Arthur C. Danto





Arthur C. Danto

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born
January 01, 1924 in Ann Arbor, The United States

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Arthur Coleman Danto was born in Ann Arbor, Michigan on January 1, 1924. He is an American art critic and professor of philosophy. He is best known as the influential, long-time art critic for The Nation and for his work in philosophical aesthetics and philosophy of history, though he has contributed significantly to a number of fields. His interests span thought, feeling, philosophy of art, theories of representation, philosophical psychology, Hegel's aesthetics, and the philosophers Maurice Merleau-Ponty and Arthur Schopenhauer.


Average rating: 3.94 · 1,261 ratings · 122 reviews · 98 distinct works
After the End of Art: Conte...
3.99 of 5 stars 3.99 avg rating — 145 ratings — published 1996 — 5 editions
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The Transfiguration of the ...
4.15 of 5 stars 4.15 avg rating — 78 ratings — published 1981 — 5 editions
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Andy Warhol
3.74 of 5 stars 3.74 avg rating — 65 ratings — published 1997 — 4 editions
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The Abuse of Beauty: Aesthe...
4.11 of 5 stars 4.11 avg rating — 44 ratings — published 2003 — 3 editions
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Beyond the Brillo Box: The ...
3.72 of 5 stars 3.72 avg rating — 39 ratings — published 1992 — 3 editions
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Unnatural Wonders: Essays f...
3.98 of 5 stars 3.98 avg rating — 41 ratings — published 2005 — 2 editions
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The Philosophical Disenfran...
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3.68 of 5 stars 3.68 avg rating — 31 ratings — published 1986 — 4 editions
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Nietzsche as Philosopher
3.31 of 5 stars 3.31 avg rating — 26 ratings — published 1965 — 3 editions
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The Madonna of the Future: ...
3.75 of 5 stars 3.75 avg rating — 16 ratings — published 2000 — 2 editions
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Encounters and Reflections
3.77 of 5 stars 3.77 avg rating — 13 ratings — published 1990 — 3 editions
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“In my own version of the idea of 'what art wants,' the end and fulfillment of the history of art is the philosophical understanding of what art is, an understanding that is achieved in the way that understanding in each of our lives is achieved, namely, from the mistakes we make, the false paths we follow, the false images we have come to abandon until we learn wherein our limits consist, and then how to live within those limits. ”
Arthur C. Danto, After the End of Art: Contemporary Art and the Pale of History



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