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  <id>57780</id>
  <name><![CDATA[Alice A. Carter]]></name>
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  <id type="integer">100144</id>
  <isbn>0810990687</isbn>
  <isbn13>9780810990685</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Red Rose Girls: An Uncommon Story of Art and Love]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171465232m/100144.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/100144.The_Red_Rose_Girls_An_Uncommon_Story_of_Art_and_Love</link>
  <average_rating>4.08</average_rating>
  <ratings_count>12</ratings_count>
  <description>
    <![CDATA[Alice Carter's <em>The Red Rose Girls</em> traces the lives of three talented artists: Jessie Willcox Smith, Elizabeth Shippen Green, and Violet Oakley. After studying together under the sympathetic guidance of Howard Pyle in Philadelphia, the three (all youngest siblings) decided that they could work best away from the distractions of the city. In 1900, they established their home and studios in a rambling country house called the Red Rose Inn, leading Pyle to dub them the &quot;Red Rose Girls.&quot; Strengthened by the emotional support and artistic inspiration that each gave the others, their careers blossomed. Green was a successful illustrator, especially for <em>Harper's Magazine</em>; Smith produced charming portraits of children; and Oakley was famous for huge murals commissioned to decorate state buildings. With their friend Henrietta Cozens acting as &quot;housewife,&quot; their unconventional living arrangement attracted much interest, not all of it positive. Carter, a professor at San Jose State University, claims that it freed them from the domestic responsibilities and isolation that could cripple an artist, especially a female artist in pre-emancipated society. For eight years the four led an almost idyllic existence of genteel lifestyle and artistic productivity, but eventually the group disintegrated, with Green's marriage causing an especially painful break. Carter's sympathetic, easy prose perfectly complements the women's idealized art and their uncomplicated belief in the goodness of life. Combining delightful photographs of their domestic lives with examples of their work, <em>The Red Rose Girls</em> re-creates a vanished world of optimism and grace. <em>--John Stevenson</em> ]]>
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    <author>
    <id>57780</id>
        <name><![CDATA[Alice A. Carter]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/57780.Alice_A_Carter]]></link>
    <average_rating>4.10</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">258717</id>
  <isbn>0847827089</isbn>
  <isbn13>9780847827084</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Cecilia Beaux: A Modern Painter in the Gilded Age]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173213143m/258717.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173213143s/258717.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/258717.Cecilia_Beaux_A_Modern_Painter_in_the_Gilded_Age</link>
  <average_rating>4.20</average_rating>
  <ratings_count>5</ratings_count>
  <description>
    <![CDATA[“Miss Beaux is not only the greatest woman painter, but the best that has ever lived.”<br/> ―William Merritt Chase, 1899<br/>Author Alice A. Carter expertly traces Cecilia Beaux’s fascinating and unconventional life, from her privileged Philadelphia childhood to her successful penetration into the male-dominated inner circle of the art world of Paris, Philadelphia, and New York. Carter reveals how Beaux’s passion for her work and her headstrong spirit enabled her to achieve professional success unrivaled by any other female artist―and the personal price she paid for it.<br/>Born in Philadelphia in 1855, Cecilia Beaux pursued an artistic career with the same zeal as her male peers, and by the turn of the century she had established an international reputation and exhibited regularly. She worked with eminent artists of her day, including Claude Monet, Winslow Homer, and John Singer Sargent, and in 1895 she became the first full-time female faculty member of the Pennsylvania Academy of Fine Arts. <br/>This is the first illustrated biography of Beaux’s work, showcasing more than 150 paintings and drawings, including her best known high-style portrait commissions of such notable figures as Mrs. Theodore Roosevelt and Georges Clemenceau, as well as later landscapes and still-life compositions. Much of this work has rarely been seen.]]>
  </description>
<authors>
    <author>
    <id>57780</id>
        <name><![CDATA[Alice A. Carter]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/57780.Alice_A_Carter]]></link>
    <average_rating>4.10</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">118903</id>
  <isbn>0810958309</isbn>
  <isbn13>9780810958302</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Essential, The: Thomas Eakins (Essential Series)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171763151m/118903.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1171763151s/118903.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/118903.Essential_The_Thomas_Eakins</link>
  <average_rating>3.00</average_rating>
  <ratings_count>1</ratings_count>
  <description>
    <![CDATA[The Essentials Series. <br/>During Thomas Eakins's lifetime, it was his controversial teaching methods and not his splendid paintings that drew the most attention. Today this extraordinary painter, gifted sculptor, and innovative photographer is hailed as a master of realism in the tradition of Velázquez. This lively portrait comes just in time for a retrospective exhibition at the Philadelphia Museum of Art.]]>
  </description>
<authors>
    <author>
    <id>57780</id>
        <name><![CDATA[Alice A. Carter]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/57780.Alice_A_Carter]]></link>
    <average_rating>4.10</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
  </authors>  <published>2001</published>
</book>

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