Hal Foster





Hal Foster

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Hal Foster is a Professor of Art and Archaeology at Princeton University specializing in 20th century art.

Note: for the comic book artist, see Harold "Hal" Foster.


Average rating: 3.95 · 779 ratings · 55 reviews · 45 distinct works
The Anti-Aesthetic: Essays ...
3.93 of 5 stars 3.93 avg rating — 270 ratings4 editions
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The Return of the Real: Art...
3.79 of 5 stars 3.79 avg rating — 118 ratings — published 1996 — 2 editions
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Art Since 1900: Modernism, ...
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4.23 of 5 stars 4.23 avg rating — 90 ratings — published 2011 — 5 editions
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Design and Crime: And Other...
3.8 of 5 stars 3.80 avg rating — 71 ratings — published 2002 — 6 editions
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Recodings: Art, Spectacle, ...
3.67 of 5 stars 3.67 avg rating — 48 ratings — published 1985 — 3 editions
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Compulsive Beauty
4.21 of 5 stars 4.21 avg rating — 34 ratings — published 1993 — 2 editions
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Art Since 1900: Modernism, ...
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4.29 of 5 stars 4.29 avg rating — 31 ratings — published 2005 — 3 editions
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Art Since 1900: Modernism, ...
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4.06 of 5 stars 4.06 avg rating — 32 ratings — published 2004 — 3 editions
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Vision and Visuality
3.96 of 5 stars 3.96 avg rating — 25 ratings — published 1988 — 2 editions
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Prosthetic Gods
3.75 of 5 stars 3.75 avg rating — 8 ratings2 editions
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“Design is all about desire, but strangely this desire seems almost subject-less today, or at least lack-less; that is, design seems to advance a new kind of narcissism, one that is all image and no interiority - an apotheosis of the subject that is also its disappearance. Poor little rich man: he is 'precluded from all fuure living and striving, developing and desiring' in the neo-Art Nouveau world of total design and Internet plenitude. ”
Hal Foster, Design and Crime: And Other Diatribes

“For Seabrook this 'nobrow' state - where the old brow distinctions no longer seem to apply - is not only a dumbing down of intellectual culture; it is also a wising up to commercial culture, which is no longer seen as an object of disdain but as 'a source of status.' At the same time this child of the elite is ambivalent about the collapse of brow distinctions, caught as he is between the old world of middlebrow taste, as vetted by The New Yorker of yore, and the new world of nobrow taste, where culture and marketing are one. ”
Hal Foster



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