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  <id>54768</id>
  <name><![CDATA[Eric Nisenson]]></name>
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  <id type="integer">355676</id>
  <isbn>0306806444</isbn>
  <isbn13>9780306806445</isbn13>
  <text_reviews_count type="integer">6</text_reviews_count>
  <title>
    <![CDATA[Ascension: John Coltrane and His Quest]]>
  </title>
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  <link>http://www.goodreads.com/book/show/355676.Ascension_John_Coltrane_and_His_Quest</link>
  <average_rating>3.67</average_rating>
  <ratings_count>60</ratings_count>
  <description>
    <![CDATA[Tenor saxophone player Coltrane was a pioneer of free-form jazz, a forerunner of today's world music, and one of the first artists to reflect society's tribulations through his art form--a true original. Nisenson explores the shadow Coltrane cast in this must-read for music fans. Selected discography.]]>
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    <author>
    <id>54768</id>
        <name><![CDATA[Eric Nisenson]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/54768.Eric_Nisenson]]></link>
    <average_rating>3.65</average_rating>
    <ratings_count>153</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>1993</published>
</book>

        <book>
  <id type="integer">97757</id>
  <isbn>031228408X</isbn>
  <isbn13>9780312284084</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[The Making of Kind of Blue: Miles Davis and His Masterpiece]]>
  </title>
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  <link>http://www.goodreads.com/book/show/97757.The_Making_of_Kind_of_Blue_Miles_Davis_and_His_Masterpiece</link>
  <average_rating>3.71</average_rating>
  <ratings_count>52</ratings_count>
  <description>
    <![CDATA[From the moment it was recorded more than 40 years ago, Miles Daviss Kind of Blue was hailed as a jazz classic. To this day it remains the bestselling jazz album of all time. The Making of Kind of Blue is an exhaustively researched examination of how this masterpiece was born. Recorded with Bill Evans, John Coltrane, George Russell, Cannonball Adderly and Miles himself, the album represented some of the real giants of the jazz world at a time when they were at the top of their musical game. The end result was a recording that would forever change the face of music.]]>
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    <author>
    <id>54768</id>
        <name><![CDATA[Eric Nisenson]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/54768.Eric_Nisenson]]></link>
    <average_rating>3.65</average_rating>
    <ratings_count>153</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">355674</id>
  <isbn>0306809885</isbn>
  <isbn13>9780306809880</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Open Sky: Sonny Rollins and His World of Improvisation]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1174043324m/355674.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/355674.Open_Sky_Sonny_Rollins_and_His_World_of_Improvisation</link>
  <average_rating>4.38</average_rating>
  <ratings_count>8</ratings_count>
  <description>
    <![CDATA[Now in paperback: The first-ever biography of one of the legends of modern jazz, written with his full cooperation. Sonny Rollins is one of jazz's great innovators, arguably the most influential tenor saxophonist, along with John Coltrane, in the history of modern jazz. He began his musical career at the age of eleven, and within five short years he was playing with the legendary Thelonious Monk. In the late forties, before his twenty-first birthday, Rollins was in full swing, recording with jazz luminaries such as Charlie Parker, Bud Powell, Max Roach, Art Blakey, and Miles Davis, and he was hailed as the best jazz tenor man alive in the mid-fifties. Still active today, Rollins and his compelling sound reach a whole new generation of listeners with his eagerly anticipated live appearances. Now renowned jazz writer Eric Nisenson provides a long-overdue look at one of jazz's brightest, and most enduring, stars.]]>
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    <author>
    <id>54768</id>
        <name><![CDATA[Eric Nisenson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/54768.Eric_Nisenson]]></link>
    <average_rating>3.65</average_rating>
    <ratings_count>153</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
</book>

        <book>
  <id type="integer">95167</id>
  <isbn>0306806843</isbn>
  <isbn13>9780306806841</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA['Round About Midnight: A Portrait of Miles Davis]]>
  </title>
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  <link>http://www.goodreads.com/book/show/95167._Round_About_Midnight_A_Portrait_of_Miles_Davis</link>
  <average_rating>3.60</average_rating>
  <ratings_count>10</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;From 1975 to 1981 the jazz giant Miles Davis temporarily retired from music. Almost completely reclusive, nobody outside of a very close circle knew what was happening to him. Only one jazz writer was able to get close to him during this time: Eric Nisenson. From 1978 to 1981 Nisenson conducted dozens of interviews with Miles Davis and his associates. The result was<em> 'Round About Midnight, </em>an engaging firsthand account of Miles's fascinating and difficult career. From his recordings with Charlie Parker and the birth of the cool nonet, through the Coltrane quintet, the Gil Evans&#8211;arranged masterpieces of the sixties, the landmark <em>Kind of Blue </em>album, the Shorter/Hancock/ Carter/Williams group, and the success of Miles's fusion recordings of the seventies, Miles's personality&#8212;contemplative, abruptly defiant, strong, elegant&#8212;meshed with his art to form one of the most compelling legends in the history of American music. Whole actively disdaining his audience, he sought to broaden it by incorporating elements of other musics&#8212;classical, flamenco, rock, funk&#8212;into his uncompromising jazz. This contradictory combination of contempt and a desire for recognition fueled controversy in both his public and private lives, and resulted in Miles&#8217;s lengthy self-imposed isolation. Nisenson broke through that isolation, and his biographical portrait is vivid and telling This updated edition features a new preface, new material covering Miles in the eighties, and a new recommended listening section.&lt;/div&gt;]]>
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    <author>
    <id>54768</id>
        <name><![CDATA[Eric Nisenson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/54768.Eric_Nisenson]]></link>
    <average_rating>3.65</average_rating>
    <ratings_count>153</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>1982</published>
</book>

        <book>
  <id type="integer">355673</id>
  <isbn>0306809257</isbn>
  <isbn13>9780306809255</isbn13>
  <text_reviews_count type="integer">2</text_reviews_count>
  <title>
    <![CDATA[Blue: The Murder of Jazz]]>
  </title>
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  <link>http://www.goodreads.com/book/show/355673.Blue_The_Murder_of_Jazz</link>
  <average_rating>3.10</average_rating>
  <ratings_count>10</ratings_count>
  <description>
    <![CDATA[First time in paperback: A leading critic asks the provocative question, Is jazz dying?  <p>Once a thriving body of innovative and fluid music, jazz is now the victim of destructive professional and artistic forces, says Eric Nisenson. Corruption by marketers, appropriation by the mainstream, superficial media portrayal, and sheer lack of skill have all contributed to the demise of this venerable art form. Nisenson persuasively describes how the entire jazz &quot;industry&quot; is controlled by a select cadre with a choke hold on the most vital components of the music. As the listening culture has changed, have spontaneity and improvisation been sacrificed? You can agree or disagree with Nisenson's thesis and arguments, but as Booklist says, &quot;his passion is engrossing.&quot;</p>]]>
  </description>
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    <author>
    <id>54768</id>
        <name><![CDATA[Eric Nisenson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/54768.Eric_Nisenson]]></link>
    <average_rating>3.65</average_rating>
    <ratings_count>153</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>1997</published>
</book>

        <book>
  <id type="integer">355677</id>
  <isbn>031228828X</isbn>
  <isbn13>9780312288280</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Miles Davis Bitches Brew]]>
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  <link>http://www.goodreads.com/book/show/355677.Miles_Davis_Bitches_Brew</link>
  <average_rating>5.00</average_rating>
  <ratings_count>1</ratings_count>
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    <![CDATA[]]>
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    <average_rating>3.65</average_rating>
    <ratings_count>153</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>0</published>
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        <book>
  <id type="integer">6664372</id>
  <isbn>1422350320</isbn>
  <isbn13>9781422350324</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Open Sky: Sonny Rollins and His World of Improvisation]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/6664372-open-sky</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[Now in paperback: The first-ever biography of one of the legends of modern jazz, written with his full cooperation.  Sonny Rollins is one of jazz's great innovators, arguably the most influential tenor saxophonist, along with John Coltrane, in the history of modern jazz. He began his musical career at the age of eleven, and within five short years he was playing with the legendary Thelonious Monk. In the late forties, before his twenty-first birthday, Rollins was in full swing, recording with jazz luminaries such as Charlie Parker, Bud Powell, Max Roach, Art Blakey, and Miles Davis, and he was hailed as the best jazz tenor man alive in the mid-fifties. Still active today, Rollins and his compelling sound reach a whole new generation of listeners with his eagerly anticipated live appearances. Now renowned jazz writer Eric Nisenson provides a long-overdue look at one of jazz's brightest, and most enduring, stars.]]>
  </description>
<authors>
    <author>
    <id>54768</id>
        <name><![CDATA[Eric Nisenson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/54768.Eric_Nisenson]]></link>
    <average_rating>3.65</average_rating>
    <ratings_count>153</ratings_count>
    <text_reviews_count>16</text_reviews_count>
  </author>
  </authors>  <published>2000</published>
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