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  <id>536259</id>
  <name><![CDATA[Abigail A. Van Slyck]]></name>
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  <id type="integer">1082908</id>
  <isbn>0226850323</isbn>
  <isbn13>9780226850320</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Free to All: Carnegie Libraries &amp; American Culture, 1890-1920]]>
  </title>
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  <link>http://www.goodreads.com/book/show/1082908.Free_to_All_Carnegie_Libraries_American_Culture_1890_1920</link>
  <average_rating>3.46</average_rating>
  <ratings_count>13</ratings_count>
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    <![CDATA[&lt;div&gt;Familiar landmarks in hundreds of American towns, Carnegie libraries today seem far from controversial. In <em>Free to All</em>, however, Abigail A. Van Slyck shows that the classical façades and symmetrical plans of these buildings often mask a complex and contentious history.<br/><br/>&quot;The whole story is told here in this book. Carnegie's wishes, the conflicts among local groups, the architecture, development of female librarians. It's a rich and marvelous story, lovingly told.&quot;&#8212;Alicia Browne, <em>Journal of American Culture</em><br/><br/>&quot;This well-written and extensively researched work is a welcome addition to the history of architecture, librarianship, and philanthropy.&quot;&#8212;Joanne Passet, <em>Journal of American History</em><br/><br/>&quot;Van Slyck's book is a tremendous contribution for its keenness of scholarship and good writing and also for its perceptive look at a familiar but misunderstood icon of the American townscape.&quot;&#8212;Howard Wight Marshall, <em>Journal of the Society of Architectural Historians</em><br/><br/>&quot;[Van Slyck's] reading of the cultural coding implicit in the architectural design of the library makes a significant contribution to our understanding of the limitations of the doctrine 'free to all.'&quot;&#8212;<em>Virginia Quarterly Review</em>&lt;/div&gt;]]>
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    <author>
    <id>536259</id>
        <name><![CDATA[Abigail A. Van Slyck]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/536259.Abigail_A_Van_Slyck]]></link>
    <average_rating>3.53</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>1998</published>
</book>

        <book>
  <id type="integer">1724883</id>
  <isbn>081664876X</isbn>
  <isbn13>9780816648764</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[A Manufactured Wilderness: Summer Camps and the Shaping of American Youth, 1890-1960]]>
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  <image_url>http://photo.goodreads.com/books/1187424845m/1724883.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1187424845s/1724883.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1724883.A_Manufactured_Wilderness_Summer_Camps_and_the_Shaping_of_American_Youth_1890_1960</link>
  <average_rating>4.00</average_rating>
  <ratings_count>2</ratings_count>
  <description>
    <![CDATA[Since they were first established in the 1880s, children&#8217;s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they serve? How did they change over time? What factors influenced their design?  To answer these and many other questions, Abigail A. Van Slyck trains an informed eye on the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children.     Following a fascinating history of summer camps and a wide-ranging overview of the factors that led to their creation, Van Slyck examines the intersections of the natural landscape with human-built forms and social activities. In particular, she addresses changing attitudes toward such subjects as children&#8217;s health, sanitation, play, relationships between the sexes, Native American culture, and evolving ideas about childhood.     Generously illustrated with period photographs, maps, plans, and promotional images of camps throughout North America, A Manufactured Wilderness is the first book to offer a thorough consideration of the summer camp environment.]]>
  </description>
<authors>
    <author>
    <id>536259</id>
        <name><![CDATA[Abigail A. Van Slyck]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <average_rating>3.53</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

        <book>
  <id type="integer">5024166</id>
  <isbn>0226850315</isbn>
  <isbn13>9780226850313</isbn13>
  <text_reviews_count type="integer">0</text_reviews_count>
  <title>
    <![CDATA[Free to All: Carnegie Libraries &amp; American Culture, 1890-1920]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/5024166.Free_to_All_Carnegie_Libraries_American_Culture_1890_1920</link>
  <average_rating>0.0</average_rating>
  <ratings_count>0</ratings_count>
  <description>
    <![CDATA[&lt;DIV&gt;Familiar landmarks in hundreds of American towns, Carnegie libraries today seem far from controversial. In <em>Free to All</em>, however, Abigail A. Van Slyck shows that the classical façades and symmetrical plans of these buildings often mask a complex and contentious history.<br/><br/>&quot;The whole story is told here in this book. Carnegie's wishes, the conflicts among local groups, the architecture, development of female librarians. It's a rich and marvelous story, lovingly told.&quot;—Alicia Browne, <em>Journal of American Culture</em><br/><br/>&quot;This well-written and extensively researched work is a welcome addition to the history of architecture, librarianship, and philanthropy.&quot;—Joanne Passet, <em>Journal of American History</em><br/><br/>&quot;Van Slyck's book is a tremendous contribution for its keenness of scholarship and good writing and also for its perceptive look at a familiar but misunderstood icon of the American townscape.&quot;—Howard Wight Marshall, <em>Journal of the Society of Architectural Historians</em><br/><br/>&quot;[Van Slyck's] reading of the cultural coding implicit in the architectural design of the library makes a significant contribution to our understanding of the limitations of the doctrine 'free to all.'&quot;—<em>Virginia Quarterly Review</em>&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>536259</id>
        <name><![CDATA[Abigail A. Van Slyck]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/536259.Abigail_A_Van_Slyck]]></link>
    <average_rating>3.53</average_rating>
    <ratings_count>15</ratings_count>
    <text_reviews_count>1</text_reviews_count>
  </author>
  </authors>  <published>1996</published>
</book>

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