What began as a lark yielded a stunning series of revelations. Elderly people were starving to death in nations sitting atop the world's largest untapped reserves of oil and natural gas. Looters were cavalierly ambling around in flatbed trucks loaded with disinterred nuclear missiles. Statues of and slogans by crazy dictators were springing up as quickly as their corrupt military policemen could rob a passing motorist. And on the main drag in the capital city of each of these profoundly dysfunctional societies, a gleaming American embassy whose staff was quietly calling the shots in a new campaign to de-Russify access to those staggering energy resources.

CIA agents, oilmen and prostitutes mixed uneasily and awkwardly in ad hoc British-style pubs where beers cost a dollar—a day's pay and more than enough to keep out the locals. In an extreme case of the "oil curse," wealth was being pillaged by U.S.-backed autocrats while their subjects plunged into poverty. Meanwhile Taliban-trained Islamic radicals were waiting to fill the vacuum.

It was a volatile mix. But did anybody care?

Rall's magazine account of his 1997 misadventures through Central Asia, "Silk Road to Ruin," was soon followed by a feature he launched on his Los Angeles radio talk show. "Stan Watch: Breaking News from Central Asia," was intended as a send-up of Americans' disinterest in foreign affairs. Again, the joke turned serious. "Stan Watch"'s obscure news stories about the world's most remote countries, which many Americans couldn't even pronounce, became wildly popular. NPR and the BBC simulcast it. A 1999 assassination attempt on Uzbek president Islam Karimov became a subject of intense speculation. Americans, it turned out, were interested in the outside world. They just couldn't read about it in their local newspaper.

Soon, no one knew more about Central Asia than Rall.

Transformed by what he saw being done in America's name and eager to sound the alarm, he became an expert. He returned to visit the region's most rural mountain villages. He brought two dozen ordinary Americans on the bus tour from hell. He went as a rogue independent and as a guest of the State Department. He returned to cover the American invasion of Afghanistan after 9/11, then went back again. Capitals moved, street names changed and the economic fortunes of entire nations turned on a dime from year to the next, but those changes merely reinforced Rall's firm belief that Central Asia is the new Middle East: thrilling, terrifying, simultaneously hopeful and bleak, a battleground for proxy war and endless chaos. It is the ultimate tectonic, cultural and political collision zone. Far away from television cameras and Western reporters, Central Asia is poised to spawn some of the new century's worst nightmares.

It would be simple to dismiss Rall as a whiner if he weren't so right all the time. Furthermore, at the risk of sounding like one of his cartoons, Rall performs a vital social function: he presents a point of view other than that of the demographic 800-pound gorilla, the baby boomer. Rall has no pity for that generation, which he sees as self-indulgent, hypocritical, and well, evil. But the cartoonist is an evenhanded demonizer: Gen-X fares little better; it's clear Rall has no illusions as to what nightmares would ensue if he and his compatriots ran things.

Revenge of the Latchkey Kids is a howl of anger--in perfect pitch. Ted Rall serves up an opinion you won't get anywhere else. Get some before he gives up.

As with the first ATTITUDE, the real treat of ATTITUDE 2 is its spotlighting of cartoonists whose work is so good that it deserves much more attention. Other cartoonists featured include Jennifer Berman ("Berman"), Barry Deutsch ("Ampersand"), Emily S. Flake ("Lulu Eightball"), Justin Jones (Soda-Pong"), Keith Knight ("The K Chronicles), Tim Kreider ("The Pain—When Will It End?"), Kevin Moore ("In Contempt Comics"), Stephen Notley ("Bob the Angry Flower"), Eric Orner ("The Mostly Unfabulous Social Life of Ethan Green"), Greg Peters ("Suspect Device"), Mikhaela B. Reid ("The Boiling Point"), Neil Swaab ("Rehabilitating Mr. Wiggles"), Brian Sendelbach ("Smell of Steve, Inc."), Tak Toyoshima ("Secret Asian Man") and Jason Yungbluth ("Deep Fried").

The first ATTITUDE, which came out in 2002, focused on alternative cartooning with a political bent. Though ATTITUDE 2 doesn't eschew politics, its main target is those cartoonists out to make us laugh using novel approaches to humor and the comics medium.