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  <id>64716</id>
  <name><![CDATA[Philip Larkin]]></name>
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  <about><![CDATA[Philip Arthur Larkin, CH, CBE, FRSL, was an English poet, novelist and jazz critic. He spent his working life as a university librarian and was offered the Poet Laureateship following the death of John Betjeman, but declined the post. Larkin is commonly regarded as one of the greatest English poets of the latter half of the twentieth century. He first came to prominence with the release of his third collection The Less Deceived in 1955. The Whitsun Weddings and High Windows followed in 1964 and 1974. In 2003 Larkin was chosen as &quot;the nation's best-loved poet&quot; in a survey by the Poetry Book Society, and in 2008 The Times named Larkin as the greatest post-war writer.<br/><br/>Larkin was born in city of Coventry, West Midlands, England, the only son and younger child of Sydney Larkin (1884–1948), city treasurer of Coventry, who came from Lichfield, and his wife, Eva Emily Day (1886–1977), of Epping. From 1930 to 1940 he was educated at King Henry VIII School in Coventry, and in October 1940, in the midst of the Second World War, went up to St John's College, Oxford, to read English language and literature. Having been rejected for military service because of his poor eyesight, he was able, unlike many of his contemporaries, to follow the traditional full-length degree course, taking a first-class degree in 1943. Whilst at Oxford he met Kingsley Amis, who would become a lifelong friend and frequent correspondent. Shortly after graduating he was appointed municipal librarian at Wellington, Shropshire. In 1946, he became assistant librarian at University College, Leicester and in 1955 sub-librarian at Queen's University, Belfast. In March 1955, Larkin was appointed librarian at the University of Hull, a position he retained until his death.<br/><br/>]]></about>
  <influences><![CDATA[]]></influences>
  <gender>male</gender>
  <hometown>Coventry, West Midlands, England</hometown>
  <born_at>1922/08/09</born_at>
  <died_at>1985/12/02</died_at>
  
  <books>
        <book>
  <id type="integer">111879</id>
  <isbn>0374529205</isbn>
  <isbn13>9780374529208</isbn13>
  <text_reviews_count type="integer">49</text_reviews_count>
  <title>
    <![CDATA[Collected Poems]]>
  </title>
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  <link>http://www.goodreads.com/book/show/111879.Collected_Poems</link>
  <average_rating>4.34</average_rating>
  <ratings_count>497</ratings_count>
  <description>
    <![CDATA[One of the best-known and best-loved poets of the English-speaking world, Philip Larkin had only a small number of poems published during his lifetime. <em>Collected Poems</em> brings together not only all his books--<em>The North Ship</em>, <em>The Less Deceived</em>, <em>The Whitsun Weddings</em>, and <em>High Windows-</em>-but also his uncollected poems from 1940 to 1984. <br/><br/>This new edition reflects Larkin's own ordering for his poems and is the first collection to present the body of his work with the organization he preferred. Preserving everything he published in his lifetime, the new <em>Collected Poems</em> is an indispensable contribution to the legacy of an icon of twentieth-century poetry.<br/>]]>
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        <name><![CDATA[Philip Larkin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1988</published>
</book>

        <book>
  <id type="integer">864051</id>
  <isbn>0571114512</isbn>
  <isbn13>9780571114511</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[High Windows]]>
  </title>
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  <link>http://www.goodreads.com/book/show/864051.High_Windows</link>
  <average_rating>4.24</average_rating>
  <ratings_count>98</ratings_count>
  <description>
    <![CDATA[Philip Larkin ponders ordinary lives in his poems: a Saturday show; travelling  salesmen; young love. At the seaside &quot;Everything crowds under the low horizon: / Steep beach,  blue water, towels, read bathing caps, / The small hushed waves' repeated fresh collapse / Up  the warm yellow sand&quot;. There's an almost Shakespearian obsession with ageing and passing  time in the poems collected in <em>High Windows</em>. &quot;What do they think has happened, the old  fools, to make them like this?&#133;Why aren't they screaming?&quot; Larkin asks of the elderly. His  answer: &quot;Well, we shall find out.&quot; In the titular poem he watches young lovers and wonders &quot;if  anyone looked at me, forty years back, and thought, <em>That'll be the life</em>&quot;. But it's hard to see  into the future or the past: you have to strain, as if looking through a high window, and even then  you may only get a glimpse of light through the &quot;sun-comprehending glass.&quot; <p> <em>High Windows</em> was first published in 1974 and some critics disliked Larkin's work for its  lack of experiment and familiar subject matter. Yet even at its most traditional, Larkin's writing can  be striking as, in &quot;This Be The Verse&quot;, it encapsulates prosaic truths with plain language and  gentle wit:  <p> <blockquote> They fuck you up, your mum and dad.<br/> They may not mean to but they do. <br/> They fill you with the faults they had<br/> And add some extra, just for you. <br/> </blockquote> --<em>Tamsin Todd</em></p></p>]]>
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    <author>
    <id>64716</id>
        <name><![CDATA[Philip Larkin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1974</published>
</book>

        <book>
  <id type="integer">443769</id>
  <isbn>0571097103</isbn>
  <isbn13>9780571097104</isbn13>
  <text_reviews_count type="integer">6</text_reviews_count>
  <title>
    <![CDATA[Whitsun Weddings]]>
  </title>
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  <link>http://www.goodreads.com/book/show/443769.Whitsun_Weddings</link>
  <average_rating>4.02</average_rating>
  <ratings_count>90</ratings_count>
  <description>
    <![CDATA[A collection of poems from a &quot;tenderly observant&quot; poet who writes about what all of us can understand. The title poem describes the poet's journey by train from Hull to London, using the tones and rhythms of ordinary speech and focusing on the urban landscape of the industrial north.]]>
  </description>
<authors>
    <author>
    <id>64716</id>
        <name><![CDATA[Philip Larkin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1964</published>
</book>

        <book>
  <id type="integer">1103562</id>
  <isbn>0571106927</isbn>
  <isbn13>9780571106929</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[A Girl in Winter]]>
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  <link>http://www.goodreads.com/book/show/1103562.A_Girl_in_Winter</link>
  <average_rating>3.78</average_rating>
  <ratings_count>45</ratings_count>
  <description>
    <![CDATA[]]>
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    <author>
    <id>64716</id>
        <name><![CDATA[Philip Larkin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1975</published>
</book>

        <book>
  <id type="integer">111890</id>
  <isbn>0571225829</isbn>
  <isbn13>9780571225828</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Jill]]>
  </title>
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  <link>http://www.goodreads.com/book/show/111890.Jill</link>
  <average_rating>3.77</average_rating>
  <ratings_count>30</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>64716</id>
        <name><![CDATA[Philip Larkin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1984</published>
</book>

        <book>
  <id type="integer">770399</id>
  <isbn>0472085840</isbn>
  <isbn13>9780472085842</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Required Writing: Miscellaneous Pieces 1955-1982]]>
  </title>
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  <link>http://www.goodreads.com/book/show/770399.Required_Writing_Miscellaneous_Pieces_1955_1982</link>
  <average_rating>3.91</average_rating>
  <ratings_count>22</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;The reappearance of Philip Larkin's <em>Required Writing</em> will be welcomed by the late poet's many readers and admirers. The book's first two parts, &quot;Recollections&quot; and &quot;Interviews,&quot; provide autobiographical glimpses of the very private Larkin's childhood, his youth at Oxford, the genesis of his forty-year career as a librarian, and the influences that initially steered his poetry. <br/>&lt;/div&gt;&lt;div&gt;The second half of the book reflects Larkin's literary standards and opinions in often witty and surprising, always beautifully wrought, essays and reviews. His subjects range from Emily Dickinson (were her first lines her best?) to the contemporary mystery novel. <em>Required Writing</em> concludes with a selection of pieces on jazz music.<br/>&lt;/div&gt;&lt;div&gt;&quot;Larkin is a punctilious, honest critic. He prefers good clear writing to pretentious eyewash; he prefers tunes to discordant wailing; and he prefers home to abroad. Unlike the majority of critics, he is clear-sighted enough to say so.&quot; --A. N. Wilson, <em>Sunday Telegraph</em> <br/>&lt;/div&gt;&lt;div&gt;&quot;I read the collection with growing excitement, agreement and admiration. It is the best contemporary account of the writer's true aims I have encountered.&quot; --John Mortimer, <em>Sunday Times</em> (London)<br/>&lt;/div&gt;&lt;div&gt;&quot;Subtle, supple, craftily at ease, Required Writing is on a par with Larkin's poetry--which is just about as high as praise can go.&quot; --Clive James, <em>Observer </em><br/>&lt;/div&gt;&lt;div&gt;Philip Larkin was the author of poetry collections, including <em>High Windows</em>, <em>The Whitsun Weddings</em>, and <em>The Less Deceived</em>; a book of essays entitled <em>All What Jazz: A Record Diary</em>; and two novels, <em>Jill</em>, and <em>A Girl in Winter</em>, published early in his career. <em>Required Reading</em> was originally published by Farrar, Straus &amp; Giroux.<br/>&lt;/div&gt;]]>
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    <author>
    <id>64716</id>
        <name><![CDATA[Philip Larkin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1999</published>
</book>

        <book>
  <id type="integer">111889</id>
  <isbn>057117048X</isbn>
  <isbn13>9780571170487</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Selected Letters of Philip Larkin, 1940-1985]]>
  </title>
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  <link>http://www.goodreads.com/book/show/111889.Selected_Letters_of_Philip_Larkin_1940_1985</link>
  <average_rating>4.39</average_rating>
  <ratings_count>18</ratings_count>
  <description>
    <![CDATA[In addition to his acknowledged position as one of Britain's most important poets of the post-World War II era, Philip Larkin was unquestionably one of the last great letter writers. There are over seven hundred letters in this impressive collection, dating from Larkin's late teens until close to his death at the age of sixty-three in 1985. Early letters to school friends, including the writer Kingsley Amis, form a portrait of the young artist, full of jazz, literature, and obscenities. Later correspondents include the novelist Barbara Pym (whose fictional portraits of genteel English country life Larkin so admired), Robert Conquest, Andrew Motion, and Julian Barnes. In his Introduction, Anthony Thwaite writes: &quot;What is remarkable, for all the masks he put on, is how consistently Larkin emerges, whoever he is writing to . . . [The letters] are an informal record of the lonely, gregarious . . . intolerant, compassionate, eloquent, foul-mouthed, harsh and humorous Philip Larkin, who was not only one of the finest poets of our time but also a compulsive and entertaining letter-writer.&quot;  <p>16 Pages of Black-and-White Photographs Index  <p>Anthony Thwaite lives in Low Tharston, Norfolk, in the United Kingdom.</p></p>]]>
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    <author>
    <id>64716</id>
        <name><![CDATA[Philip Larkin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

        <book>
  <id type="integer">953814</id>
  <isbn>0900533064</isbn>
  <isbn13>9780900533068</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Less Deceived]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/953814.The_Less_Deceived</link>
  <average_rating>3.81</average_rating>
  <ratings_count>16</ratings_count>
  <description>
    <![CDATA[]]>
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    <id>64716</id>
        <name><![CDATA[Philip Larkin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1974</published>
</book>

        <book>
  <id type="integer">953813</id>
  <isbn>0571105033</isbn>
  <isbn13>9780571105038</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[The North Ship]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/953813.The_North_Ship</link>
  <average_rating>4.00</average_rating>
  <ratings_count>11</ratings_count>
  <description>
    <![CDATA[]]>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1974</published>
</book>

        <book>
  <id type="integer">111895</id>
  <isbn>0198121377</isbn>
  <isbn13>9780198121374</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Oxford Book of Twentieth Century English Verse]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1171654158s/111895.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/111895.The_Oxford_Book_of_Twentieth_Century_English_Verse</link>
  <average_rating>4.00</average_rating>
  <ratings_count>9</ratings_count>
  <description>
    <![CDATA[Philip Larkin's Oxford Book of Twentieth-Century English Verse provoked controversy and dispute on first publication in 1973.  Warmly welcomed by fellow poets John Betjeman and W.H. Auden, it was also considered a quirky and idiosyncratic collection by some critics. Today it is recognized as a fine and wide-ranging selection of modern verse, valuable not least because it reflects the tastes of one of the best, and best-loved, English poets of the twentieth century.    As the successor to W.B. Yeats's Oxford Book of Modern Verse 1892-1935, this anthology made a radical re-assessment of the century's achievement in poetry; it represented verse that was `lighter in tone, more understated, more casual, more conversational, more colloquial, in a way more democratic and more domestic than it was for Yeats'.  It also introduced many little-known poets whose names have not entered the canon, and whose contributions add colour and depth to the anthology. As Philip Larkin writes in his Preface, in choosing poems rather than individuals he has brought together `poems that will give pleasure to their readers both separately and as a collection'.    For this latest reissue, the poet's biographer Andrew Motion has written a new Foreword in which he considers the nature of Larkin as editor.]]>
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<authors>
    <author>
    <id>64716</id>
        <name><![CDATA[Philip Larkin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/64716.Philip_Larkin]]></link>
    <average_rating>4.22</average_rating>
    <ratings_count>1075</ratings_count>
    <text_reviews_count>87</text_reviews_count>
  </author>
  </authors>  <published>1973</published>
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