Beth Revis's Blog, page 9

April 11, 2014

I've always had a fairly complicated relationship with feminism.

When I was younger, I was fairly proud to not be a feminist. Feminists were screaming harpies who demanded attention and were just causing trouble. Sure, I'd see things that were wrong with society, but I'd say something along the lines of, "I'm not a feminist, but..."

This attitude carried on for quite some time. I remember first coming up with this idea of "I'm not a feminist, but..." in high school--I don't remember the exact reasoning behind the words, but I remember having that attitude. I had that attitude in college, too. We'd discuss literature that obviously had sexist undertones (typical, to be fair, of European literature of a certain age), and that phrase would come up. When I participated in the semi-political professional organization of my state's branch of the National Education Association, I'd make arguments for fair wages and treatment and say, "I'm not a feminist, but..."

But we deserve equal pay.
But the society we live in isn't fair.
But not enough people are standing up for the rights of others.
But we deserve respect.
But it's not right for a woman to be judged solely by her gender.
But, but, but.

There are two things wrong with the phrase, "I'm not a feminist, but..."

First, it's wrong for me to couch my opinions with a disclaimer. Saying something like, "I'm not a feminist, but I feel like women deserve the same rights as men," belittles not just the idea of feminism, but also the idea that what I'm saying matters. I'm dismissing my own words before I even speak them. I'm giving an excuse for why I should be allowed to say the words following the phrase, as if the only reason I would say those words is if I had such an excuse.

The second thing wrong about that phrase is the fact that it exists.

Our society has turned "feminist" into a bad thing to be. A screaming harpie seeking attention and trouble. A thing that we should distance ourself from.

But we deserve equal pay.
But the society we live in isn't fair.
But not enough people are standing up for the rights of others.
But we deserve respect.
But it's not right for a woman to be judged solely by her gender.
But, but, but.

On my second Breathless Reads book tour, I remember very clearly a man from the audience asking us if we felt guilty that we had written books told from a female's point of view. "What about the boys?" he asked. "What about their voices?" Disregarding that myself and Marie Lu had written books that were half from a boy's point of view, I want to point out that word he used.

Guilty. For writing from a woman's perspective.


I'm not a feminist, but I should feel guilty for writing from a girl's point of view.

Across the Universe won an award from RT Book Reviews--the best YA of the year--in 2012. I told a friend about the award.

"What does RT stand for?" she asked.

"Romantic Times."

I can see the confusion in her eyes. "Like...romance novels?"

"Yeah," I said.

She smiled sadly. "Well, it's nice you won an award, even if it's from romance people."

Even if it's from romance people--a genre dominated by women. A genre entirely dismissed as being lesser. Is romance lesser? Of course not. There are some poor romance novels. But there are poor novels in every single genre in print. Had I won an award from, for example, SFWA--maybe an Andre Norton Award for YA SF--that, that would have been prestigious. There are just as many bad SF novels as there are bad romance novels.

I'm not a feminist, but an award in a female-dominated genre is regarded as less that one from a male-dominated one.

(By the way, I'm damn proud of that RT award, and I am freaking excited to accept another one for Shades of Earth next month.)

I'm not a feminist, but books written by women in YA tend to have far more gendered covers than books written by male authors.

I'm not a feminist, but when a book is written about a girl who's real and embraces herself for who she is, it's labeled as feminist, as if such a book cannot stand on its own merit and is somehow odd for being that way.

I'm not a feminist, but when an author is female and writes a female character, some critics automatically assume that the character is far more vapid and stupid than if a male had written a female character.

I'm not a feminist, but I have read book reviews of female authors which are focused primarily on the authors' appearance, giving the book less points because the author is either too slutty or not lady-like or too fat or wears too much (or too little) make-up.

I'm not a feminist, but when a female author is aggressive about her own marketing plan, she's dismissed as being pushy or bossy, but when she's not, she's dismissed as being meek and worthless.

I'm not a feminist, but JK Rowling has never published a book with an obviously female author name.

I'm not a feminist, but an actress in an upcoming YA film recently dismissed the entire YA genre for "diminishing a book's value."

And when I started adding up all these "buts," I realized something important.

I don't have a complicated relationship with feminism at all.

I am a feminist, and I am damn proud of it. Because all a feminist wants is equal treatment and respect. That's all. And the reason why we need feminists in society is because we don't have equal treatment and respect.

It's because even when we see these discrepancies in the world, we still say, "I'm not a feminist, but..."

But...that's changing. Slowly but surely. And part of the reason our society is changing is because more and more people aren't letting their voices fade to silence. From now on, I'm going to say:

I am a feminist, and I believe we're going to change the world.
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Published on April 11, 2014 19:16 • 258 views

April 1, 2014

Today marks the release of one of my favorite YA science fiction novels! From the very first page, I was enraptured with the brilliance of Alexandra Duncan's world.

Okay, so I'm working under the assumption that everyone on Earth has seen the brilliant show Firefly, yes? If not, GET ON THAT PEOPLE, there's naked Nathan Fillion to be had. But meanwhile, you know that episode where we see Saffron for the first time? And we think she's just a completely naive girl from a planet that's kept their society rather primitive, and then she winds up on a spaceship and having adventures? Salvage reminds me of Saffron (except minus the knock-out lipstick).

Let me try to explain in words that don't rely on a deep-seated love of Firefly to understand. Salvage follows Ava, a girl raised on a spaceship that is ruled in a very specific, limiting way. But after she tastes a different life, she is forced to flee her ship. And that's just the beginning...

What I loved about this book (the same thing, btw, that I loved about The Martian and the movie Gravity) was the realism. Alexa has done her science--when Ava leaves the spaceship she's lived on all her life, she doesn't just walk off with no issues at all. But she also knows her sociology and psychology, exploring not just Ava's perspective, but also the different societies she winds up in and how Ava fits into that.

But it's also real in the way it seems like the world and the people are real. Some books you read, and you know they're fiction. And that's fine. We need an escape, and there are some books I pick up, and I know there's going to be a happily ever after, and I know there's going to good guy's going to win, and I can see the plot as it unfolds.

Salvage is not that book.

In Salvage, I had no idea what would happen next. I had no idea if Ava would find a happily ever after. If the characters I'd come to love would live.

Salvage was real.

So definitely give this one a read. It will creep inside your mind and stay under your skin for a long time.

Find out more about the book
Find out more about the author
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Published on April 01, 2014 19:00 • 113 views

March 31, 2014

I am extraordinarily lucky to have had the opportunity to pursue two careers--writing and teaching. Although I'm no longer a teacher (I used to teach English to high school students), there's a part of me that still sees the world through an educator's eyes. I'll visit a museum and think of my former students who would like to see the exhibit, or I'll read something and think to myself, "that would make a great lesson!" I've harassed Laura, my fellow teacher and dear friend, more than a few times with ideas for her to turn something into a lesson because I'm no longer in the classroom.

This is probably why I'm an active mod over at the YA Writers group on Reddit, why I make blog posts about books that are sometimes in an academic or instructional variety, and why my favorite style of presentation to give is a Q&A. It's also probably why I identified so strongly with Hermione Granger.

I'm always afraid of pushing the Hermione-ness of myself too much, and I try not to be a know-it-all, but if you're my friend, there's a 99% chance I've tried to one-up you in a conversation, or slip in a random historical fact, or inserted a weird bit of trivia. It should be noted that the husband won't play Trivial Pursuit with me, and that's probably why we've got such a happy marriage.

But seeing the world with an eye for education has definitely helped me to understand the world better, and to seek out the why of things.

SourceTeaching something forces you to know more about the subject than a student does. This was the first thing I learned as a teacher, the most important lesson, and the one that has stayed with me. I thought I was so smart as a college student. I had a decent GPA, I was young, I was brilliant, I was going to change the world! But knowing the answers to the test don't always mean you understand why an answer exists.

My first few weeks of teaching taught me more about education than five years of college and two degrees and three certificates did. I did far more homework as a teacher than as a student. I prepared a million times more. For every page my students read, I read ten. When I taught a novel, I read not only the novel, but all the criticism, all the analyses, all the background.

In order to condense my lesson into a short, 90 minute lecture, I compiled enough information to fill a book.

SourceEvery year, at least one kid would ask: "Why do we have to learn English anyway? How is that going to help us in the real world?" And every year, I struggled to find an answer. Math and science are easy to see the relevance of. Vocational studies had real-world implications. Even PE could have a lasting effect on the body, if not the mind. But was all just stories and grammar, right? And while lessons on the parts of speech and how to compose a resume are helpful, the literature--the core of every English class--has no real world implications, do they? Your ability to read Shakespeare will likely no effect your chances of securing a job; your understanding of symbolism in modern literature won't get you a pay raise.

Except English classes and literature aren't about what you learn. I don't really care if you know that Moby Dick is a whale or not. English classes and literature are about how you learn, and what matters is that you understand the futility of Captain Ahab's quest.

I never really had a good answer for "why do we have to learn English" when I was a teacher. I tried--the quickest way to distract me from a lesson and invoke a thirty-minute rant from me was to ask that question during class. But it's only now, as a writer, as someone who's making literature, that I realize the importance of it. Just as, as a teacher, I had to truly understand a subject before I could teach it, as a writer, I have to understand the importance of literature before I can write it. And just as my point as a teacher was always to help guide my students into understanding rather than rote memorization, my goal as a writer is to show the world and the character and the story and leave the meaning to grow in the reader's mind.

Writing books isn't just about telling a story. It's about creating a story not of ink and paper, but of thoughts and ideas. If I've done my job--and I try very hard to do this with everything I write--then the story exists beyond the book. It changes the way you see not just the characters, but yourself.

That's why we learn English lit.
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Published on March 31, 2014 21:00 • 73 views

March 29, 2014

On April 1st, the next edition of my monthly newsletter will be out! I just wanted to remind everyone of two important things:

Every month, I'm giving away one signed copy of one of my books to a random subscriber to my newsletter! All you have to do is sign up for the newsletter--nothing else is required. You're automatically entered, and I'll be drawing one name every month for a winner.

The other thing I want everyone to know is that this is not just a newsletter about me. Every month, I collect the best and coolest links dealing with the sci fi nerdy stuff I love, and compile it into the newsletter. I do have book information, but most of the newsletter is cool links and info that I think people would want to read whether or not they're interested in my books. This month's newsletter has information about NASA, a satire film on the Cosmos, info on an exciting new sci fi documentary, Sailor Moon details, a Hitchhiker's Guide to the Galaxy game, and more! So please don't think that I'm going to be spamming you every month with info on me and my books--I'm so not that interesting. :)

If you'd like to sign up, here's an easy form. And I promise: I don't send out emails more than monthly, and I never use your email for anything other than the newsletters or to alert winners of the prizes they've won. The next newsletter goes out on April 1.

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Published on March 29, 2014 21:00 • 115 views

March 28, 2014

Note: let's blame Blogger for the fact that this post didn't go up when I thought I'd scheduled it for... 

CJ Redwine is an amazing person--not only is she the author of the Defiance trilogy, but she's one of the most kind and giving people I know.

So kind, in fact, that she's opened her heart and her home up to adoption. A few years ago, she adopted a little girl from China. And now she's trying to do it again.

CJ and her family has been paired with Isabella, a precious little girl who was born with a few birth defects. Because of her special needs and the timing, CJ and her family need to come up with $15k--fast. And they're asking for help. When good people ask for help for a good cause, the world rises up to meet them.

But CJ and her family aren't asking for the world--they're just asking for a coffee.

Your average coffee at Starbucks costs about $5--and a $5 donation is a simple, easy thing to give. It adds up fast, and it can change the life of this family. Also? A simple, $5 donation will enter you in a prize pack of awesome proportions. There are TONS of prizes available, including an entire set of signed books from me!

Please consider donating to this worthy cause.

For more information, including details of all the prizes, just click here!
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Published on March 28, 2014 18:34 • 113 views

March 24, 2014

Announcing the Girls Gone Sci Fi Tour!

Throughout this week, the ladies above are going to be touring around the south. You can find the full schedule of events here--definitely check it out if you're in the area! And if you happen to be around Asheville, I'll be a guest author at their last stop at Malaprop's Bookstore, 7pm, THIS SATURDAY!

I really hope to see you there! It should be a lot of fun, and I'm honored to be with such amazing ladies!
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Published on March 24, 2014 09:08 • 123 views

March 14, 2014

Today at the League, I write about the YA SF community, and a few members who think there's no real point in writing anything after Heinlein juveniles. Definitely check it out if you're so inclined!

In writing that post, I was reminded of one of my least favorite authors--Faulkner. Which is a shocking thing for me to say, considering I'm Southern and all, but Faulkner is just...well... definitely not my cup of tea.

Part of it comes from me being contrary. In my very Southern university, I was among the most Southern of Southern students, and my profs tended to insist that "of course YOU will LOVE Faulkner!" despite the fact that, yeah, no, I never have. Don't get me started on Gone With the Wind. If you tell me I have to love something, I will probably hate it.

But beyond that, I also tend to fall into the Hemingway camp on Faulkner's literary style.

Source: Rachel Draws
In case you can't read the lovely graphic:
Faulkner: He has never been known to use a word that might send a reader to the dictionary.

Hemingway: Poor Faulkner. Does he really think big emotions come from big words?
While my article at the League references YA Science Fiction specifically, I think a similar attitude has befallen YA in general. There's a prevailing idea that because a book is YA, it is lesser. 
But do these people really think that adult emotions only come from adult books? 
YA genre isn't about anything lesser. There are, if anything more emotions--emotional characters are a part of the trope!
These so-called "genre-elitists" are the worst kind of readers, in my opinion. When someone ascribes the idea that something is better or has more merit or prestige, when someone assigns class levels to art, then that person is diminishing not the art itself, but the people who enjoy that art.   
Art is an object. It has no feeling. It simply is. 
But the people who like the art do have emotions and feelings. When you insult an art, when you say it is lesser, or not important, or not as worthwhile, you are insulting the people who like the art. It's as simple as that. 
I could go on and on about this, but let me take a leaf out of Hemingway's book (rather than Faulkner's). I don't need fancy words for this anyway. 
People who insult other people for liking the things they like are assholes. 
Source: Tom Gauld, via Kelly Said
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Published on March 14, 2014 10:30 • 122 views

March 10, 2014

Today on the League blog, I write about the history of science fiction, and the way it's tied to xenophobia. I don't always link back between blogs, but I particularly like this post, and wanted to point my readers there today as well.

In it, I compare two charts. The first is a chart made by Google which shows the use of the word "xenophobia."

And then I compared it to a chart that shows the number of science fiction novels published in the past century.

To read the entire article and see how I compare a word to a genre, please click here.

I noted in my original article that I had to make the second chart myself, and I wanted to take the time to explain how I made it. There wasn't really room in the original article to discuss it, so here's my methodology.

First, I went to Wikipedia, looking up the number of science fiction novels published in each decade, tracking that in the chart. It was a bit difficult to find reliable data, and I fully admit that the data I ultimately used was not conclusive. As I was trying to show simply a general trend in numbers, I felt that using one source of data was acceptable.
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Published on March 10, 2014 06:30 • 80 views

March 6, 2014

Today it is my pleasure to welcome debut author MG Buehrlen to my blog! Her new book, The 57 Lives of Alex Wayfare hit shelves this Tuesday. It's a story of past lives and time travel, fitting in and accepting yourself. You can read all about here or on MG's site here--you should totally check it out!

To celebrate the book, MG and I did a very special interview. Rather than just make up questions for her to answer, MG and I wrote back and forth, talking about various different topics that span the YA world and The 57 Lives of Alex Wayfare. Read on for our talk, as well as more info on the book!

MG: So, let's talk about EMBRACING YOUR INNER WEIRD. This is something I struggled with so much as a teen — that fear of being ridiculed over something I was deeply passionate about. My passion has always been writing epic adventures and twisty mysteries, but I didn't share that passion with the world until I was much older and much more confident. I was terrified of being teased, so I swept my dream of being an author under the rug. Why is it that girls seem to be criticized more than guys when it comes to expressing their dreams and passions?

BR: Maybe it has something to do more with the nature of the dream than with the dreamer. Because the arts--any arts--are so subjective, there's always the chance that someone won't like the work. If you want to paint a house, there's a clear end-goal in sight, and everyone knows when a house is painted well or not. But if you want to paint someone's portrait, it become a little trickier. Is a photo-realistic portrait of a person "better" than a cubist one? Is something very classical, like the Pre-Raphaelite art, a successful portrait, or is Impressionism? And don't even get me started on Jackson Pollack.
Jackson Pollack art
So, I think it may have less to do with gender lines than it does with the artistic pursuits--perhaps it's just that more women tend to go into the liberal arts than men.

Writing is, in some ways, one of the most soul-crushing dreams to have in the modern world. Successful traditional writing requires many people--an agent, an editor, a publisher, marketing, etc.--to all agree with you that your dream is worthy of success. There are a lot of chances to fail. Add to that the fact that writing requires solitary time--for most people, at least a year to produce a finished work, and nothing to show for it but words. No one expects a painter to sell his first painting in a major gallery, but the first question anyone gets when she's finished a book is, "When will it be published?"

But of course, the thing the writer must do at the end of the day is to stand up, present the work, and hope for the best. When were you able to seize that part of the dream, and how did you find the courage to push past your fears?

MG: That’s a good point. I wasn’t teased when I said I wanted to be a teacher or work with computers. Maybe it wasn’t the profession choice that brought on the fear of being teased, but rather the fear that I wouldn’t be any good. The fear of folks pointing at my painting and saying it was no good.

Honestly, my courage came when I was out on my own in the world, when I was no longer being graded on everything I did (like in school). I pulled back and created in private. I didn’t let anyone critique me for years. It was bliss. It was freedom. No one had a say in my writing except me. Thankfully, I was tough on myself, and I pushed and pushed until I knew I had something worth publishing. That’s when I put my work out there again. I think the difference was that I wanted to be graded on my work instead of being forced to be graded, whether I wanted it or not. The love of the craft had outweighed my fear.

Maybe that’s the heart of the matter. When you’re being bullied and teased, you’re not being allowed to LOVE something with all that’s in you. I think that’s why being a part of a fandom is so important. Within those community walls, you’re allowed to adore something so much that you totally spaz out with ALL THE FEELS. I think we all need that kind of freedom in some area of our lives.

It kind of reminds me of Amy in Across the Universe -- how she never thought she’d miss the sky until she didn’t have one. She was cooped up in that box of a spaceship, with hard and fast rules and walls and boundaries. She didn’t have the freedom she needed to fully live and breathe. I think I felt trapped like that too much as a kid, especially in the public school system. Did you?

BR: YES! I think you've hit the nail on the head entirely. One of the worst things about being bullied and teased is that often, the bullies will tease you for two key things: What you are and cannot help being, and what you want to be. What we are and what we desire are two fundamental parts of our psyche. That's why bullies are so cruel--they're picking on you for things you can't change even if you wanted to. They are the antithesis of acceptance, lovers of conformity, and crushers of our true selves. It's hard enough for someone to be who they want to be on an everyday basis--add to that someone who's constantly telling them that what they want to be is WRONG, and it's little wonder why people get pushed to the edge.

Embracing who you are and what you want out of life so hard that the haters can't make you question yourself is the surest way to escape the vicious cycle of bullying. That or a punch in the face. But I probably shouldn't recommend violence.
Jamestown, site of the "Starving Time"
I loved how you connected this to Amy--so true! The claustrophobia she experiences is so much more than the steel walls around her. Ironically, growing up, I think I put myself in the box, though. I was lucky to not really have many experiences with bullying--but I wanted to belong so much, I willingly tucked myself into a corner of conformity. It wasn't until college--when I moved away from home and started seeing others embrace individuality--that I started to change and become the person I am today. College was a huge transformation for me--and, it should be noted, the first time I started embracing the idea of becoming a writer.

To turn the question back around to you, in your debut, The Fifty-Seven Lives of Alex Wayfare, Alex is teased for something she can't help--slipping back in time to other lives. Even her teachers turn on her--when she argues about a history lesson (because she was there! and knows the teacher is wrong!), I found the teacher's reaction to be even sadder than the kids who tease Alex. Fortunately, though, Alex soon learns what she really is, and comes into her own...

MG: Ha! It's funny you mention Alex's jerky teacher. I modeled that teacher directly after a teacher of mine who seemed to enjoy sucking the life out of me and my passions. I don't think this particular teacher knew they were doing that to me at the time, but I certainly had my share of adult bullies as well as peer bullies. I wrote that scene in 57 Lives partly because it was cathartic, but also because I know there are kids out there who are butting heads with jerky teachers of their own. I wanted to show them that it happens to the best of us, and we do get over it/get past it eventually. I also wanted to show that Alex's world is so much bigger and more important than this one little class with this one little teacher. She has to learn that what that teacher thinks of her doesn't define her.

This version of the print is available here.That's another thing I struggled with as a teen. Letting others define me. Label me. Get mad at me when I didn't fit into the box they'd created for me.

I think most people have a good college experience like you did, one that opens their minds to individuality. Sadly, I didn't. The more I tried to express myself, the more I was judged. The more I reached for my goals, the more I was told I would never meet them, so I should change my focus. I think I just chose the wrong school, honestly. If I had chosen a more artistic-minded college, my experience might have been better. It wasn't until I took control of my path, and stopped letting others map it for me, that I found my feet.

My mom gave me the best gift ever recently -- a framed print of this quote, "She believed she could, so she did." How true for me, personally. No matter how many times people tried to redirect my dreams, I kept the course I believed in. And I came through the other side. I'm pretty proud of that. :)

BR: As a former educator, hearing that teacher was based on real life makes me want to punch things. How horrid! Not that I'm surprised--I definitely witnessed that with others, both as a student and a teacher. But still: horribly bad.

I think it's true of the world that people want others to fit into a box. Part of it is human nature: we want to understand, but understanding requires a definition of what a thing is. Obviously in some ways this is needed--if you have a medical complaint, it's important, for example, for the doctor to know if you're a boy or a girl, or certain ethnicity, or have a certain background. But on a societal level, a human being is hard to define, and when people buck the definitions expected of them, people panic--they try to force you back into the box, or try to relabel you as something else, something other, something dangerous.

What people often forget, though, is that each and everyone one of us is in a constant state of defining and redefining who and what we are.

That's another thing I really liked about Alex--and it reminds me of the quote your mom gave you, too--that she really came into her own when she decided who and what she wanted to be. She dabbles with trying to cram herself into the box, but rejects others expectations in order to be herself--and once she decides to do that, there's no stopping her.

MG: So true. I guess that's a part of myself that I wrote into Alex. I'm just glad she learns that lesson while still in her teen years (unlike me). And I'll definitely let you do some punching on my behalf. ;-)

Thanks for having me on the blog today, Beth. I certainly wouldn't be here if I hadn't embraced my weird!

Thank you so much for being here! Readers, you can find MG's book, The Fifty-Seven Lives of Alex Wayfare wherever books are sold. Here's a little more about it:

For as long as 17-year-old Alex Wayfare can remember, she has had visions of the past. Visions that make her feel like she’s really on a ship bound for America, living in Jamestown during the Starving Time, or riding the original Ferris wheel at the World’s Fair.

But these brushes with history pull her from her daily life without warning, sometimes leaving her with strange lasting effects and wounds she can’t explain. Trying to excuse away the aftereffects has booked her more time in the principal’s office than in any of her classes and a permanent place at the bottom of the social hierarchy. Alex is desperate to find out what her visions mean and get rid of them.

It isn’t until she meets Porter, a stranger who knows more than should be possible about her, that she learns the truth: Her visions aren’t really visions. Alex is a Descender – capable of traveling back in time by accessing Limbo, the space between Life and Afterlife. Alex is one soul with fifty-six past lives, fifty-six histories.

Fifty-six lifetimes to explore: the prospect is irresistible to Alex, especially when the same mysterious boy with soulful blue eyes keeps showing up in each of them. But the more she descends, the more it becomes apparent that someone doesn’t want Alex to travel again. Ever.

And will stop at nothing to make this life her last.

Order links:
Barnes & Noble | Books-a-Million | Amazon | Indiebound | The Book Depository | Waterstones
About MG Buehrlen:

When she’s not writing, M.G. moonlights as a web designer and social media/creative director. She’s the current web ninja lurking behind the hugely popular website, a social network for YA (and kids!) book lovers. The 57 Lives of Alex Wayfare is her debut novel. M.G. lives nestled away in Michigan pines, surrounded by good coffee and good books, with her husband and son and three furbabies. Say hello on Twitter, Facebook, Pinterest, and Tumblr.
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Published on March 06, 2014 21:00 • 67 views
I want to thank everyone for participating in my series on diverse worlds and settings. Authors, thank you for sharing your stories! Readers, thank you for sharing the love of stories!

I hope you liked this series--if so, please let me know on Twitter or Facebook so I can plan more features in the future.

And now for the moment you were all waiting for--the winner of the prize pack!

We had nearly 900 entries total, and I used Rafflecopter to randomly select one winner. And that winner is...

Congrats, Amanda! I've emailed the winner already--thanks to everyone who participated!
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Published on March 06, 2014 07:09 • 92 views