In the twenty years since its original publication, Space and Place has not only established the discipline of human geography, but it has proven influential in such diverse fields as theatre, literature, anthropology, psychology, and theology. Eminent geographer Yi-Fu Tuan considers the ways in which people feel and think about space, how they form attachments to home, neighborhood, and nation, and how feelings about space and place are affected by the sense of time. He suggests that place is security and space is freedom: we are attached to the one and long for the other. Whether he is considering sacred versus "biased" space, mythical space and place, time in experiential space, or cultural attachments to space, Tuan's analysis is thoughtful and insightful throughout.

Until retiring in 1998, Yi-Fu Tuan was a professor of geography at the University of Wisconsin-Madison. He is ranked among the country's most distinguished cultural geographers and has earned numerous honors, among them a Guggenheim Fellowship, the Bracken Award for landscape architecture, and an award for meritorious contribution to geography from the Association of American Geographers. He was recently named the Lauréat d'Honneur 2000 of the International Geographers Union. He is the author of many essays and books, including Escapism (1998) and Cosmos and Hearth (Minnesota, 1999).

Yi-Fu Tuan holds culture and environment and topophilia and environment as distinct in order to show how they mutually contribute to the formation of values. Topophilia examines the search for environment in the city, suburb, countryside, and wilderness from a dialectical perspective, distinguishes different types of environmental experience, and describes their character.

Beginning with the individual and his physical world, Tuan's exploration progresses from the simple to the complex. His initial evaluation of the building blocks of aesthetic experience (sight, hearing, smell, taste, touch) develops gradually into a wide-ranging examination of the most elaborate of human constructs, including art, architecture, literature, philosophy, music, and more.

At one level this is a chronicle of brilliant achievement, at another the story of descent from the "world stage" to privacy. Tuan's story progresses from a childhood in which his father hobnobbed with such Chinese leaders as Chou En-lai to an adulthood spent in a number of U.S. universities. His success in writing on themes of great interest to the general public curiously isolated him from his scholarly base in geography.

At a more serious level, Tuan's bitterness lies in his belief in his own moral failings, his lack of courage-including the courage to be open about his homosexuality-resulting, as he writes, "in a life that is seamed in ambivalence-achingly empty at the core, despairingly alone, yet often content, occasionally even happy," as when he catches glimpses of heaven in his exploration of the beautiful and the good.

Drawing from a lifetime spent thinking and writing about the connection between geography and our spiritual needs, Tuan presents a compelling and meditative foray into how place, home, and homelessness condition us as humans. Complementing his essay is a gallery of fine-art black-and-white and color plates by four emerging contemporary photographers, whose work accords with Tuan's message.