MIT architecture professor has both feet planted in the long and much-studied history of urban spaces, and he draws from it a pragmatic optimism that keeps his argument both hopeful and nuanced. His real thesis: Under cyberspace's influence, the city is changing, no more or less radically than it did under the influence of postal systems, electricity, and cars. And if we ride the new changes carefully, he insists, the places we live and work in can become &quot;e-topias--lean, green cities that work smarter, not harder.&quot;<p> As in his bestselling <em>City of Bits: Space, Place, and the Infobahn</em>, Mitchell floats his claims on a brisk stream of technological detail, much of it eye-opening, all of it clearly presented. Low-earth-orbit satellites; small-scale, wearable computer networks woven into underpants; artificially intelligent houses; and the logistics of high-tech pizza delivery are just a few of the phenomena that go into Mitchell's sketch of the emergent digital city. Casually erudite nods to urban theorists from Plato to Lewis Mumford to William H. Gates III round out the portrait. In the end, Mitchell shows us the city doing more or less what it has always done: evolving away from its simple, ancient roots toward increasingly mediated complexity. <em>--Julian Dibbell</em></p>]]>
  </description>
<authors>
    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">1504452</id>
  <isbn>0262631601</isbn>
  <isbn13>9780262631600</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The Reconfigured Eye: Visual Truth in the Post-Photographic Era]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1184381456m/1504452.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1184381456s/1504452.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1504452.The_Reconfigured_Eye_Visual_Truth_in_the_Post_Photographic_Era</link>
  <average_rating>3.67</average_rating>
  <ratings_count>6</ratings_count>
  <description>
    <![CDATA[&quot;An intelligent and readable approach to the digitization of images. . . . A useful overview of a critical subject.&quot;<br/> -- <em>New York Times Book Review</em><br/> <br/> Enhanced? Or faked? Today the very idea of photographic veracity is being radically challenged by the emerging technology of digital image manipulation and synthesis: photographs can now be altered at will in ways that are virtually undetectable, and photorealistic synthesized images are becoming increasingly difficult to distinguish from actual photographs.<br/> <br/> Continuing William Mitchell's investigations of how we understand, reason about, and use images, <em>The Reconfigured Eye</em> provides the first systematic, critical analysis of the digital imaging revolution. It describes the technology of the digital image in detail and looks closely at how it is changing the way we explore ideas, at its aesthetic potential, and at the ethical questions it raises.]]>
  </description>
<authors>
    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>1992</published>
</book>

        <book>
  <id type="integer">3629994</id>
  <isbn>0262633647</isbn>
  <isbn13>9780262633642</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[World's Greatest Architect: Making, Meaning, and Network Culture]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3629994.World_s_Greatest_Architect_Making_Meaning_and_Network_Culture</link>
  <average_rating>2.67</average_rating>
  <ratings_count>3</ratings_count>
  <description>
    <![CDATA[Artifacts (including works of architecture) play dual roles; they simultaneously perform functions and carry meaning. Columns support roofs, but while the sturdy Tuscan and Doric types traditionally signify masculinity, the slim and elegant Ionic and Corinthian kinds read as feminine. Words are often inscribed on objects. (On a door: &quot;push&quot; or &quot;pull.&quot;) Today, information is digitally encoded (dematerialized) and displayed (rematerialized) to become part of many different objects, at one moment appearing on a laptop screen and at another, perhaps, on a building facade (as in Times Square). Well-designed artifacts succeed in being both useful and meaningful. In <em>World's Greatest Architect,</em> William Mitchell offers a series of snapshots--short essays and analyses--that examine the systems of function and meaning currently operating in our buildings, cities, and global networks.<br/>  <br/>  In his writing, Mitchell makes connections that aren't necessarily obvious but are always illuminating, moving in one essay from Bush-Cheney's abuse of language to Robert Venturi's argument against rigid ideology and in favor of graceful pragmatism. He traces the evolution of Las Vegas from Sin/Sign City to family-friendly resort and residential real estate boomtown. A purchase of chips leads not only to a complementary purchase of beer but to thoughts of Eames chairs (like Pringles) and Gehry (fun to imitate with tortilla chips in refried beans). As for who the world's greatest architect might be, here's a hint: he's also the oldest.]]>
  </description>
<authors>
    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

        <book>
  <id type="integer">1504418</id>
  <isbn>0262631164</isbn>
  <isbn13>9780262631167</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Logic of Architecture: Design, Computation, and Cognition]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1184381424m/1504418.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1184381424s/1504418.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1504418.The_Logic_of_Architecture_Design_Computation_and_Cognition</link>
  <average_rating>3.50</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[<em>The Logic of Architecture</em> is the first comprehensive, systematic, and modern treatment of the logical foundations of design thinking. It provides a detailed discussion of languages of architectural form, their specification by means of formal grammars, their interpretation, and their role in structuring design thinking.<br/> <br/> Supplemented by more than 200 original illustrations, <em>The Logic of Architecture </em>reexamines central issues of design theory in the light of recent advances in artificial intelligence, cognitive science, and the theory of computation. The richness of this approach permits sympathetic and constructive analysis of positions developed by a wide range of theorists and philosophers from Socrates to the present.<br/> <br/> Mitchell first considers how buildings may be described in words and shows how such descriptions may be formalized by the notation of first order predicate calculus. This leads to the idea of a critical language for speaking about the qualities of buildings. Turning to the question of representation by drawings and scale models, Mitchell then develops the notion of design worlds that provide graphic tokens which can be manipulated according to certain grammatical rules. In particular, he shows how domains of graphic compositions possible in a design world may be specified by formal shape grammars. Design worlds and critical languages are connected by showing how such languages may be interpreted in design worlds. Design processes are then viewed as computations in a design world with the objective of satisfying predicates of form and function stated in a critical language.<br/> <br/> William J. Mitchell is G. Ware and Edythe M. Travelstead Professor of Architecture at Harvard University and a founder of the Computer Aided Design Group in Los Angeles. Among the books he has authored or coauthored are <em>The Poetics of Gardens, The Art of Computer Graphics Programming, </em>and <em>Computer Aided Architectural Design. </em>]]>
  </description>
<authors>
    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>1990</published>
</book>

        <book>
  <id type="integer">134459</id>
  <isbn>026269199X</isbn>
  <isbn13>9780262691994</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[High Technology and Low-Income Communities: Prospects for the Positive Use of Advanced Information Technology]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172047005m/134459.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172047005s/134459.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/134459.High_Technology_and_Low_Income_Communities_Prospects_for_the_Positive_Use_of_Advanced_Information_Technology</link>
  <average_rating>3.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[How will low-income communities be affected by the waves of social, economic, political, and cultural change that surround the new information technologies? How can we influence the outcome? This action-oriented book identifies the key issues, explores the evidence, and suggests some answers. Avoiding both utopianism and despair, the book presents the voices of technology enthusiasts and skeptics, as well as social activists.<br/> <br/> The book is organized into three parts. Part I examines the issues in their socio-technical, economic, and historical contexts. Part II--the core of the book--proposes five initiatives for using computers and electronic communications to benefit low-income urban communities:<br/> <br/> - to provide access to the new technologies in ways that enable low-income people to become active producers rather than passive users;<br/> <br/> - to use the new technologies to improve the dialogue between public agencies and low-income neighborhoods;<br/> <br/> - to help low-income youth to exploit the entrepreneurial potential of information technologies;<br/> <br/> - to develop approaches to education that take advantage of the educational capabilities of the computer;<br/> <br/> - to promote the community computer: applications of computers and communications technology that foster community development.<br/> <br/> Part III presents a synthesis of the various topics. Its main questions are, What are the prospects and problems of initiatives to enable the poor to benefit from the new technologies? and What federal, state, and municipal policies would enhance the prospects for success?<br/> <br/> <strong>Contributors</strong>: Alice Amsden, Jeanne Bamberger, Anne Beamish, Manuel Castells, Joseph Ferreira, Peter Hall, Leo Marx, William J. Mitchell, Mitchel Resnick, Bish Sanyal, Donald A. Schön, Alan and Michelle Shaw, Michael Shiffer, Bruno Tardieu, Sherry Turkle, Julian Wolpert]]>
  </description>
<authors>
    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">2380222</id>
  <isbn>0471286664</isbn>
  <isbn13>9780471286660</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Digital Design Media]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2380222.Digital_Design_Media</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[In Digital Design Media, Second Edition, architects and related design professionals will find a complete conceptual guide to the multidimensional world of computer-aided design. In contrast to the many books that describe how to use particular programs (and which therefore go out of date very quickly), Digital Design Media constructs a lasting theoretical framework, which will make it easier to understand a great number of programs&#151;existing and future&#151;as a whole. Clear structure, numerous historical references, and hundreds of illustrations make this framework both accessible to the nontechnical professional and broadening for the experienced computer-aided designer. The book will be especially valuable to anyone who is ready to expand their work in CAD beyond production drafting systems. The new second edition adds chapters one merging technologies, such as the Internet, but the book's original content is as valid as ever. Thousands of design students and practitioners have made this book a standard.]]>
  </description>
<authors>
    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
    <author>
    <id>326499</id>
        <name><![CDATA[Malcolm McCullough]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/326499.Malcolm_McCullough]]></link>
    <average_rating>4.36</average_rating>
    <ratings_count>22</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
  </authors>  <published>1994</published>
</book>

        <book>
  <id type="integer">1691501</id>
  <isbn nil="true"></isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Me++: The Cyborg Self and the Networked City]]>
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  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1691501.Me_The_Cyborg_Self_and_the_Networked_City</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
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    <author>
    <id>77634</id>
        <name><![CDATA[William J. Mitchell]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/77634.William_J_Mitchell]]></link>
    <average_rating>3.59</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>17</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

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