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  <name><![CDATA[Lytton Strachey]]></name>
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  <id type="integer">108824</id>
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  <title>
    <![CDATA[Eminent Victorians]]>
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    <![CDATA[The four biographical essays that make up <em>Eminent Victorians</em>  created something of a stir when they were first published in the spring of 1918, bringing their author instant fame. In his flamboyant collection, Lytton Strachey chose to stray far from the traditional mode of biography: &quot;Those two fat volumes, with which it is our custom to commemorate the dead--who does not know them, with their ill-digested masses of material, their slipshod style, their tone of tedious panegyric, their lamentable lack of selection, of detachment, of design?&quot; Instead he provided impressionistic but acute (and, some said, skewed) portraits. Rarely does Strachey explore the details of a subject's daily or family life unless they point directly to an issue of character. In short, he pioneered a deeply sardonic and often scathingly funny biographical style.<br/><br/>None of Strachey's Victorians emerge unscathed. In his hands, Florence Nightingale is not a gentle archangel descended from heaven to minister sweetly to wounded soldiers, but rather an exacting, dictatorial, and judgmental crusader. Her &quot;pen, in the virulence of its volubility, would rush ... to the denunciation of an incompetent surgeon or the ridicule of a self-sufficient nurse. Her sarcasm searched the ranks of the officials with the deadly and unsparing precision of a machine-gun. Her nicknames were terrible. She respected no one.&quot; Dr. Thomas Arnold, the man appointed to revamp the very private British public school system, fares little better: in Strachey's acid ink, he became &quot;the founder of the worship of athletics and the worship of good form.&quot; In this same vain, military hero General Gordon is portrayed as a temperamental, irascible hermit, occasionally drunk and often found in the company of young boys--a man who tended to forget and forgo the tenets found in the Bible he kept with him always. And the powerful and popular Cardinal Manning, who came within a hair's breadth of succeeding Pope Pius IX, belonged, Strachey writes, &quot;to that class of eminent ecclesiastics ... who have been distinguished less for saintliness and learning than for practical ability.&quot;<br/><br/>As he offered up indelible sketches of his less-than-fab four, Strachey was intent on critiquing established mores. This effortlessly superior wit knew full well that deep convictions and good deeds often go hand in hand with hypocrisy, arrogance, and egomania. His task was to pique those who pretended they did not. <em>--Jordana Moskowitz</em>]]>
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  <id type="integer">437518</id>
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    <![CDATA[Queen Victoria]]>
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    <![CDATA[&lt;div&gt;This is the definitive biography of Britain&#8217;s greatest monarch, who &#8220;was hailed at once as the mother of her people and as the embodied symbol of their imperial greatness.&#8221; &#8220;One of the surpassingly beautiful prose achievements of our time&#8221; (Chicago Daily News). Index; illustrations.<br/>&lt;/div&gt;]]>
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  <id type="integer">421002</id>
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    <![CDATA[Elizabeth and Essex: A Tragic History]]>
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    <![CDATA[&lt;div&gt;One of the most famous and baffling romances in history-between Elizabeth I, Queen of England and Robert Devereux, Earl of Essex-began in May of 1587, when she was fifty-three and he was just shy of twenty.  Their relationship continued until 1601, when the Earl of Essex was beheaded for treason.  And, in a succession of brilliant scenes, Strachey portrays the Queen's and the Earl's compelling attraction for on another, their impassioned disagreements, and their mutual contest for power, which led to a final, tragic confrontation.  Here we also have superb portraits of influential people of the time: Francis Bacon, Robert Cecil, Walter Raleigh, and other figures of the court who struggled to assert themselves in a kingdom that was primarily defined by her sovereign, and so now seen through history's lens as Elizabethan England. <br/>&lt;/div&gt;]]>
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  <id type="integer">108823</id>
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  <title>
    <![CDATA[The Letters of Lytton Strachey]]>
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    <![CDATA[&lt;div&gt;Lytton Strachey is one of the key figures in the cultural life of the twentieth century and his letters are a literary treasure-trove of the man and his world, as well as a record of the startling and poignant love-affair between himself and the painter Dora Carrington. <br/><br/>The breadth of his correspondence is breathtaking, going from precocious childhood letters to those written when he was a member of the secret Cambridge Apostles, and from letters to Leonard and Virginia Woolf, to Maynard Keynes and other members of the Bloomsbury Group, to love letters to Dora Carrington and Duncan Grant. The thousands of letters he wrote retain their vitality to this day, discussing changes in morals, the writing of history, literature and philosophy, politics, war and peace, and the advent of modernism. <br/><br/>Strachey believed that one only really comes to know a writer by reading his correspondence, and if these playful, provocative, and eminently sensible letters attest to anything, it is to the soundness of this belief. <br/>&lt;/div&gt;]]>
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  <id type="integer">108826</id>
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  <title>
    <![CDATA[Biographical Essays]]>
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    <![CDATA[&lt;div&gt;Thirty-five sketches, including pieces on Voltaire, Frederick the Great, Rousseau, Gibbon, Walpole, Boswell, Carlyle, and Sarah Bernhardt, by one of the great biographical writers of this century. Companion volume to Strachey's Literary Essays. Index.<br/>&lt;/div&gt;]]>
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  <id type="integer">3787262</id>
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    <![CDATA[Lytton Strachey by himself; a self-portrait]]>
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  <id type="integer">1491873</id>
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    <![CDATA[Books and Characters: French and English]]>
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    <![CDATA[There is something inexplicable about the intensity of national tastes and the violence of national differences. If, as in the good old days, I could boldly believe a Frenchman to be an inferior creature, while he, as simply, wrote me down a savage, there would be an easy end of the matter.]]>
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  <id type="integer">1965502</id>
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    <![CDATA[Landmarks in French Literature]]>
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    <![CDATA[When the French nation gradually came into existence among the ruins of the Roman civilization in Gaul, a new language was at the same time slowly evolved. This language, in spite of the complex influences which went to the making of the nationality of France, was of a simple origin.]]>
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  <title>
    <![CDATA[The Biography of Florence Nightingale]]>
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    <![CDATA[Florence Nightingale was a healer, a comforter, and a nurturer. But like all of us, she had a dark side. Because of her mystique and her charisma she always got what she wanted. Seldom, did anyone really know her. They were drawn to her. They had to be with her. They admired her. At least one man literally worked himself to death for her. But they did not really know her. There is no doubt she was a force with which one had to attend. Denial of her passion and abilities generally led only to personal devastation! Now you can discover the darker side of Florence Nightingale.]]>
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    <![CDATA[Queen Victoria]]>
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