An inspirational speech Neil Gaiman gave about starting a career in a creative field:
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Ever since the second book of the Abarat series was published in 2004, I'd been eagerly awaiting the arrival of its sequel. For those who aren't familiar with the books, let me tell you that the Abarat series is a strange beast: kids' stuff by Clive...more
Ever since the second book of the Abarat series was published in 2004, I'd been eagerly awaiting the arrival of its sequel. For those who aren't familiar with the books, let me tell you that the Abarat series is a strange beast: kids' stuff by Clive Barker. Yup.
Barker held back a bit with the weird and creepy stuff for the first two books as he told the story of Candy Quackenbush, a girl from Minnesota who finds a portal to a magical dimension. But in the third one, Abarat: Absolute Midnight, all Hell breaks loose. I can't really describe the plot to you. In third books of five-book series, plots are hard to describe. But in a nutshell an apocalypse has come to Candy's Abarat.
We haven't just got Mater Motley now. We've got eldritch abominations fighting other eldritch abominations.
Highlights include the gorgeous, Barkeresque language, the full-color illustrations every few pages, and Rojo Pixler, who's like every creepy rumor you've heard about Walt Disney.
Romantic spoiler alert:
Who the heck is Gazza? He shows up halfway through the book and instantly he and Candy fall in love with each other. I was rather rooting for Candy/Malingo. Although it would have been disturbing, Candy/Carrion or Candy/Finnegan Hob would have made for an interesting story, too.(less)
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This is pretty exciting stuff, because it gets into the nuts and bolts of how one goes about writing about science. The book is divided into sections, one of which is about actually writing well, one about the peculiarities of certain fields such as...more
This is pretty exciting stuff, because it gets into the nuts and bolts of how one goes about writing about science. The book is divided into sections, one of which is about actually writing well, one about the peculiarities of certain fields such as medicine, and one about working in all the various print markets. Print markets. The biggest problem with this book is that it was published in 2006, and the written word has been through an upheaval since then. I’d recommend this book for the section on craft alone, but the ten pages on writing for the Web left me wanting more.(less)
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The book is pretty much what it sounds like: a collection of the best stuff published in popular science magazines in 2011. The articles range in subject from how you collect semen samples from chimpanzees* to shock reporting on the Gulf oil spill to...more
The book is pretty much what it sounds like: a collection of the best stuff published in popular science magazines in 2011. The articles range in subject from how you collect semen samples from chimpanzees* to shock reporting on the Gulf oil spill to a meditation on the limits of what physics might be able to discover. The book feels like reading many issues of Discover magazine and The New Yorker, because that’s where many of these articles come from. Except that this book is a highlights reel.
* A section of PVC pipe lined with K-Y Jelly, in case you were wondering.(less)
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I'll admit I'm a bit late to the party on this one. The first Artemis Fowl book was published in 2001, when I was a bit older than the series's target demographic, so it got past me until just now. But I'm still #12 on the library waitlist for Game o...more
I'll admit I'm a bit late to the party on this one. The first Artemis Fowl book was published in 2001, when I was a bit older than the series's target demographic, so it got past me until just now. But I'm still #12 on the library waitlist for Game of Thrones, so I thought I'd give it a try. And after reading it, I want to know why these books were marketed only to kids. The subtext here is brilliant.
Artemis Fowl is a millionaire, a criminal mastermind, and twelve years old. His dad has conveniently gone missing after an explosion on a Russian cargo ship and his mother has shut herself up in her room out of grief, so he can run around and do his moneymaking schemes without too much trouble. His accomplices are Butler and his sister Juliet, the butler and maid of the Fowl estate. And... and... the awesomeness of these characters... you simply have to read about them for yourself:
"The Butlers had been serving the Fowls for centuries. It had always been that way. Indeed, there were several linguists of the opinion that this was how the common noun had originated. The first record of this unusual arrangement was when Virgil Butler had been contracted as servant, bodyguard, and cook to Lord Hugo de Folé for one of the first great Norman crusades.
At the age of ten, Butler children were sent to a private training center in Israel, where they were taught the specialized skills needed to guard the latest in the Fowl line. These skills included Cordon Bleu cooking, marksmanship, a customized blend of martial arts, emergency medicine, and information technology. If, at the end of their training, there was not a Fowl to guard, then the Butlers were eagerly snapped up as bodyguards for various royal personages, generally in Monaco or Saudi Arabia."
The whole book reads like this.
Artemis's latest scheme is to kidnap an officer of LEPrecon, the fairy police, and hold her ransom for quite a lot of money. Of course, the situation devolves into a standoff in which Colfer has the chance to trot out heist movie tropes and play with them. There's a fairy sergeant with a cigar in his mouth, a dwarven convict who's sent to work in a plea-bargaining deal, and the smartass techie who walks the fairies through Fowl Manor via his headset. He's a centaur. He loves carrots.
There are, unfortunately, parts of the book that induce giggles for the wrong reasons. Artemis has at his disposal the most cutting-edge of 2001 technology. Near the beginning of the book, he steals some data from a fairy in Saigon and then e-mails it to himself. One can only assume he was using a Hotmail account.
But seriously, just read it for the Butlers. Go read it.(less)
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It's been said that you can learn how to become a better writer both by reading great books and awful ones. Turns out that you can learn from reading books that are just sort of okay, too.
Stealing Death by Janet Lee Carey was published in 2009 and is...more
It's been said that you can learn how to become a better writer both by reading great books and awful ones. Turns out that you can learn from reading books that are just sort of okay, too.
Stealing Death by Janet Lee Carey was published in 2009 and is aimed at the YA market. It's got a neat premise: After a fire burns down his home, the Gwali, a sort of grim reaper/boogeyman, steals the souls of Kipp's parents and puts them in a sack. Kipp will go to incredible lengths to get that sack back. It's also refreshingly different that Carey decided to set this story in an African-like society. (Although the girl on the front cover is quite clearly a white person with darkened skin. But I digress. That was the illustrator's fault.)
I was disappointed to find that Carey took such a cool idea and made a mediocre story out of it. There's nothing at all wrong with this book. But I got about twenty pages into it and wondered to myself why I didn't care what happened next. The answer: It's only a made-up story. Kipp isn't real, so it doesn't matter what happens to him. When you're writing fiction, this is a very bad sign indeed.
Carey tells us, outright, that Kipp is sad that his parents and little brother are dead. Okay. And he has a crush on his landlord's daughter. Okay, but where is the evidence for this? Does he do anything to show that he's sad? No, he just sort of packs up his stuff and starts on his quest. He's okay, but he never makes that jump from "generic YA protagonist" to "person I care about desperately."
I suppose the writing lesson to take away from this is that crafting a compelling story is hard work.(less)
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