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  <name><![CDATA[Vivian Sobchack]]></name>
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  <title><![CDATA[Carnal Thoughts: Embodiment and Moving Image Culture]]></title>
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      <name><![CDATA[Vivian Sobchack]]></name>
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  <published>2004</published>  
  
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  <title><![CDATA[Screening Space: The American Science Fiction Film]]></title>
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      <name><![CDATA[Vivian Sobchack]]></name>
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  <title><![CDATA[The Persistence of History: Cinema, Television, and the Modern Event]]></title>
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      <name><![CDATA[Vivian Sobchack]]></name>
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  <title><![CDATA[The Address of the Eye: A Phenomenology of Film Experience]]></title>
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      <name><![CDATA[Vivian Sobchack]]></name>
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  <title><![CDATA[An Introduction to Film (2nd Edition)]]></title>
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      <name><![CDATA[Vivian Sobchack]]></name>
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  <title><![CDATA[Screening Space: The American Science Fiction Film]]></title>
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      <name><![CDATA[Vivian Sobchack]]></name>
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  <title><![CDATA[The Persistence of History: Cinema, Television and the Modern Event]]></title>
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      <name><![CDATA[Vivian Sobchack]]></name>
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        <book id="786574">
  <title><![CDATA[Meta-Morphing: Visual Transformation and the Culture of Quick-Change]]></title>
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      <name><![CDATA[Vivian Sobchack]]></name>
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  <title><![CDATA[Meta-Morphing: Visual Transformation and the Culture of Quick-Change]]></title>
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    <author>
      <name><![CDATA[Vivian Sobchack]]></name>
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        <book id="5525951">
  <title><![CDATA[The Summer of Her Baldness: A Cancer Improvisation (Constructs Series)]]></title>
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    <author>
      <name><![CDATA[Vivian Sobchack]]></name>
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      <name><![CDATA[Robert Mugerauer]]></name>
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      <name><![CDATA[Vivian Sobchack]]></name>
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      <name><![CDATA[Randy Swearer]]></name>
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  <published>2004</published>  
  
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