Unfortunately for Jamalee, Woodrell's Ozarks is a place that rewards ambition with disaster. Here as in his five previous "country noir" novels, Woodrell writes with a keen understanding of class and a barely contained sense of rage. The residents of West Table's trailer parks and shotgun shacks share Sammy's sense of limited possibilities. "I ain't shit! I ain't shit! shouts your brain," Sammy thinks while wandering around the mansion, "and this place proves the point." Even when Jason sticks up for his own family, the way he does so is heartbreaking: "This expression of utter frankness takes over Jason's beautiful face, and he says, 'I don't think we're the lowest scum in town.' He didn't argue that we weren't scum, just disputed our position on the depth chart." With her mildewing etiquette guides and grandiose plans, Jamalee is the only character who doesn't share their sense of defeat, and she's the only one who, in the end, gets away--though she leaves behind her a trail of betrayal and heartache. By the time the novel's final tragedy rolls around, it seems both senseless and inevitable, as tragedies do in real life. Told in a voice that crackles with energy and wit, Tomato Red is sharp, funny, and more importantly, true. --Mary Park
]]>Told through the voice of an overweight 13-year-old boy named Shuggy Atkins, this is the story of Shug; the one person who loves him, his mother Glenda; and her boyfriend Red, a brutal and ignorant man. Red hates Shug but uses him to break into houses to steal drugs and anything else that can be sold. Glenda makes a meager living looking after the local cemetery and spends her time trying to keep Red amused and away from Shug, whom he loves to humiliate but whom she adores. Glenda is Shug's only champion. She calls him Sweet Mister as she continually boosts his confidence and promises a better life for him, if not for herself.
But when Glenda sees a beautiful, green Thunderbird with leather seats and its driver, Jimmy Vin Pearce, a chain of events is set into motion that will end in violence and bloodshed. Glenda must keep hidden from Red her infatuation with Jimmy Vin's money and fine clothes while she and Shug dream separate dreams of making a new life away from the violence.
Woodrell writes books that are small in volume but large in scope. It is impossible to put down this story of less than 200 pages until the final tragedy unfolds. --Otto Penzler
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