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  <title><![CDATA[Three Tragedies: Antigone, Oedipus the King &amp; Electra]]></title>
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  <title><![CDATA[Heracles and Other Plays]]></title>
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  <title><![CDATA[Bacchae and Other Plays: Iphigenia among the Taurians; Bacchae; Iphigenia at Aulis; Rhesus]]></title>
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  <title><![CDATA[Inventing the Barbarian: Greek Self-Definition through Tragedy (Oxford Classical Monographs)]]></title>
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  <title><![CDATA[Trojan Women and Other Plays]]></title>
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  <title><![CDATA[The Theatrical Cast of Athens: Interactions between Ancient Greek Drama and Society]]></title>
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  <title><![CDATA[New Directions in Ancient Pantomime]]></title>
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      <name><![CDATA[Rosie Wyles]]></name>
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        <book id="1053196">
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  <title><![CDATA[Aristophanes in Performance 421 BC-AD 2007: &quot;Peace&quot;, &quot;Birds&quot; and &quot;Frogs&quot;]]></title>
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      <name><![CDATA[Edith Hall]]></name>
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      <name><![CDATA[Amanda Wrigley]]></name>
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  <title><![CDATA[Dionysus since 69: Greek Tragedy at the Dawn of the Third Millennium]]></title>
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      <name><![CDATA[Amanda Wrigley]]></name>
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      <name><![CDATA[Fiona Macintosh]]></name>
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        <book id="1542812">
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  <title><![CDATA[Greek Tragedy and the British Theatre 1660-1914]]></title>
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      <name><![CDATA[Edith Hall]]></name>
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      <name><![CDATA[Fiona Macintosh]]></name>
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  <title><![CDATA[Greek and Roman Actors: Aspects of an Ancient Profession]]></title>
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  <title><![CDATA[Canary girls and stockpots]]></title>
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      <name><![CDATA[Edith Hall]]></name>
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  <title><![CDATA[Greek and Roman Actors: Aspects of an Ancient Profession]]></title>
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        <author>
      <name><![CDATA[Edith Hall]]></name>
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  <title><![CDATA[Inventing the Barbarian: Greek Self-Definition through Tragedy (Oxford Classical Monographs)]]></title>
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      <name><![CDATA[Edith Hall]]></name>
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      <name><![CDATA[Edith Hall]]></name>
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