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  <id>38057</id>
  <name><![CDATA[Merri Lisa Johnson]]></name>
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  <fans_count type="integer">1</fans_count>
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        <book>
  <id type="integer">117649</id>
  <isbn>1568581807</isbn>
  <isbn13>9781568581804</isbn13>
  <text_reviews_count type="integer">15</text_reviews_count>
  <title>
    <![CDATA[Jane Sexes It Up: True Confessions of Feminist Desire]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1171741537m/117649.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1171741537s/117649.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/117649.Jane_Sexes_It_Up_True_Confessions_of_Feminist_Desire</link>
  <average_rating>3.72</average_rating>
  <ratings_count>133</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;In <em>Jane Sexes It Up,</em> 20 young, progressive feminists reflect on the limitations they think are imposed by establishment feminism on their bodies and their behavior. In these essays, headed up by editor Merri Lisa Johnson&#8217;s &#8220;Generation X Does the Sex Wars,&#8221; the writers confess their seemingly antifeminist longings and question what role feminist ideals should play in women&#8217;s sexuality. In &#8220;Spanking and the Single Girl,&#8221; Chris Daley wonders whether it&#8217;s acceptable to play the submissive role in an S/M exchange. In &#8220;Vulvodynia &#8212; How Porn Made Me a Woman,&#8221; Katinka Hooijer reveals her affection for porn and the inner conflict her predilection inspires. Sex toy store owner Sarah Smith declares a &#8220;dildo revolution&#8221; &#8212; for women and men, gay and straight &#8212; in her essay of the same name. Whatever the angle, the authors all champion a sex-positive feminism.&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>38057</id>
        <name><![CDATA[Merri Lisa Johnson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/38057.Merri_Lisa_Johnson]]></link>
    <average_rating>3.76</average_rating>
    <ratings_count>157</ratings_count>
    <text_reviews_count>24</text_reviews_count>
  </author>
  </authors>  <published>2002</published>
</book>

        <book>
  <id type="integer">509502</id>
  <isbn>1560257210</isbn>
  <isbn13>9781560257219</isbn13>
  <text_reviews_count type="integer">4</text_reviews_count>
  <title>
    <![CDATA[Flesh for Fantasy: Producing and Consuming Exotic Dance]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1175374500m/509502.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1175374500s/509502.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/509502.Flesh_for_Fantasy_Producing_and_Consuming_Exotic_Dance</link>
  <average_rating>4.20</average_rating>
  <ratings_count>15</ratings_count>
  <description>
    <![CDATA[With a recent burst of feature films, documentaries, and books on strippers, the business of exotic dancing is hotter than ever. Over the last decade there has been a steadily expanding interest in exotic dance, from its role as an &quot;art form&quot; to its benefits as a means of exercise. While the breadth of discussion generated on this topic has expanded, the fundamental debate remains the same: are female strippers empowering themselves or allowing themselves to be exploited?<br/><br/>With her follow-up to <em>Jane Sexes It Up: True Confessions of Feminist Desire</em>, M. Lisa Johnson moves beyond the old debates and gives the reader a glimpse of what exotic dancing is like through the eyes of the stripper. The essays in <em>Flesh for Fantasy</em> cover everything from workplace policies and conditions, legal restrictions, customer behavior, and the struggle to overcome the stereotypes associated with the profession.]]>
  </description>
<authors>
    <author>
    <id>1371089</id>
        <name><![CDATA[R. Danielle Egan]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
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    <link><![CDATA[http://www.goodreads.com/author/show/1371089.R_Danielle_Egan]]></link>
    <average_rating>4.25</average_rating>
    <ratings_count>20</ratings_count>
    <text_reviews_count>5</text_reviews_count>
  </author>
    <author>
    <id>8248</id>
        <name><![CDATA[Katherine Frank]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/8248.Katherine_Frank]]></link>
    <average_rating>3.76</average_rating>
    <ratings_count>127</ratings_count>
    <text_reviews_count>19</text_reviews_count>
  </author>
    <author>
    <id>38057</id>
        <name><![CDATA[Merri Lisa Johnson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/38057.Merri_Lisa_Johnson]]></link>
    <average_rating>3.76</average_rating>
    <ratings_count>157</ratings_count>
    <text_reviews_count>24</text_reviews_count>
  </author>
  </authors>  <published>2005</published>
</book>

        <book>
  <id type="integer">67488</id>
  <isbn>1845112466</isbn>
  <isbn13>9781845112462</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Third Wave Feminism and Television: Jane Puts It in a Box]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1170673343m/67488.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1170673343s/67488.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/67488.Third_Wave_Feminism_and_Television_Jane_Puts_It_in_a_Box</link>
  <average_rating>3.56</average_rating>
  <ratings_count>9</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;&lt;div&gt;The sexual politics of television culture is the territory covered by this ground-breaking book &#8211; the first to demonstrate the ways in which third wave feminist television studies approaches and illuminates mainstream TV. Leading voices in third wave feminism focus on innovative US television shows, including <em>The Sopranos, Oz, Six Feet Under, The L Word</em> and the reality-TV show <em>The Bachelor</em> to take a closer look at the contradictions and reciprocities between feminism and television, engaging as they go in theoretical and critical conversations about media culture, third wave feminism, feminist spectatorship, the sex wars, and the politics of visual pleasure.  <br/> <br/>The book offers an exuberant and accessible discussion of what television has to offer today's feminist fan.  It also sets a new tone for future debate, turning away from a sober, near-pessimistic trend in much feminist media studies to reconnect with the roots of third wave feminism in riot girl culture, sex radical feminism, and black feminism, tracing too the narratives provided by queer theory in which pleasure has a less contested place.<br/> &lt;/div&gt;&lt;/div&gt;]]>
  </description>
<authors>
    <author>
    <id>38057</id>
        <name><![CDATA[Merri Lisa Johnson]]></name>
    <image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-200x266.jpg]]></image_url>
    <small_image_url><![CDATA[http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]]></small_image_url>
    <link><![CDATA[http://www.goodreads.com/author/show/38057.Merri_Lisa_Johnson]]></link>
    <average_rating>3.76</average_rating>
    <ratings_count>157</ratings_count>
    <text_reviews_count>24</text_reviews_count>
  </author>
  </authors>  <published>2007</published>
</book>

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