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  <id>76809</id>
  <name><![CDATA[Lawrence Rinder]]></name>
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        <book>
  <id type="integer">282500</id>
  <isbn>0821222996</isbn>
  <isbn13>9780821222997</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Louise Bourgeois: Drawings and Observations]]>
  </title>
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  <link>http://www.goodreads.com/book/show/282500.Louise_Bourgeois_Drawings_and_Observations</link>
  <average_rating>4.56</average_rating>
  <ratings_count>16</ratings_count>
  <description>
    <![CDATA[One of this century's pre-eminent artists, Louise Bourgeois recently was the subject of a major one-person exhibition at New York's Museum of Modern Art, and she represented the United States in the 1993 Venice Biennale. This exquisitely designed volume, which includes 133 color reproductions, is a testimony to the importance of the act of drawing to this highly autobiographical artist, who is known primarily for her sculptures.  Produced over the course of 50 years, the drawings are seen side by side with Bourgeois' own observations about her personal life, her work, and the genesis and sources of certain works, offering a very intimate vision of Bourgeois as a woman and as an artist, as well as insight into the creative act of making art.  ]]>
  </description>
<authors>
    <author>
    <id>164219</id>
        <name><![CDATA[Louise Bourgeois]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/164219.Louise_Bourgeois]]></link>
    <average_rating>4.51</average_rating>
    <ratings_count>72</ratings_count>
    <text_reviews_count>6</text_reviews_count>
  </author>
    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
    <author>
    <id>155170</id>
        <name><![CDATA[Josef Helfenstein]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/155170.Josef_Helfenstein]]></link>
    <average_rating>4.43</average_rating>
    <ratings_count>23</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>1996</published>
</book>

        <book>
  <id type="integer">133216</id>
  <isbn>0874271444</isbn>
  <isbn13>9780874271447</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Tim Hawkinson]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172017310m/133216.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172017310s/133216.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/133216.Tim_Hawkinson</link>
  <average_rating>4.50</average_rating>
  <ratings_count>12</ratings_count>
  <description>
    <![CDATA[Tim Hawkinson's art is the sort of intense, highly personal and often self-referential work that manages through humor and sheer obsessive force to be both accessible and awe-inspiring. It's often at least a little bit grotesque, but his sculptures and works on paper and canvas flirt with the sublime often enough that it really is worthy of multiple viewings, even though at first it often appears to be a cheap joke. In all of these senses, Hawkinson's stuff is comparable to the works of Charles Ray, Tom Friedman and Mike Kelley. The companion catalogue to the Whitney Museum-mounted large-scale retrospective finally gives Hawkinson his due. Lawrence Rinder's essay gives plenty of clearly-written art historical context to Hawkinson's strange contraptions, while Howard N. Fox speaks of Hawkinson's near monk-like &quot;sacramental energy.&quot; The design is crisp and unobtrusive; the only quibble at all is the use of the Courier font and the fact that the book's covers are made of a porous material, so be careful to wash your hands before you hold the thing. Inside you'll find a functioning organ made out of plastic the size of a football field, a bird skeleton made out of nail clippings, a ball made of spoons, a functioning extension cord worn into a knot, a human skeleton fashioned from dog bones, and much more. Hawkinson really turns the world inside out.  <em>--Mike McGonigal</em>]]>
  </description>
<authors>
    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">693118</id>
  <isbn>087286300X</isbn>
  <isbn13>9780872863002</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[In a Different Light: Visual Culture, Sexual Identity, Queer Practice]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1252786166m/693118.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1252786166s/693118.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/693118.In_a_Different_Light_Visual_Culture_Sexual_Identity_Queer_Practice</link>
  <average_rating>3.86</average_rating>
  <ratings_count>7</ratings_count>
  <description>
    <![CDATA[catalog/anthology from landmark queer art exhibit ]]>
  </description>
<authors>
    <author>
    <id>62313</id>
        <name><![CDATA[Nayland Blake]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/62313.Nayland_Blake]]></link>
    <average_rating>3.86</average_rating>
    <ratings_count>7</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
    <author>
    <id>162541</id>
        <name><![CDATA[Amy Scholder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/162541.Amy_Scholder]]></link>
    <average_rating>4.00</average_rating>
    <ratings_count>99</ratings_count>
    <text_reviews_count>13</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

        <book>
  <id type="integer">608000</id>
  <isbn>0974364827</isbn>
  <isbn13>9780974364827</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Art Life: Selected Writings 1991-2005]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1176255026m/608000.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1176255026s/608000.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/608000.Art_Life_Selected_Writings_1991_2005</link>
  <average_rating>3.40</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[Entertaining, lyrical, and informative, Art Life is a selection of essays by well-known contemporary art curator Lawrence Rinder, all written since 1991. Rinder's work is distinguished by a concern for art s role in reflecting and shaping daily life. Informed by history, philosophy, and popular culture, these essays provide keys to understanding a broad range of contemporary practices-from painting and drawing to net art and video installation. In each of these texts, Rinder muses on how the intersection of material, image, and idea creates meaning in some of the most compelling artworks of the past few decades. Among the many artists discussed are Luc Tuymans, Sophie Calle, Martin Creed, Ara Peterson, Jim Drain, Louise Bourgeois, Mark Lombardi, Jack Smith, and Irit Batsry. All of the essays in Art Life are unified by Rinder's clear writing style--seamlessly interspersed with a selection of images--and his consistent engagement with the experience of art and art s relevance to our daily lives. Ideal for scholars and students alike.]]>
  </description>
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    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">913156</id>
  <isbn>0975324330</isbn>
  <isbn13>9780975324332</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Live Through This: New York 2005]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1179416470m/913156.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1179416470s/913156.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/913156.Live_Through_This_New_York_2005</link>
  <average_rating>5.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[Description: Live Through This brings together more than 30 of the most exciting art, music, and fashion personalities who are changing art making in New York. New art practice is now intimately tied to the lived experience of the artists themselves, and this book, through more than three hundred color photographs of artists, artworks, studios, off-duty behaviors, zines, concerts, openings, and parties, illustrates and examines the nature of this relationship. Thoughtful criticism is provided by five essays: Larry Rinder writes about the groundbreaking nature of Fort Thunder and Providence scene, Jeffrey Deitch offers an historical and personal look at New York's underground, musician Philip Guichard describes the past five years of music in the city, digital artist Cory Arcangel talks about collectives and new media, while Kathy Grayson provides a behind-the-scenes thesis. Major attention is paid to artists working in New York City, but also in Providence and San Francisco. The list includes several major names in art, fashion, and music, but some decidedly underground ones, thus emphasizing community affiliations and working collaborations. This is a most authentic look at what New York's art scene truly is, organized and produced by the members themsleves through extensive collaboration.]]>
  </description>
<authors>
    <author>
    <id>467111</id>
        <name><![CDATA[Assume Vivid Astro Focus]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/467111.Assume_Vivid_Astro_Focus]]></link>
    <average_rating>4.67</average_rating>
    <ratings_count>3</ratings_count>
    <text_reviews_count>0</text_reviews_count>
  </author>
    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">574898</id>
  <isbn>0810968320</isbn>
  <isbn13>9780810968325</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Whitney Biennial 2002: 2002 Biennial Exhibition]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175924265m/574898.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175924265s/574898.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/574898.Whitney_Biennial_2002_2002_Biennial_Exhibition</link>
  <average_rating>3.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[&quot;Not restricted by a single theme, the 2002 Biennial will expose  multiple, sometimes conflicting currents, as well as extraordinary works that fall outside  of any conventional aesthetic definition.&quot; &#151;Lawrence R. Rinder  <p>The &quot;2002 Biennial Exhibition&quot; is the 71st in the Whitney Museum's signature series  highlighting the most significant developments in American art over the past few years.  Throughout its history of support for the development of 20th- and 21st-century  American art, the Whitney Museum has fostered contemporary artistic innovation and  diversity through its acclaimed and often controversial Biennial. Countless prominent  artists have made their museum debut at these diverse surveys of painting, sculpture,  works on paper, film and video, performance, and installation. The current exhibition  includes works by more than 100 artists in traditional Biennial mediums, as well as new  inclusions such as web-related, digital, and sound art.</p>]]>
  </description>
<authors>
    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">774934</id>
  <isbn>0874271347</isbn>
  <isbn13>9780874271348</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The American Effect: Global Perspectives on the United States, 1990-2003]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1178239007m/774934.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1178239007s/774934.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/774934.The_American_Effect_Global_Perspectives_on_the_United_States_1990_2003</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[Timely and compelling, <em>The American Effect</em> explores the wide range of global perceptions of American society and culture in the work of artists from around the world. Encompassing both romanticized and demonized visions of the United States, these works-by approximately 50 artists from 30 countries in Europe, Africa, Asia, Australia, and the Americas-date from 1990 to the present and include drawing, photography, film, installation, painting, sculpture, video, and Internet art.   <p>As America increasingly comes to terms with how it is perceived abroad, this book, and the exhibition it accompanies at the Whitney Museum of American Art, look at how artists, primarily non-American, depict, imagine, and respond to America and its presence in the world. The works convey a range of responses, from anger and antagonism to affection, warmth, and humor. Essays by well-known writers touch on issues raised by the art, and curator Lawrence Rinder discusses each artist's work in context.</p>]]>
  </description>
<authors>
    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
    <author>
    <id>46247</id>
        <name><![CDATA[Tariq Ali]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/46247.Tariq_Ali]]></link>
    <average_rating>3.72</average_rating>
    <ratings_count>847</ratings_count>
    <text_reviews_count>124</text_reviews_count>
  </author>
  </authors>  <published>2003</published>
</book>

        <book>
  <id type="integer">913157</id>
  <isbn>050028136X</isbn>
  <isbn13>9780500281369</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Searchlight: Consciousness at the Millennium]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1179416471m/913157.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1179416471s/913157.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/913157.Searchlight_Consciousness_at_the_Millennium</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[This book is an unprecedented exploration of the nature of consciousness and its embodiment in many forms of contemporary art including painting, sculpture, installation, video, film, and computer media. At what is possibly the most portentous moment in recent history--the turn of the millennium--Searchlight reveals the threads of a new aesthetic, reaching from the early nineteenth century through its extraordinary fulfillment in the art of the present. Consciousness is the bedrock of all experience, the foundation of all perception and interaction, the source of meaning. As such, it may be said to have been the primary subject of art for the past 125 years, ever since the Modernist revolution of the nineteenth century shifted artists' goals from the direct representation of the seen world to the expression of felt experience. As art increasingly focused on the perceiver rather than the perceived, the consciousness of the artist and the viewer moved to the foreground of the artistic event. The book features essays by writers in the fields of art history, philosophy, cognitive science, theology, and linguistics. Over one hundred illustrations show some of the most extraordinary works of art made over the past twenty years by artists such as Louise Bourgeois, Agnes Martin, Ad Reinhardt, Bill Viola, Yoko Ono, Stan Douglas, Gillian Wearing, Adrian Piper, and Gary Hill. The volume also includes classic reflections on consciousness by such renowned scholars as William James, Thomas Nagel, the Dalai Lama, Francisco J. Varela, John R. Scarle, and Nobel Laureate Francis Crick. Searchlight complements an ambitious, groundbreaking exhibition of the same title organized by the CCAC Institute of the California College of Arts and Crafts. It includes a comprehensive essay by Lawrence Rinder, director of the CCAC Institute, and George Lakoff, professor of linguistics at the University of California, Berkeley, and texts by Mark Bartlett, Franck Andr Jamme, Steve Kolpan, Alva Noe, D. L. Pughe, and Yvonne Rand. ]]>
  </description>
<authors>
    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

        <book>
  <id type="integer">6440339</id>
  <isbn nil="true"></isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Gerry Snyder: American Idyll]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6440339-gerry-snyder</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published></published>
</book>

        <book>
  <id type="integer">1763217</id>
  <isbn>905662119X</isbn>
  <isbn13>9789056621193</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Avery Preesman]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1187891704m/1763217.jpg</image_url>
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  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[By Lawrence Rinder. Artwork by Avery Preesman. Contributions by Chris Dercon. Text by Hans Rudolf Reust, Maarten van Hinte.]]>
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    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
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    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
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    <author>
    <id>105013</id>
        <name><![CDATA[Hans Rudolf Reust]]></name>
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  </authors>  <published>1999</published>
</book>

        <book>
  <id type="integer">693119</id>
  <isbn>0916365581</isbn>
  <isbn13>9780916365585</isbn13>
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    <![CDATA[Beyond Preconceptions]]>
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    <![CDATA[&quot;Extraordinary and necessary in terms of both critical approach and geographical range, Beyond Preconceptions: The Sixties Experiment provides a look at parallel art developments in Eastern and Western Europe and in North and South America in the late 1960's and early 1970's. This richly illustrated catalogue and its five revelatory essays demonstrate how a select and forward-thinking group of artists translated similar concepts into a variety of approaches based on their specific cultural, social, and political context. These artists include Joseph Beuys, Marcel Broodthaers, Lygia Clark, Hanne Darboven, Victor Grippo, Eva Hesse, Ilya Kabakov, Jiri Kolar, Bruce Nauman, and Helio Oticica. The new models of artistic practice developed by these artists continue to shape what a younger generation of artists is creating today, particularly where institutional critique and concepts of authorship are concerned.&quot;]]>
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    <id>76809</id>
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    <average_rating>4.21</average_rating>
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        <name><![CDATA[Paulo Herkenhoff]]></name>
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    <average_rating>4.50</average_rating>
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    <text_reviews_count>2</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">693121</id>
  <isbn>1889195219</isbn>
  <isbn13>9781889195216</isbn13>
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    <![CDATA[Beattie &amp; Davidson]]>
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    <![CDATA[]]>
  </description>
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        <name><![CDATA[Drew Beattie]]></name>
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    <author>
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        <name><![CDATA[Lawrence Rinder]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/76809.Lawrence_Rinder]]></link>
    <average_rating>4.21</average_rating>
    <ratings_count>47</ratings_count>
    <text_reviews_count>5</text_reviews_count>
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    <author>
    <id>224609</id>
        <name><![CDATA[David Humphrey]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/224609.David_Humphrey]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>2</ratings_count>
    <text_reviews_count>0</text_reviews_count>
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  </authors>  <published>1998</published>
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        <book>
  <id type="integer">693123</id>
  <isbn>0944722164</isbn>
  <isbn13>9780944722169</isbn13>
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    <![CDATA[Sophie Calle: Proofs]]>
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    <![CDATA[]]>
  </description>
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    <id>370503</id>
        <name><![CDATA[Kathleen Merrill]]></name>
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    <author>
    <id>76809</id>
        <name><![CDATA[Lawrence Rinder]]></name>
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    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
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  </authors>  <published>1993</published>
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