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  <id>702678</id>
  <name><![CDATA[Michael Evamy]]></name>
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  <id type="integer">1503874</id>
  <isbn>185669528X</isbn>
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  <title>
    <![CDATA[LOGO]]>
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  <link>http://www.goodreads.com/book/show/1503874.LOGO</link>
  <average_rating>4.43</average_rating>
  <ratings_count>7</ratings_count>
  <description>
    <![CDATA[The logo bible, this book provides graphic designers with an indispensable reference source for contemporary logo design. More than 1300 logos are grouped according to their focal form, symbol, and graphic associations into 75 categories such as crosses, stars, crowns, animals, people, handwritten, illustrative type, etc. To emphasize the visual form of the logos, they are shown predominantly in black and white. <p>By sorting a vast, international array of current logotypes ranging from those of small, design-led businesses to global brands the book offers design consultancies a ready resource to draw on in the research phase of identity projects. Logos are also indexed alphabetically by name of company/designer and by industrial sector, making it easy to piece together a picture of the state of the identity art in any client's marketplace.</p>]]>
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    <id>702678</id>
        <name><![CDATA[Michael Evamy]]></name>
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    <ratings_count>10</ratings_count>
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  </authors>  <published>2007</published>
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        <book>
  <id type="integer">3618788</id>
  <isbn>0823059340</isbn>
  <isbn13>9780823059348</isbn13>
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  <title>
    <![CDATA[World Without Words]]>
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  <average_rating>4.50</average_rating>
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    <![CDATA[World Without Words is about something bigger than what is usually known as &quot;information design.&quot; It is a voyage through the visual shorthand of modern life: the attempts by designers to condense words and data down to their simplest visual equivalents.  Here is a scrapbook of the familiar, the peculiar, the confusing, and the innovative visual language that we as consumers are asked to interpret, such as typical road signs, wash care symbols, Website icons, barcodes and holograms, multinational business logos and brand names, and even US pharmacoepia pictograms. Over 300 full-color illustrations demonstrate how simple images and graphic devices can communicate all kinds of information wordlessly, yet powerfully. Finally, it shows how we are moving toward a world without words, dominated by maps, diagrams, charts, symbols, logos, identity cards, and machine codes.]]>
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    <author>
    <id>702678</id>
        <name><![CDATA[Michael Evamy]]></name>
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  </authors>  <published>2003</published>
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        <book>
  <id type="integer">2387581</id>
  <isbn>1856693198</isbn>
  <isbn13>9781856693196</isbn13>
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  <title>
    <![CDATA[World Without Words]]>
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  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[World Without Words is about something bigger than what is usually known as &quot;information design.&quot; It is a voyage through the visual shorthand of modern life: the attempts by designers to condense words and data down to their simplest visual equivalents.  Here is a scrapbook of the familiar, the peculiar, the confusing, and the innovative visual language that we as consumers are asked to interpret, such as typical road signs, wash care symbols, Website icons, barcodes and holograms, multinational business logos and brand names, and even US pharmacoepia pictograms. Over 300 full-color illustrations demonstrate how simple images and graphic devices can communicate all kinds of information wordlessly, yet powerfully. Finally, it shows how we are moving toward a world without words, dominated by maps, diagrams, charts, symbols, logos, identity cards, and machine codes.]]>
  </description>
<authors>
    <author>
    <id>702678</id>
        <name><![CDATA[Michael Evamy]]></name>
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    <average_rating>4.50</average_rating>
    <ratings_count>10</ratings_count>
    <text_reviews_count>4</text_reviews_count>
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  </authors>  <published>2003</published>
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        <book>
  <id type="integer">6644215</id>
  <isbn>4861005469</isbn>
  <isbn13>9784861005466</isbn13>
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  <title>
    <![CDATA[Logo]]>
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  <description>
    <![CDATA[]]>
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    <author>
    <id>702678</id>
        <name><![CDATA[Michael Evamy]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/702678.Michael_Evamy]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>10</ratings_count>
    <text_reviews_count>4</text_reviews_count>
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    <author>
    <id>2995938</id>
        <name><![CDATA[岸田 麻矢]]></name>
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    <average_rating>0.0</average_rating>
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  </authors>  <published>2008</published>
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        <book>
  <id type="integer">2387582</id>
  <isbn>0953705404</isbn>
  <isbn13>9780953705405</isbn13>
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  <title>
    <![CDATA[Bluewater: Vision to Reality]]>
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  <link>http://www.goodreads.com/book/show/2387582.Bluewater_Vision_to_Reality</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[]]>
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    <author>
    <id>702678</id>
        <name><![CDATA[Michael Evamy]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/702678.Michael_Evamy]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>10</ratings_count>
    <text_reviews_count>4</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
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        <book>
  <id type="integer">1557298</id>
  <isbn>2880466989</isbn>
  <isbn13>9782880466985</isbn13>
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  <title>
    <![CDATA[Insight: A Guide to Design with Low Vision in Mind]]>
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  <small_image_url>http://photo.goodreads.com/books/1185181988s/1557298.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1557298.Insight_A_Guide_to_Design_with_Low_Vision_in_Mind</link>
  <average_rating>0.0</average_rating>
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  <description>
    <![CDATA[As design absorbs the lesson of providing easy access to products and services for people with visual and physical impairments, the notion of &quot;inclusive design&quot; arrives at the top of the agenda; the idea that design should not cater exclusively for those with disabilities, nor should it ignore them. Inclusive design means design for all.   <p>Concentrating on the issues surrounding design with low vision in mind, In Sight puts these demands in a clear and understandable light for the working designer, and deals with the legislation that designers must now incorporate into their work.   <p>This groundbreaking book, the first to deal in an accessible but highly informative way with the area of visual impairment, is an essential text for every practicing designer.</p></p>]]>
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    <author>
    <id>702678</id>
        <name><![CDATA[Michael Evamy]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/702678.Michael_Evamy]]></link>
    <average_rating>4.50</average_rating>
    <ratings_count>10</ratings_count>
    <text_reviews_count>4</text_reviews_count>
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    <author>
    <id>130552</id>
        <name><![CDATA[Lucienne Roberts]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/130552.Lucienne_Roberts]]></link>
    <average_rating>4.06</average_rating>
    <ratings_count>18</ratings_count>
    <text_reviews_count>1</text_reviews_count>
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  </authors>  <published>2003</published>
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