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  <id>55140</id>
  <name><![CDATA[Harryette Mullen]]></name>
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        <book>
  <id type="integer">95874</id>
  <isbn>0520231430</isbn>
  <isbn13>9780520231436</isbn13>
  <text_reviews_count type="integer">27</text_reviews_count>
  <title>
    <![CDATA[Sleeping with the Dictionary (New California Poetry, 4)]]>
  </title>
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  <link>http://www.goodreads.com/book/show/95874.Sleeping_with_the_Dictionary</link>
  <average_rating>4.03</average_rating>
  <ratings_count>278</ratings_count>
  <description>
    <![CDATA[Harryette Mullen's fifth poetry collection, <em>Sleeping with the Dictionary, </em>is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, <em>Roget's Thesaurus </em>and <em>The American Heritage Dictionary. </em>In her ménage à trois with these faithful companions, the poet is aware that while <em>Roget </em>seems obsessed with categories and hierarchies, the <em>American Heritage, </em>whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group <em>Oulipo, </em>a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's &quot;Jabberwocky&quot;--also creates a kind of automatic poetic discourse.<br/>Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being &quot;licked all over by the English tongue,&quot; and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a &quot;pillow dictionary.&quot;]]>
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<authors>
    <author>
    <id>55140</id>
        <name><![CDATA[Harryette Mullen]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/55140.Harryette_Mullen]]></link>
    <average_rating>4.18</average_rating>
    <ratings_count>684</ratings_count>
    <text_reviews_count>62</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">519494</id>
  <isbn>1555974562</isbn>
  <isbn13>9781555974565</isbn13>
  <text_reviews_count type="integer">20</text_reviews_count>
  <title>
    <![CDATA[Recyclopedia: Trimmings, S*PeRM**K*T, and Muse &amp; Drudge]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175481901m/519494.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175481901s/519494.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/519494.Recyclopedia_Trimmings_S_PeRM_K_T_and_Muse_Drudge</link>
  <average_rating>4.23</average_rating>
  <ratings_count>123</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;&lt;div&gt;<strong>&lt;div&gt;Three important poetry collections brought together under one cover by Harryette Mullen, author of <em>Sleeping with the Dictionary </em>&lt;div&gt;<em><br/> </em></strong>&lt;/div&gt;&lt;div&gt;<em>if you turned down the media<br/>so I could write a book<br/>then you could look me up<br/>in your voluminous recyclopedia<br/></em>&#8212;from <em>Muse &amp; Drudge</em>&lt;/div&gt;&lt;div&gt;<em><br/>Recyclopedia </em>shows the extraordinary development of Harryette Mullen&#8217;s career, in her books <em>Trimmings, S*PeRM**K*T, </em>and <em>Muse &amp; Drudge</em>, all originally published in the 1990s and now available again to new readers. These prose poems and lyrics bring us into collision with the language of fashion and femininity, advertising and the supermarket, the blues and traditional lyric poetry. <em>Recyclopedia </em>is a major gathering of work by one of the most exciting and innovative poets writing in America today.&lt;/div&gt;&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>55140</id>
        <name><![CDATA[Harryette Mullen]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/55140.Harryette_Mullen]]></link>
    <average_rating>4.18</average_rating>
    <ratings_count>684</ratings_count>
    <text_reviews_count>62</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">519497</id>
  <isbn>0935162151</isbn>
  <isbn13>9780935162158</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Muse and Drudge]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1223663382m/519497.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1223663382s/519497.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/519497.Muse_and_Drudge</link>
  <average_rating>4.30</average_rating>
  <ratings_count>100</ratings_count>
  <description>
    <![CDATA[poetry, &quot;engaged &amp; engaging&quot; (Henry Louis Gates) ]]>
  </description>
<authors>
    <author>
    <id>55140</id>
        <name><![CDATA[Harryette Mullen]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/55140.Harryette_Mullen]]></link>
    <average_rating>4.18</average_rating>
    <ratings_count>684</ratings_count>
    <text_reviews_count>62</text_reviews_count>
  </author>
  </authors>  <published>1995</published>
</book>

        <book>
  <id type="integer">519495</id>
  <isbn>0935162127</isbn>
  <isbn13>9780935162127</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[S*Perm**K*T]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175481902m/519495.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175481902s/519495.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/519495.S_Perm_K_T</link>
  <average_rating>4.44</average_rating>
  <ratings_count>64</ratings_count>
  <description>
    <![CDATA[Poetry. Harryette Mullen is the mixer. Street, jive, down-home post-mod speech meet at the meat market. Food may be the subject of these short prose-poems, but look at us, teasing ourselves with endless adverts to buy, consume more and better - so long as its packaged right, full color box and shrink-wrapped.]]>
  </description>
<authors>
    <author>
    <id>55140</id>
        <name><![CDATA[Harryette Mullen]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/55140.Harryette_Mullen]]></link>
    <average_rating>4.18</average_rating>
    <ratings_count>684</ratings_count>
    <text_reviews_count>62</text_reviews_count>
  </author>
  </authors>  <published>1992</published>
</book>

        <book>
  <id type="integer">519496</id>
  <isbn>0927920026</isbn>
  <isbn13>9780927920025</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Trimmings]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1242414591m/519496.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1242414591s/519496.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/519496.Trimmings</link>
  <average_rating>4.33</average_rating>
  <ratings_count>48</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>55140</id>
        <name><![CDATA[Harryette Mullen]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/55140.Harryette_Mullen]]></link>
    <average_rating>4.18</average_rating>
    <ratings_count>684</ratings_count>
    <text_reviews_count>62</text_reviews_count>
  </author>
  </authors>  <published>1991</published>
</book>

        <book>
  <id type="integer">1007499</id>
  <isbn>1555534643</isbn>
  <isbn13>9781555534646</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Oreo (Northeastern Library of Black Literature)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1180183980m/1007499.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1180183980s/1007499.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1007499.Oreo</link>
  <average_rating>4.04</average_rating>
  <ratings_count>27</ratings_count>
  <description>
    <![CDATA[Born to a Jewish father and black mother who divorce before she is two, Oreo grows up in Philadelphia with her maternal grandparents while her mother tours with a theatrical troupe. Soon after puberty, Oreo heads for New York with a pack on her back to search for her father; but in the big city she discovers that there are dozens of Sam Schwartzes in the phone book, and Oreo's mission turns into a wickedly humorous picaresque quest. The ambitious and playful narrative challenges accepted notions of race, ethnicity, culture, and even the novelistic form itself.]]>
  </description>
<authors>
    <author>
    <id>505551</id>
        <name><![CDATA[Fran  Ross]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/505551.Fran_Ross]]></link>
    <average_rating>4.04</average_rating>
    <ratings_count>27</ratings_count>
    <text_reviews_count>3</text_reviews_count>
  </author>
    <author>
    <id>55140</id>
        <name><![CDATA[Harryette Mullen]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/55140.Harryette_Mullen]]></link>
    <average_rating>4.18</average_rating>
    <ratings_count>684</ratings_count>
    <text_reviews_count>62</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">519498</id>
  <isbn>0934004005</isbn>
  <isbn13 nil="true"></isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Tree Tall Woman]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/519498.Tree_Tall_Woman</link>
  <average_rating>3.25</average_rating>
  <ratings_count>4</ratings_count>
  <description>
    <![CDATA[]]>
  </description>
<authors>
    <author>
    <id>55140</id>
        <name><![CDATA[Harryette Mullen]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/55140.Harryette_Mullen]]></link>
    <average_rating>4.18</average_rating>
    <ratings_count>684</ratings_count>
    <text_reviews_count>62</text_reviews_count>
  </author>
  </authors>  <published>1981</published>
</book>

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