<?xml version="1.0" encoding="UTF-8"?>
<GoodreadsResponse>
	<Request>
		<authentication>false</authentication>
		    <method><![CDATA[]]></method>
	</Request>
	<author>
  
  <id>7446</id>
  <name><![CDATA[Janet Malcolm]]></name>
  <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
  <fans_count type="integer">3</fans_count>
  <followers_count type="integer">3</followers_count>
  <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
  <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
  <about><![CDATA[]]></about>
  <influences><![CDATA[]]></influences>
  <gender></gender>
  <hometown></hometown>
  <born_at></born_at>
  <died_at></died_at>
  
  <books>
        <book>
  <id type="integer">147371</id>
  <isbn>0679751408</isbn>
  <isbn13>9780679751403</isbn13>
  <text_reviews_count type="integer">22</text_reviews_count>
  <title>
    <![CDATA[The Silent Woman: Sylvia Plath and Ted Hughes]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172185968m/147371.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172185968s/147371.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/147371.The_Silent_Woman_Sylvia_Plath_and_Ted_Hughes</link>
  <average_rating>3.82</average_rating>
  <ratings_count>159</ratings_count>
  <description>
    <![CDATA[From the moment it was first published in The New Yorker, this brilliant work of literary criticism aroused great attention. Janet Malcolm brings her shrewd intelligence to bear on the legend of Sylvia Plath and the wildly productive industry of Plath biographies. Features a new Afterword by Malcolm.]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

        <book>
  <id type="integer">55563</id>
  <isbn>1862076375</isbn>
  <isbn13>9781862076372</isbn13>
  <text_reviews_count type="integer">24</text_reviews_count>
  <title>
    <![CDATA[The Journalist and the Murderer]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1170450551m/55563.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1170450551s/55563.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/55563.The_Journalist_and_the_Murderer</link>
  <average_rating>3.81</average_rating>
  <ratings_count>140</ratings_count>
  <description>
    <![CDATA[&quot;Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible.&quot; Janet Malcolm begins this book with the words above, which have become famous (and infamous), and then sets out to demonstrate the charge with the story of the lawsuit between Jeffrey MacDonald, a convicted murderer, and Joe McGinniss, the author of a book about the crime.]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>1990</published>
</book>

        <book>
  <id type="integer">1017699</id>
  <isbn>0300125518</isbn>
  <isbn13>9780300125511</isbn13>
  <text_reviews_count type="integer">57</text_reviews_count>
  <title>
    <![CDATA[Two Lives: Gertrude and Alice]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1180272094m/1017699.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1180272094s/1017699.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1017699.Two_Lives_Gertrude_and_Alice</link>
  <average_rating>3.47</average_rating>
  <ratings_count>146</ratings_count>
  <description>
    <![CDATA[&lt;DIV&gt;&lt;P style=&quot;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none&quot;&gt;&quot;How had the pair of elderly Jewish lesbians survived the Nazis?” Janet Malcolm asks at the beginning of this extraordinary work of literary biography and investigative journalism. The pair, of course, is Gertrude Stein, the modernist master “whose charm was as conspicuous as her fatness” and “thin, plain, tense, sour” Alice B. Toklas, the “worker bee” who ministered to Stein’s needs throughout their forty-year expatriate “marriage.” As Malcolm pursues the truth of the couple’s charmed life in a village in Vichy France, her subject becomes the larger question of biographical truth. “The instability of human knowledge is one of our few certainties,” she writes.  &lt;/P&gt;&lt;P style=&quot;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none&quot;&gt;The portrait of the legendary couple that emerges from this work is unexpectedly charged. The two world wars Stein and Toklas  lived through together are paralleled by the private war that went on between them. This war, as Malcolm learned, sometimes flared into bitter combat. &lt;/P&gt;&lt;P style=&quot;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none&quot;&gt;<em>Two Lives</em> is also a work of literary criticism. “Even the most hermetic of [Stein’s] writings are works of submerged autobiography,” Malcolm writes. “The key of  'I' will not unlock the door to their meaning—you need a crowbar for that—but will sometimes admit you to a kind of anteroom of suggestion.” Whether unpacking the accessible <em>Autobiography of Alice B. Toklas</em>, in which Stein “solves the koan of autobiography,” or wrestling with <em>The Making of Americans</em>, a masterwork of “magisterial disorder,” Malcolm is stunningly perceptive.&lt;/P&gt;&lt;P style=&quot;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; mso-layout-grid-align: none&quot;&gt;Praise for the author:&lt;/P&gt;&lt;P style=&quot;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%&quot;&gt;“[Janet Malcolm] is among the most intellectually provocative of authors . . .able to turn epiphanies of perception into explosions of insight.”—David Lehman, <em>Boston</em><em> Globe</em>&lt;/P&gt;&lt;P style=&quot;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%&quot;&gt;“Not since Virginia Woolf has anyone thought so trenchantly about the strange art of biography.”—Christopher Benfey&lt;/P&gt;&lt;P style=&quot;MARGIN: 0in 0in 0pt&quot;&gt; &lt;/P&gt;&lt;/DIV&gt; (20080229)]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

        <book>
  <id type="integer">378440</id>
  <isbn>159017027X</isbn>
  <isbn13>9781590170274</isbn13>
  <text_reviews_count type="integer">14</text_reviews_count>
  <title>
    <![CDATA[In the Freud Archives (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174313011m/378440.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1174313011s/378440.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/378440.In_the_Freud_Archives</link>
  <average_rating>4.29</average_rating>
  <ratings_count>84</ratings_count>
  <description>
    <![CDATA[<em>In the Freud Archives</em> is Janet Malcolm’s celebrated account of the falling-out of two unlikely friends: K. R. Eissler, the formidable director of the secretive Freud Archives, and Jeffrey Moussaief Masson, a 42-year-old wunderkind trained in Sanskrit and psychoanalysis who was, briefly, Eissler’s designated successor. This deeply original work of nonfiction is written with the subtlety and insight of a Henry James novel. &quot;From beginning to end it has the coolly accomplished excitement of a thriller.&quot; — The Sunday Times (London)]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>1983</published>
</book>

        <book>
  <id type="integer">306598</id>
  <isbn>1568213425</isbn>
  <isbn13>9781568213422</isbn13>
  <text_reviews_count type="integer">6</text_reviews_count>
  <title>
    <![CDATA[Psychoanalysis: The Impossible Profession]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173586631m/306598.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173586631s/306598.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/306598.Psychoanalysis_The_Impossible_Profession</link>
  <average_rating>4.41</average_rating>
  <ratings_count>44</ratings_count>
  <description>
    <![CDATA[Through an intensive study of Aaron Green, a Freudian analyst in New York City, New Yorker writer Janet Malcolm reveals the inner workings of psychoanalysis.]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>1981</published>
</book>

        <book>
  <id type="integer">1107183</id>
  <isbn>0375506683</isbn>
  <isbn13>9780375506680</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Reading Chekhov: A Critical Journey]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1181059319m/1107183.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1181059319s/1107183.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1107183.Reading_Chekhov_A_Critical_Journey</link>
  <average_rating>3.89</average_rating>
  <ratings_count>19</ratings_count>
  <description>
    <![CDATA[A perfect match of author and subject.  In an effort to know one of her favorite writers better.  Janet Malcolm -- who has brought light to the dark and complicated corners of psychoanalysis and has exposed the treacheries inherent within journalism--traveled to Russia and the places where Chekhov lived and worked.  Out of her encounters with modern-day Russians she builds bridges backward in time to Chekhov and to the characters and ideas in his unexampled short stories and plays.   The chapters are like pools of thought that coalesce into a profound, unified vision of one of Western literary culture's most important figures.  For example, Chekhov's self-effacement prompts a consideration of his characters' odd un-pin-down-ability and then a discussion of limitations in writing biography.<br/><br/>One need not know Chekhov's writing to enjoy and be enlightened by <strong>Reading Chekhov</strong> (though anyone who does will find it doubly edifying).  It is a work in which as we watch one outstanding mind try to understand another, we learn more about ourselves--our own ways of reading, thinking, and behaving: generally, what it means to be human.]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

        <book>
  <id type="integer">63136</id>
  <isbn>0893817279</isbn>
  <isbn13>9780893817275</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Diana and Nikon: Essays on Photography]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1170615130m/63136.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1170615130s/63136.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/63136.Diana_and_Nikon_Essays_on_Photography</link>
  <average_rating>4.07</average_rating>
  <ratings_count>14</ratings_count>
  <description>
    <![CDATA[This expanded edition of <em>Diana &amp; Nikon</em>, Janet Malcolm's first book, presents new essays that explore the last work of Diane Arbus, Sally Mann's family pictures, E.J. Bellocq's famous 1912 nudes, Andrew Bush's richly detailed interiors, and the relationship between painting and photography. The text of the original edition--long a much sought after rarity--is reprinted here in full, including essays on the works of the masters Stieglitz, Steichen, and Weston, as well as contemporaries such as Robert Frank, Irving Penn, and William Eggleston.<br/><br/>Malcolm offers a view of photography that is as complicated and as controversial as the medium itself. Her writings on such topics as Richard Avedon's portraits, Garry Winogrand's street photographs, and Harry Callahan's color work exhibit the elegant prose style and incisive commentary for which she is renowned. Illustrated with 100 black-and-white photographs, this is a book to read and to ponder, a sensitive and generous appraisal of where photography stands in relation to all the arts, and to its own past, by one of the leading writers of her generation.<br/>]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>1980</published>
</book>

        <book>
  <id type="integer">63135</id>
  <isbn>0679748105</isbn>
  <isbn13>9780679748106</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Purloined Clinic: Selected Writings]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1170615124m/63135.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1170615124s/63135.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/63135.The_Purloined_Clinic_Selected_Writings</link>
  <average_rating>4.15</average_rating>
  <ratings_count>13</ratings_count>
  <description>
    <![CDATA[One of the country's most elegant and controversial writers presents a collection of her essays, reviews, and profiles, showing the range and depth of her engagement with art, literature, and psychoanalysis and the brilliance of her epigrammatic style. A dazzling representative collection by the journalist whom critic Harold Bloom calls &quot;a calmly rational Alice in Wonderland&quot;.]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>1992</published>
</book>

        <book>
  <id type="integer">306600</id>
  <isbn>0375704590</isbn>
  <isbn13>9780375704598</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Crime of Sheila McGough]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173586647m/306600.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173586647s/306600.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/306600.The_Crime_of_Sheila_McGough</link>
  <average_rating>3.33</average_rating>
  <ratings_count>9</ratings_count>
  <description>
    <![CDATA[&quot;[N]o other writer tells better stories about the perpetual,  the unwinnable, battle between narrative and truth.&quot; --<em>The New York  Times Book Review</em><br/><br/><strong>The Crime of Sheila McGough</strong> is  Janet Malcolm's brilliant exposé of miscarriage of justice in  the case of Sheila McGough, a disbarred lawyer recently released from  prison. McGough had served 2 1/2 years for collaborating with a client  in his fraud, but insisted that she didn't commit any of the 14  felonies she was convicted.<br/><br/>An astonishingly persuasive  condemnation of the cupidity of American law and its preference for  convincing narrative rather than the truth, this is also a story with  an unconventional heroine. McGough is a zealous defense lawyer duped  by a white-collar con man; a woman who lives, at the age of 54, with  her parents; a journalistic subject who frustrates her interviewer  with her maddening literal-mindedness. Spirited, illuminating,  delightfully detailed, <strong>The Crime of Sheila McGough</strong> is both a  dazzling work of journalism and a searching meditation on character  and the law.<br/><br/><br/><br/>]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

        <book>
  <id type="integer">3821298</id>
  <isbn>0300128614</isbn>
  <isbn13>9780300128611</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Burdock]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/3821298.Burdock</link>
  <average_rating>4.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[&lt;DIV&gt;&lt;DIV&gt;&lt;DIV&gt;&lt;DIV&gt;&lt;P style=&quot;MARGIN: 0in 0in 0pt&quot;&gt;Over the course of three summers in New England, Malcolm gathered leaves of the burdock plant, a “large rank weed” with medicinal properties “that grows along roadsides and in waste places and around derelict buildings.” Influenced by Richard Avedon’s unsparing portraits of famous people, Malcolm is drawn to “uncelebrated leaves” on which “life has left its mark,” through the ravages of time, weather, insects, or blight. In her introduction, Malcolm reminds us that writers like Chekhov and Hawthorne have used burdock “to denote ruin and desolation.” And yet, for Malcolm, <em>Burdock</em> is an homage to the botanical illustrators who recognized “the gorgeousness of the particulars of the things that are alive in the world.”&lt;/P&gt;&lt;P style=&quot;MARGIN: 0in 0in 0pt&quot;&gt; &lt;/P&gt;“<em>Burdock</em> consists of a series of large color photographs portraying a single, unusual kind of leaf in various stages of growth and decay. As such, it is a work of botanical and indeed philosophical interest as well as an art book. Like all of Malcolm’s work, this project entails looking with a steely but sympathetic and extremely intelligent eye at the world around her, zeroing in on the oddities that others might miss and using them as clues through which she solves the larger mystery.”—Wendy Lesser &lt;P class=MsoNormalCxSpFirst&gt;Malcolm’s leaves will be shown at the Lori Bookstein Fine Arts Gallery in New York, September 9–October 11, 2008.&lt;/P&gt;&lt;P class=MsoNormalCxSpFirst&gt;“Looking at natural forms close up is an exercise in awe.”—Janet Malcolm&lt;/P&gt;&lt;/DIV&gt; (20080901)]]>
  </description>
<authors>
    <author>
    <id>7446</id>
        <name><![CDATA[Janet Malcolm]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/7446.Janet_Malcolm]]></link>
    <average_rating>3.83</average_rating>
    <ratings_count>737</ratings_count>
    <text_reviews_count>149</text_reviews_count>
  </author>
  </authors>  <published>2008</published>
</book>

      <books>
</author>
</GoodreadsResponse>