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  <name><![CDATA[Anthony Esolen]]></name>
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    <![CDATA[Inferno]]>
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    <![CDATA[The first part of <a href="http://www.goodreads.com/search/search?q= The Divine Comedy" title=" The Divine Comedy"> The Divine Comedy</a>.<br/><br/>A groundbreaking bilingual edition of Dante&#8217;s masterpiece that includes a substantive Introduction, extensive notes, and appendixes that reproduce Dante&#8217;s key sources and influences.<br/><br/>Translation by Anthony Esolen.]]>
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        <name><![CDATA[Dante Alighieri]]></name>
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    <![CDATA[Jerusalem Delivered]]>
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    <![CDATA[Late in the eleventh century the First Crusade culminated in the conquest of Jerusalem by Christian armies. Five centuries later, when Torquato Tasso began to search for a subject worthy of an epic, Jerusalem was governed by a sultan, Europe was in the crisis of religious division, and the Crusades were a nostalgic memory. Tasso turned to the First Crusade both as a subject that would test his poetic ambition and as a reflection on the quandaries of his own time. He sought to create a masterpiece that would deserve comparison with the great epics of the past.<br/><br/><em>Gerusalemme liberata</em> became one of the most widely read and cherished books of the Renaissance. First published in 1581, it was translated into English by Edward Fairfax in 1600. That translation has been the standard, even though Fairfax was only a good, not a great, poet. Fairfax tried to fit Tasso's verse into Spenserian stanzas, adding to and subtracting from the original and often changing Tasso's meaning.<br/><br/>Anthony Esolen's new translation captures the delight of Tasso's descriptions, the different voices of its cast of characters, the shadings between glory and tragedy -- and it does all this in an English as powerful and clear as Tasso's Italian. Tasso's masterpiece finally emerges as an English masterpiece.]]>
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        <name><![CDATA[Torquato Tasso]]></name>
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  <id type="integer">2442595</id>
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    <![CDATA[The Politically Incorrect Guide to Western Civilization]]>
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    <![CDATA[Western civilization is under attack. At universities and in the media, professors and pundits decry Western civilization as exploitative, destructive, and without value. But fear not: coming to its defense is Professor Anthony Esolen's <em>The Politically Incorrect Guide(TM) to Western Civilization</em>. This &quot;P.I.G.&quot; will knock down the multi-culturalist propaganda and show how the West laid the cornerstones of all modern civilization, including historical, artistic, and intellectual achievements. This new installment in the bestselling P.I.G. series is not just a refreshing roadmap of Western civilization; it is a guide to &quot;us&quot;: who we were, who we are, and where we are going. Using historical evidence and compelling arguments, Esolen proves why we not only owe it to history, but also to ourselves to set the record straight and respectfully acknowledge Western civilization's vital role in shaping our values and our world.]]>
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  <id type="integer">1485385</id>
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    <![CDATA[Ironies of Faith: The Laughter at the Heart of Christian Literature]]>
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    <![CDATA[In Ironies of Faith, celebrated Dante scholar and translator Anthony Esolen provides a profound meditation upon the use and place of irony in Christian art and in the Christian life. Beginning with an extended analysis of irony as an essentially dramatic device, Esolen explores those manifestations of irony that appear prominently in Christian thinking and art: ironies of time (for Christians believe in divine Providence, but live in a world whose moments pass away); ironies of power (for Christians believe in an almighty God who took on human flesh, and whose “weakness” is stronger than our greatest enemy, death); ironies of love (for man seldom knows whom to love, or how, or even whom it is that in the depths of his heart he loves best); and the figure of the Child (for Christians ever hear the warning voice of their Savior, who says that unless we become like unto one of these little ones, we shall not enter the Kingdom of God).<br/> <br/>Esolen’s finely wrought study draws from Augustine (Confessions), Dante (The Divine Comedy), Shakespeare (The Tempest), and Tolkien (“Leaf, By Niggle”); Francois Mauriac (A Kiss for the Leper), Milton (Paradise Lost), and Alessandro Manzoni (The Betrothed); the poems of George Herbert and Gerard Manley Hopkins, and Edmund Spenser (Amoretti); Charles Dickens (A Christmas Carol), Dostoyevsky (The Brothers Karamazov), and the anonymous author of the medieval poem Pearl, among other works. Readers who treasure the Christian literary tradition should not miss this illuminating book. - Publisher's synopsis<br/>]]>
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  <id type="integer">5678053</id>
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    <![CDATA[The Politically Incorrect Guide to Western Civilization]]>
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    <![CDATA[This new installment in the bestselling P.I. Guide series is not just a refreshing road map of Western civilization but also a guide to us: who we were, who we are, and where we are going.]]>
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        <name><![CDATA[Malcolm Hillgartner]]></name>
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