In three novellas and two short stories, Hribal traces the arcs of emotion and action that can follow on the heels of calamity. In the title novella, a divorced woman whose oldest son is hit and killed by a reckless driver struggles to come to terms both with her grief and with the wreckage of her life since her marriage ended. In "War Babies," the sister of a woman killed in what may or may not be an industrial accident tries to imagine the circumstances leading up to her sister's death, believing that in knowledge there could be solace. A different tack is taken by the central character in "Consent," a real estate developer who has to deal with a drowning that occurs in his newest subdivision: his reconstruction of the event carries him into dangerous moral territory. But not all the territory here is dangerous. The novella "And That's the Name of That Tune" features a narrator who recalls his father's escapades in a bar when the son was his seven-year-old companion. Tender, compassionate, bewildered-the son strives to understand the havoc his father inflicts on his family.
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