Edmund de Waal





Edmund de Waal

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About this author

Edmund de Waal describes himself as a 'potter who writes'. His porcelain has been displayed in many museum collections around the world and he has recently made a huge installation for the dome of the Victoria and Albert Museum in London. Edmund was apprenticed as a potter, studied in Japan, and read English Literature at Cambridge University. 'The Hare with Amber Eyes', a journey through the history of a family in objects, is his most personal book.

http://us.macmillan.com/author/edmund...


Average rating: 3.78 · 3,347 ratings · 635 reviews · 12 distinct works
The Hare With Amber Eyes: A...
3.78 of 5 stars 3.78 avg rating — 3,324 ratings — published 2010 — 15 editions
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The Pot Book
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4.25 of 5 stars 4.25 avg rating — 4 ratings — published 2011
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St. Ives Artists: Bernard L...
3.5 of 5 stars 3.50 avg rating — 4 ratings — published 1997
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De haas met de amberkleurig...
0.0 of 5 stars 0.00 avg rating — 0 ratings — published 2011
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Timeless Beauty: Traditiona...
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4.0 of 5 stars 4.00 avg rating — 2 ratings2 editions
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The Hare with Amber Eyes (I...
3.5 of 5 stars 3.50 avg rating — 2 ratings — published 2012
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20th Century Ceramics
3.5 of 5 stars 3.50 avg rating — 2 ratings2 editions
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From Zero
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4.0 of 5 stars 4.00 avg rating — 1 rating
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Ceramics (Design Sourcebook)
3.0 of 5 stars 3.00 avg rating — 1 rating
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New Ceramic Design
3.0 of 5 stars 3.00 avg rating — 1 rating — published 2000
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“He stands with his hands in his pockets, well-dressed and self-assured, with his life before him and a plush armchair behind him.”
Edmund de Waal, The Hare with Amber Eyes: A Family's Century of Art and Loss

“Yangi, a philosopher, art historian and poet, had evolved a theory of why some objects - pots, baskets, cloth made by unknown crafstmen - were so beautiful. In his view, they expressed unconscious beauty because they had been made in such numbers that the craftsman had been liberated from his ego. The Hare with the Amber Eyes, 2010, p. 5.”
Edmund de Waal

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