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    <![CDATA[Eye-Deep in Hell: Trench Warfare in World War I]]>
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    <![CDATA[<p>Millions of men lived in the trenches during World War I. More than six million died there. In Eye-Deep in Hell, the author explores this unique and terrifying world--the rituals of battle, the habits of daily life, and the constant struggle of men to find meaning amid excruciating boredom and the specter of impending death.</p>]]>
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    <![CDATA[The Social History of the Machine Gun]]>
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    <![CDATA[Cassino: The Hollow Victory - The Battle for Rome, January-June, 1944]]>
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    <![CDATA[&lt;div&gt;&lt;div&gt;The struggle to capture Monte Cassino, the impregnable heights barring the Allied advance on Rome in 1944, was the longest land battle fought in Western Europe in World War II and among the most costly. In four separate assaults over the course of the grim six-month epic, over 105,000 men from the Allied armies and at least 80,000 Germans became casualties and, between the attacks, the armies of both sides endured conditions of appalling privation. In John Ellis' classic account of the battle, few of the Allied commanders, except for the Free French General Juin, emerge with credit. But the author has nothing but admiration and compassion for the courage and endurance of the common soldiers whose experiences he vividly recreates in the pages of this narrative.&lt;/div&gt;&lt;/div&gt;]]>
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    <![CDATA[Brute Force: Allied Strategy and Tactics in the Second World War]]>
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  <id type="integer">1796409</id>
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    <![CDATA[Visible Fictions: Cinema, Television, Video]]>
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    <![CDATA[<p>In a revised edition of this unique work, John Ellis combines an examination of the cinema and television industries with a detailed analysis of their aesthetic and semiotic characteristics. <strong></strong><strong><em>Visible Fictions</em></strong> explores new developments in the theory of narrative and the place of the spectator, re-exploring Ellis's definition of cinema and broadcast TV as interdependent rather than interchangeable cultural forms, with their very own distinct social roles.<br/> <br/> Ellis draws on his own experience as an independent television producer to examine subtle negotiations taking place in the relationship between viewer, program, and progammer in the face of satellite dishes, pay-for-view, and cable television.<br/> <br/> In a new chapter, he discusses the &quot;meaning-routines&quot; fundamental to television broadcasting in TV news, and explores the legacy of the home video boom of the 1980s, the replacement of the drive-in with the &quot;stay-in.&quot; Considering whether, as its cultural importance diminishes, television is now about to experience a kind of liberation, Ellis expresses his notion of an unfolding and unpredictable revolution in broadcasting.</p>]]>
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    <![CDATA[One Day in a Very Long War: Wednesday 25th October 1944]]>
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    <![CDATA[&lt;div&gt;&lt;div&gt;This text focuses on a single day during World War II when the Allied war machine was in top gear, but victory was far from a foreseeable reality. It describes a world-wide conflict from the viewpoint of those who took part on all fronts in both Allied and Axis forces.&lt;/div&gt;&lt;/div&gt;]]>
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    <![CDATA[Diary of a Hangman]]>
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    <![CDATA[From the Barrel of a Gun: A History of Guerrilla, Revolutionary and Counter-Insurgency Warfare, from the Romans to the Present]]>
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    <![CDATA[World War II: A Statistical Survey: The Essential Facts and Figures for All the Combatants]]>
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    <![CDATA[CAVALRY: THE HISTORY OF MOUNTED WARFARE]]>
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    <![CDATA[The author explores in detail the history of mounted warfare which in reality is a history of war itself. For over 3,000 years the mounted warrior was a dominant figure, mobility and speed of the horse were invaluable, and the charge itself often the defining moment of any battle. The author has gone to great lengths to make this a highly readable, well researched, beautifully illustrated history. This book will delight everyone interested in military history and those who are thrilled by the special 'romance' of the horse in warfare.]]>
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