Cheryl Snell's Blog
December 24, 2009
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Published on December 24, 2009 19:30
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December 18, 2009
Sometimes, in the revision process, a character becomes beside the point. In Shiva's Arms, I had to pull the character of Sam, Alice and Ram's son, back to a younger version of himself. In early drafts he was old enough for a scene like this:
Damn! Once the thought of the girl entered his mind, there was no way to get her out of his head. He had no choice but to pull up the memory of night they met--- the smell of the college bar, the musk of girls in tiny skirts, the ferment of beer...
Damn! Once the thought of the girl entered his mind, there was no way to get her out of his head. He had no choice but to pull up the memory of night they met--- the smell of the college bar, the musk of girls in tiny skirts, the ferment of beer...
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Published on December 18, 2009 21:44
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December 10, 2009

1) Describe the dynamic between Ram and Alice during the first part of the novel. Why is Ram afraid of Alice's interest in Brahmin culture? If he is a symbol of assimilation, is he effective in that role?
2) What does 'samsara' signify for Alice? For Ram? How about Nela? Explain the strain her "shame" caused her family.
3) How is Alice's state of mind reflected by the clothes she wears? The juxtaposition of a Christian cross with a gold Ganesh around her neck?
4) Throughout the novel, the a...
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Published on December 10, 2009 15:01
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December 8, 2009
1)Favorite phrase in Shiva's Arms?
vidama pidingarathu (the way samsara gets its hooks into you and won't let you go)
2)Favorite maxim or proverb in the book?
The elephant should not marry the mouse
3)Favorite description?
"Soon the lawn bloomed with bright saris. Heads tilted upward to try to see what Amma saw--light traveling to each person, to take with them wherever they went."
4)Scenes that made you want to visit India?
The celebration of Golu; Nela offering her hair at the temple.
5)Favorite ...
vidama pidingarathu (the way samsara gets its hooks into you and won't let you go)
2)Favorite maxim or proverb in the book?
The elephant should not marry the mouse
3)Favorite description?
"Soon the lawn bloomed with bright saris. Heads tilted upward to try to see what Amma saw--light traveling to each person, to take with them wherever they went."
4)Scenes that made you want to visit India?
The celebration of Golu; Nela offering her hair at the temple.
5)Favorite ...
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Published on December 08, 2009 13:30
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December 7, 2009
You tackle several big themes in your bookâculture clash, mental illness and its effect on a family, the ways in which tradition dies hard. Do you believe that you have a core subject, and will write through its permutations, as Faulkner did with race, for instance?
It's tempting to lose myself in such a complex subject as the Indian diaspora, especially as the ramifications evolve, but there are more things in heaven and earth, Horatio.
What challenges did you face in writing about such...
It's tempting to lose myself in such a complex subject as the Indian diaspora, especially as the ramifications evolve, but there are more things in heaven and earth, Horatio.
What challenges did you face in writing about such...
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Published on December 07, 2009 17:50
December 6, 2009
I get the question: "What inspired you to write this?" a lot. The idea for the book took hold as I witnessed conflicts between immigrants and the family members they leave behind. What is lost and what is gained? Stories my husband told me about his childhood in India and my own position as an "unsuitable bride" provided both setting and emotional center.
For VS Naipaul, "finding the centre" was paramount. For me, it's the threshold that holds the most fascination, as it does for the charac...
For VS Naipaul, "finding the centre" was paramount. For me, it's the threshold that holds the most fascination, as it does for the charac...
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Published on December 06, 2009 20:39
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December 4, 2009
"Cheryl Snell's book is an interesting, lyrical, humorous at times - read about two cultures. The main character is charming, vibrant, real in the best of ways. I love reading about different cultures, and ... Cheryl Snell describes in lyrical ways the Indian culture and American artist's reactions and accommodations to that culture. And of character (three-dimensional and likeable, but not perfect) I like. Very good writing."
--Nanette Rayman-Rivera, author of Project: Butterflies, algerias, ...
--Nanette Rayman-Rivera, author of Project: Butterflies, algerias, ...
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Published on December 04, 2009 21:29
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1. Alice. Wife, mother, daughter-in-law, artist, depressive. It's not until she learns the meaning of reconciliation that she finds her place in her extended family.
2. Ram. The husband who runs away from his Hindu culture as fast as his wife runs toward it. He tries to accommodate both his traditional mother (the namesake of the god of destruction) and his wife. The quintessential man in the middle.
3. Amma. Matriarch of a Brahmin joint-family, she must reconcile herself to the culture clash w...
2. Ram. The husband who runs away from his Hindu culture as fast as his wife runs toward it. He tries to accommodate both his traditional mother (the namesake of the god of destruction) and his wife. The quintessential man in the middle.
3. Amma. Matriarch of a Brahmin joint-family, she must reconcile herself to the culture clash w...
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Published on December 04, 2009 17:29
December 3, 2009
Is there a happy medium between Hindu tradition and American style or does the battle of wills between a mother and daughter in law for the love of the man in the middle trump all else?
From a seemingly simple clash of cultures between in-laws, Shiva's Arms evolves into an exploration of freedom and the ties that bind, love and duty. Written in a lyrical style studded with startling imagery, the author uses South Indian myths and customs to explore questions of belonging--national, cultural,...
From a seemingly simple clash of cultures between in-laws, Shiva's Arms evolves into an exploration of freedom and the ties that bind, love and duty. Written in a lyrical style studded with startling imagery, the author uses South Indian myths and customs to explore questions of belonging--national, cultural,...
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Published on December 03, 2009 17:49
December 2, 2009

One version of the origin:
Once,a small rat drew out the wick of a lamp in a Shiva temple, and the glowing lamp filled the temple with light. When it came time for this particular rat to be reborn, it came back as a king, as a reward for its inadvertent good deed. Now, on the full moon day of the Tamil month Karthigai, bonfires are conducted in the temples, showing that we have set fire to our sins and sorrows.
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Published on December 02, 2009 14:17



