Jun'ichirō Tanizaki





Jun'ichirō Tanizaki


Born
in Nihonbashi,Tokyo, Japan
July 24, 1886

Died
July 30, 1965

Genre

Influences


Jun'ichiro Tanizaki (谷崎 潤一郎) was a Japanese author, one of the major writers of modern Japanese literature, and perhaps the most popular Japanese novelist after Natsume Sōseki.

Some of his works present a rather shocking world of sexuality and destructive erotic obsessions; others, less sensational, subtly portray the dynamics of family life in the context of the rapid changes in 20th-century Japanese society.

Frequently his stories are narrated in the context of a search for cultural identity in which constructions of "the West" and "Japanese tradition" are juxtaposed. The results are complex, ironic, demure, and provocative.

Average rating: 3.84 · 24,531 ratings · 2,141 reviews · 189 distinct works · Similar authors
In Praise of Shadows

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4.13 avg rating — 5,357 ratings — published 1933 — 2 editions
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The Makioka Sisters

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really liked it 4.00 avg rating — 4,093 ratings — published 1943 — 39 editions
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Naomi

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3.68 avg rating — 3,172 ratings — published 1924 — 35 editions
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Some Prefer Nettles

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3.65 avg rating — 2,249 ratings — published 1928 — 40 editions
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The Key

3.59 avg rating — 2,495 ratings — published 1956 — 64 editions
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Diary of a Mad Old Man

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3.54 avg rating — 1,484 ratings — published 1961 — 34 editions
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Seven Japanese Tales

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3.86 avg rating — 1,119 ratings — published 1963 — 19 editions
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Quicksand

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3.67 avg rating — 952 ratings — published 1928 — 23 editions
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A Cat, a Man, and Two Women

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3.73 avg rating — 566 ratings — published 1936 — 16 editions
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The Secret History of the L...

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3.71 avg rating — 371 ratings — published 1931 — 25 editions
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More books by Jun'ichirō Tanizaki…
“The older we get the more we seem to think that everything was better in the past.”
Jun'ichirō Tanizaki

“Were it not for shadows, there would be no beauty.”
Jun'ichirō Tanizaki, In Praise of Shadows

“Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of shadow and light. For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into its forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway.”
Jun'ichirō Tanizaki, In Praise of Shadows

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