On August 10, 2009, the Andaman Islands were hit by a magnitude 7.6 earthquake occurring below the Indian Ocean.
In which novel does this remote group of islands, or rather the penal colony once located there, figure as the backdrop of one or more characters' history?
a. Gould's Book of Fish (Richard Flanagan)
b. Papillon (Henri Charrière)
c. The Sign of Four (Arthur Conan Doyle)
d. Desolation Island (Patrick O'Brian)
More trivia...
In which novel does this remote group of islands, or rather the penal colony once located there, figure as the backdrop of one or more characters' history?
a. Gould's Book of Fish (Richard Flanagan)
b. Papillon (Henri Charrière)
c. The Sign of Four (Arthur Conan Doyle)
d. Desolation Island (Patrick O'Brian)
More trivia...
Patrick O'Brian
author profile
born
December 12, 1914
died
January 02, 2000
gender
male
genre
Literature & Fiction, Biographies & Memoirs, Historical Fiction
about this author
Patrick O'Brian, CBE (born as Richard Patrick Russ) was an English novelist and translator, best known for his Aubrey–Maturin series of novels set in the Royal Navy during the Napoleonic Wars and centered on the friendship of English Naval Captain Jack Aubrey and the Irish–Catalan physician Stephen Maturin. The 20-novel series is known for its well-researched and highly detailed portrayal of early 19th century life, as well as its authentic and evocative language. A partially-finished twenty-first novel in the series was published posthumously containing facing pages of handwriting and typescript.
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Patrick O'Brian. (2007, October 12). In Wikipedia, The Free Encyclopedia. Retrieved 21:02, Octo...more
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"But you know as well as I, patriotism is a word; and one that generally comes to mean either my country, right or wrong, which is infamous, or my country is always right, which is imbecile."
— Patrick O'Brian
— Patrick O'Brian
" The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again.
Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness.
'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.
Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.' "
— Patrick O'Brian
Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness.
'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.
Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.' "
— Patrick O'Brian
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