Charles L. Grant





Charles L. Grant

Author profile


born
in Newark, New Jersey, The United States
September 12, 1942

died
September 15, 2006

gender
male

website

genre


About this author

Charles Lewis Grant was a novelist and short story writer specializing in what he called "dark fantasy" and "quiet horror." He also wrote under the pseudonyms of Geoffrey Marsh, Lionel Fenn, Simon Lake, Felicia Andrews, and Deborah Lewis.

Grant won a World Fantasy Award for his novella collection Nightmare Seasons, a Nebula Award in 1976 for his short story "A Crowd of Shadows", and another Nebula Award in 1978 for his novella "A Glow of Candles, a Unicorn's Eye," the latter telling of an actor's dilemma in a post-literate future. Grant also edited the award winning Shadows anthology, running eleven volumes from 1978-1991. Contributors include Stephen King, Ramsey Campbell, R.A. Lafferty, Avram Davidson, and Steve Rasnic and Melanie Tem. Gra...more


Average rating: 3.69 · 7,667 ratings · 468 reviews · 186 distinct works · Similar authors
Whirlwind
3.33 of 5 stars 3.33 avg rating — 809 ratings — published 1994 — 17 editions
Goblins
3.25 of 5 stars 3.25 avg rating — 778 ratings — published 1994 — 13 editions
The Pet
3.23 of 5 stars 3.23 avg rating — 126 ratings — published 1986 — 4 editions
The Hour of the Oxrun Dead
3.27 of 5 stars 3.27 avg rating — 81 ratings — published 1977 — 4 editions
Shadows
by
3.92 of 5 stars 3.92 avg rating — 66 ratings — published 1981 — 7 editions
The Orchard
3.62 of 5 stars 3.62 avg rating — 65 ratings — published 1986 — 3 editions
Gallery of Horror
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Nightmare Seasons
3.85 of 5 stars 3.85 avg rating — 48 ratings — published 1982 — 3 editions
Symphony (Millennium Quarte...
3.47 of 5 stars 3.47 avg rating — 58 ratings — published 1997 — 2 editions
Black Oak 1: Genesis
3.53 of 5 stars 3.53 avg rating — 45 ratings — published 1998
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“The cover was pebbled black leather, the pages onionskin, and he opened it carefully. It was his first Bible, the one his mother had given him, the one that had taken its time showing him what he was supposed to do with his life, his size, that voice of his. It was the one used for his ordination, and when he had buried his mother on a autumn hillside in Tennesee five years ago. King James. He didn't care about the scholars or the accuracy or the bringing of his church into whatever century they claimed it was these days; he cared about the poetry, and about the comfort it brought to those who needed to hear it.”
Charles L. Grant

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